Short Story

2013 Aurealis Award winners announced

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April 8, 2014

Saturday was a big day. I drove down to Canberra, took part in the Conflux Writer’s Day minicon, where I did a highspeed “Social Media for Authors” presentation, then went for a quick change of clothes in order to attend the Aurealis Awards ceremony. Nicole Murphy, who organised everything that day, did a truly amazing job. The writers day and awards ceremony were both superb. We caroused and drank and laughed, and fantastic Australian fiction scored very well-deserved awards.

Here are all the fantastic nominees and winners. If you want a sampler of excellent recent Aussie spec fic, here’s your huckleberry:

(The winners are separated at the top of each list of nominees.)

Best Science Fiction Novel

  • Lexicon, Max Barry (Hachette)


  • Trucksong, Andrew Macrae (Twelfth Planet)
  • A Wrong Turn at the Office of Unmade Lists, Jane Rawson (Transit Lounge)
  • True Path, Graham Storrs (Momentum)
  • Rupetta, Nike Sulway (Tartarus)

Best Science Fiction Short Story

  • “Air, Water and the Grove”, Kaaron Warren (The Lowest Heaven)


  • “The Last Tiger”, Joanne Anderton (Daily Science Fiction 5/17/13)
  • “Mah Song”, Joanne Anderton (The Bone Chime Song and Other Stories)
  • “Seven Days in Paris”, Thoraiya Dyer (Asymmetry)
  • “Version 4.3.0.1”, Lucy Stone (Andromeda Spaceways Inflight Magazine #57)

Best Fantasy Novel

  • A Crucible of Souls, Mitchell Hogan (self-published)


  • Lexicon, Max Barry (Hachette Australia)
  • These Broken Stars, Amie Kaufman & Meagan Spooner (Allen & Unwin)
  • Newt’s Emerald, Garth Nix (Jill Grinberg Literary Management)
  • Ink Black Magic, Tansy Rayner Roberts (FableCroft)

Best Fantasy Short Story

  • The Last Stormdancer, Jay Kristoff (Thomas Dunne)


  • “The Touch of the Taniwha”, Tracie McBride (Fish)
  • “Cold, Cold War”, Ian McHugh (Beneath Ceaseless Skies 6/13/13)
  • “Short Circuit”, Kirstie Olley (Oomph: A Little Super Goes a Long Way)
  • “The Year of Ancient Ghosts”, Kim Wilkins (The Year of Ancient Ghosts)

Best Horror Novel

  • Fairytales for Wilde Girls, Allyse Near (Random House Australia)


  • The Marching Dead, Lee Battersby (Angry Robot)
  • The First Bird, Greig Beck (Momentum)
  • Path of Night, Dirk Flinthart (FableCroft)

Best Horror Short Story

  • “The Year of Ancient Ghosts”, Kim Wilkins (The Year of Ancient Ghosts)


  • “Fencelines”, Joanne Anderton (The Bone Chime Song and Other Stories)
  • “The Sleepover”, Terry Dowling (Exotic Gothic 5)
  • “The Home for Broken Dolls”, Kirstyn McDermott (Caution: Contains Small Parts)
  • “The Human Moth”, Kaaron Warren (The Grimscribe’s Puppets)

Best Young Adult Novel (Tie)

  • These Broken Stars, Amie Kaufman & Meagan Spooner (Allen & Unwin)
  • Fairytales for Wilde Girls, Allyse Near (Random House Australia)


  • The Big Dry, Tony Davies (Harper Collins)
  • Hunting, Andrea Host (self-published)
  • The Sky So Heavy, Claire Zorn (University of Queensland Press)

Young Adult Short Story

  • “By Bone-Light”, Juliet Marillier (Prickle Moon)


  • “Mah Song”, Joanne Anderton (The Bone Chime Song and Other Stories)
  • “Morning Star”, D.K. Mok (One Small Step)
  • “The Year of Ancient Ghosts”, Kim Wilkins (The Year of Ancient Ghosts)

Best Collection

  • The Bone Chime Song and Other Stories, Joanne Anderton (FableCroft)


  • Asymmetry, Thoraiya Dyer (Twelfth Planet)
  • Caution: Contains Small Parts, Kirstyn McDermott (Twelfth Planet)
  • The Bride Price, Cat Sparks (Ticonderoga)
  • The Year of Ancient Ghosts, Kim Wilkins (Ticonderoga)

Best Anthology (Tie)

  • The Year’s Best Australian Fantasy and Horror 2012, Liz Grzyb & Talie Helene, eds. (Ticonderoga)
  • One Small Step: An Anthology of Discoveries, Tehani Wessely, ed. (FableCroft)


