You guys have heard me talk about Angela Slatter plenty before. She’s a good friend of mine, but more than that, she’s one of the best writers I know. Specialising in dark fantasy and horror, she’s the author of the Aurealis Award-winning The Girl with No Hands and Other Tales, the World Fantasy Award finalist Sourdough and Other Stories, and the Aurealis finalist Midnight and Moonshine (with Lisa L. Hannett). And that’s just a fraction of her bio. She’s the first Aussie to win a British Fantasy Award too. Check out all about her publications and awards here.
Angela has a new chapbook out from Spectral Press called Hearth and Home. It’s a great read and I’ve asked her five questions about it and about horror and her writing in general. The questions are below, but before you read them, go and get the chapbook, as it’s limited edition and there aren’t many left. You can send an email to spectralpress[AT]gmail[DOT]com or maybe get one of the last ones from Angela herself by emailing me[at]angelaslatter[dot]com
You won’t be sorry. So, on with the Qs:
1. What’s “Hearth and Home” all about and why did you write this story?
Well, it’s about a woman whose teenaged son has come home after a lengthy trial. He was found innocent but things are not as they should be, life doesn’t return to ‘normal’. Basically it’s the story of Caroline’s journey through figuring out just how far from normal things are. I wrote it because Simon Marshall-Jones from Spectral Press had said ‘Sooo, hey, how about a chapbook story?’ And I’d seen the work he’d done with other authors such as Gary McMahon in the chapbook series and thought ‘Yep, get me some of that!’
2. What’s the real draw card for you with horror?
I don’t mind gore if it’s well used and cleverly placed for maximum effect, but I really, really hate explicit shock for the sake of shock. It has a numbing effect after a while and that is not the point of horror for me. Horror is about the creeping shiver that becomes a full-blooded scream … I enjoy the psychology of that journey, that’s what wraps me up in a good horror story.
I think they’ve never really gone out of fashion in particular, i.e. genre, quarters, and they’re now riding the wave of small press resurgence. I think that’s because small presses are in a unique position to create books that aren’t your traditional trade paperback with the imperative to sell millions. That’s not to say they don’t want to make money, but there’s definitely a place for books are collectable artefacts that remains even in an age of e-books and the throwaway paperback.
I also like to think that you can see the craft in them, they don’t necessarily look like something that’s from a cookie cutter … there’s an individuality to them that feels very human and person-made.
4. If you could organise one of those haunted house murder mystery dinners, who would you invite? And who would be the killer?
Oooooh. I’m going to ask the living and the dead, the real and the imagined! Angela Carter and Tanith Lee, Tom Hiddleston and Benedict Cumberbatch, Robert Shearman and Lisa Hannett, Mark Gatiss and Christopher Lee, Helen Marshall and Helen Mirren. And Neil Gaiman, who would be the killer and whom no one would suspect coz he always seems so nice.
5. What’s next for Doctor Slatter?
Dr Slatter has three books out this year: The Bitterwood Bible and Other Recountings (from Tartarus Press), Black-Winged Angels (from Ticonderoga Publications), and The Female Factory (written with Lisa Hannett and coming out from Twelfth Planet Press). No matter what anyone tells you, I am open to working with publishers that don’t start with the letter ‘T’.
I currently have a novel called Vigil doing the rounds; I am finishing my novella for Spectral Press, which is called The Witch’s Scale; and I’m finishing up my collection The Tallow-Wife and Other Tales, which is the result of my Queensland Writers Fellowship year; I’m working on another novel called Scandalous Lady Detective, and going back to an old novel called Well of Souls to finish it off.
In between I am occasionally offering an editing and story development service, but it’s starting to feel like a bit of a time-squeeze at this point!
Find out more about Angela here: www.angelaslatter.com/