Last week I posted about the time, back in 1989, when I met Neil Gaiman and got a signed copy of Sandman #1, with no idea at the time of the significance of the event. You can see that post here. At the end of the post I said I would put the call out to my writerly friends and see if any of them had similar inspirations in their lives they might like to share. The wonderful Thoraiya Dyer got back to me with this excellent post and Martin Livings wrote me this great post. Now I have a little something from Jason Nahrung:
When art and circumstance collide.
It was back in 2011 when I’d been to an exhibition at the National Gallery of Victoria about the Secessionist movement — Gustav Klimt is probably the most famous of them. But it was a painting by Oskar Kokoschka, of a Count Verona, and the enigmatic personality of seamstress and muse Emilie Floge that really got under my skin.
Lo, the very next day, an email arrived announcing a new anthology, Tales from the Bell Club (KnightWatch Press, 2012), looking for stories set in a time period that included the Secessionists. A little more research about Verona and the group, and ‘The Kiss’ was born, incorporating Emilie and Gustav and Oskar, a tuberculosis clinic and a cult led by another enigmatic figure, the Comte de St Germain (under one of his nom de plumes).
One of those wonderful moments when arts and circumstances collided, and I got to be an Austrian suffragette of the early 1900s.
Thanks to Amazon’s Look Inside feature, you can read (and buy) the end product here.
This is the Verona painting:
And here’s Emilie:
Jason Nahrung is a Ballarat-based writer and editor. His latest novel is Blood and Dust, an outback vampire adventure melding Mad Max and Anne Rice. www.jasonnahrung.com