  • Dreaming of Djinn, Liz Grzyb, ed. (Ticonderoga)
  • The Best Science Fiction and Fantasy Of The Year: Volume Seven, Jonathan Strahan, ed. (Night Shade)
  • Focus 2012: Highlights of Australian Short Fiction, Tehani Wessely, ed. (FableCroft)

Best Children’s Fiction

  • The Four Seasons of Lucy McKenzie, Kirsty Murray (Allen & Unwin)


  • Kingdom of the Lost, Book 2: Cloud Road, Isobelle Carmody (Penguin Group Australia)
  • Refuge, Jackie French (Harper Collins)
  • Song for a Scarlet Runner, Julie Hunt (Allen & Unwin)
  • Rules of Summer, Shaun Tan (Hachette Australia)
  • Ice Breaker: The Hidden 1, Lian Tanner (Allen & Unwin)

Best Illustrated Book/Graphic Novel (Tie)

  • Burger Force, Jackie Ryan (self-published)
  • The Deep Vol. 2: The Vanishing Island, Tom Taylor & James Brouwer (Gestalt)


  • Savage Bitch, Steve Carter & Antoinette Rydyr (Scar Studios)
  • Mr Unpronounceable Adventures, Tim Molloy (Milk Shadow)
  • Peaceful Tomorrows Volume Two, Shane W Smith (Zetabella)

The annual Aurealis Awards ceremony took place at the Great Hall, University House, Australian National University, Canberra. All the details of the awards can be found at the Aurealis Awards website.

Congratulations to all the winners and nominees!

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Far Voyager Postscripts #32/33 ToC announced

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April 7, 2014
Troop Inspection Pete Von Sholly 300x193 Far Voyager Postscripts #32/33 ToC announced

Pete Von Sholly’s “Troop Inspection” for Far Voyager.

This has been far and away the longest gap between a story sale and story publication, for many reasons mostly out of everyone’s control, but I’m very happy to say that Far Voyager Postscripts #32/33 from P S Publishing is finally coming out and it will include my story, Thirty Three Tears to a Teaspoon, along with a plethora of amazing writers. I’m really thrilled to be a part of this one. See the solid list of names below. And also check out that amazing cover artwork. It’s Pete Von Sholly’s “Troop Inspection”. You can click on that image for a larger version.

What’s also very exciting, apart from being in this publication myself, is that quite a few other great Aussies are in there too. As it’s a very well-respected UK publisher, it’s always great to see Australian voices represented. Along with myself are Angela Slatter, Lisa Hannett, Angie Rega, and Suze Willis.

The full ToC is shown below. I’ll be sure to post again when you can pre-order/buy the release.

Far Voyager — Ian Sales
3 A.M. in the Mesozoic Bar — Michael Swanwick
Dear Miss Monroe — Andrew Jury
The Case of the Barking Man — Mel Waldman
One Hundred Thousand Demons and the Cherub of Desire — Andrew Drummond
An American Story — Darrell Schweitzer
Irezumi — John Langan
Sister Free — Rio Youers
A Little Off the Top — Tom Alexander
Sweetheart, I Love You — Mel Waldman
Winter Children — Angela Slatter
A Girl of Feather and Music — Lisa L. Hannett
Thirty Three Tears to a Teaspoon — Alan Baxter
The Rusalka Salon for Girls Who Like to Get Their Hair Wet — Angie Rega
The Psychometrist — Suzanne J. Willis
Sea Angels — Quentin S. Crisp
Plink — Kurt Dinan
Xaro — Darren Speegle
We Are Not Alone — Richard Calder
The Curtain — Thana Niveau
Playground — Gio Clairval
What Once Was Bone — Gary A. Braunbeck
Darkscapes: Three Journeys to the Night Side — Mel Waldman
Services Rendered — Bruce Golden
GW in the Afterlife — Robert Reed
Eskimo — Andrew Hook
With Friends Like These — Gary Fry
An Inspector Calls — Ian Watson
Confessions — Mel Waldman
A Legion of Echoes — Alison Littlewood
Talk in Riddles — Mark Reece
The Mermaid and the Fisherman — Paul Park

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Dimension6 Issue 1 available now and it’s free

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April 4, 2014

D6badge 300x256 Dimension6 Issue 1 available now and its freeCoeur De Lion Publishing is one of Australia’s best small press outfits and they always produce fantastic work. You may remember a while ago I was going on about the Anywhere But Earth anthology, which is about the best science fiction short story anthology I’ve seen in years (and not only because I have a story in it!) Keith Stevenson, editor and owner of Coeur De Lion also produced the amazing X6 novella anthology, worth it for Paul Haines’ story Wives, apart from the other five sterling pieces of work therein.

Well, now Keith is weaving his magic again with a new project. Dimension6 is an ebook magazine, featuring three spec fic stories, three times a year and it’s both DRM-free and cashmoney free. That’s right – free to read on any device. Issue 1 is out now and you can get mobi or epub versions here. While you’re there, sign up for the D6 newsletter so you always know when a new issue comes out.

Issue #1 features:

‘Ryder’ by Richard Harland
Sent from bustling Sydney to boring country NSW during World War I, life is undeniably dull for Sally. Until she meets Ryder.

‘The Message’ by Charlotte Nash
On a future Earth ravaged by the Event, a soldier with a terrifying secret must travel behind enemy lines.

‘The Preservation Society’ by Jason Nahrung
For the undead, blood is more than sustenance. It’s a connection to the memory of life.

Issue 2 will feature three more great Australian authors including yours truly. My story, Upon a Distant Shore, will be in Dimension6 issue 2 in July. In the meantime, get your reading teeth (eye teeth?) into issue 1.

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Earthsea revisited and visited anew

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April 1, 2014

I mentioned a while back that I was embarking on a reread of Ursula Le Guin’s Earthsea novels. It was, in fact, only a part reread. There are six Earthsea books, that Le Guin likes to refer to as either the Earthsea Cycle, or the two Earthsea trilogies. Until now I’d only read the first trilogy. (There are also two short stories in the collection The Wind’s Twelve Quarters, but I’m not including those. I’ve got that collection and will get around to it at some point.)

Earthsea 300x174 Earthsea revisited and visited anewI came across the first trilogy – A Wizard of Earthsea, The Tombs of Atuan and The Farthest Shore – when I was 10 or 11 years old. I devoured them and absolutely adored them. They bent my tiny mind and I read them over and over again. I had no idea there were more books in the series (back then, there weren’t). The next trilogy – Tehanu, Tales of Earthsea and The Other Wind – came out much later. The first trilogy was published in 1968, 1971 and 1972. The second in 1990, 2001 and 2001, respectively. Having loved the first trilogy so much, it’s amazing it took me this long to get around to the second, but there you go. So I recently reread the first three and then went on to the “new” three.

Even though I’d read them so many times, it’s been a long time since I last read the original trilogy. I was desperately hoping it wouldn’t turn out to be a disappointment. Within a few pages, my fears were quashed and I was back in Earthsea and remembering just why I loved it so much. The writing is beautiful, so poetic and lyrical, evoking such a fantastic sense of place and character. Yet it’s also tight and spare, no flowering dissertations on every aspect of the story. These are 200 or 300 page novels that could easily be 500 page novels if Le Guin was prone to the “big fat fantasy” style so common today. But she’s not and it’s one of the things I like so much about these books. They’re perfectly sized stories, perfectly written. And the tales themselves are just as enchanting now I’m in my 40s as they were before I hit my teens. I can’t wait until my son is old enough to read them.

So then I was set to embark on the second trilogy for the first time. Would these disappoint? Could I be as charmed by a revisit to those classic novels? Well, yes, I could. In all honestly, I think I enjoyed the first of the new three, Tehanu, more than the others. But the set of six as a whole does a wonderful job of telling a huge story. Especially as Tales From Earthsea is a collection of short stories and novellas, all designed to fill in history and backstory of the bigger arc, yet all wonderful stories in their own right.

One of the most interesting things for me was an afterword by Le Guin in the last book, where she talks about the time spent writing these six novels and how she thinks it’s finished now, but never say never. Perhaps the most interesting part of that for me was that she didn’t really recognise the theme of the whole series until she was writing the last book. She realised what she was fundamentally writing about when she’d finished, not when she started. She began telling stories she was compelled to tell and let the underlying theme of her work worry about itself. I think that’s a great lesson for writers – don’t stress about what you’re trying to do or trying to say, as then you might focus too much on the message and lose the magic. Just tell your stories, and trust that whatever thematic form is squirming in your subconscious will find its way out over time.

Either way, I loved my return to Earthsea and it still stands as one of my favourite series of all time. Six wonderful books that I’m sure I’ll visit again and again.

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The little anthology that could – Suspended in Dusk

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March 5, 2014

I’m glad we can finally announce this one officially. Editor, Simon Dewar, approached me a while ago asking if I’d be interested in submitting to an anthology he was putting together called Suspended in Dusk. The theme was exactly what the title suggests and loosely based at that. He wanted a collection of horror and dark fantasy stories and the publisher was already lined up.

botd logo 150x150 The little anthology that could   Suspended in DuskI sent him a story which he liked and everything was going ahead when he ran into some problems and the publisher had to put the book on indefinite hold. No one’s fault, just one of those industry things that happens from time to time. Rather than hold on to everyone’s stories indefinitely, Simon said he would try to find another publisher or let our stories back to us if he couldn’t. Another publisher cropped up but didn’t eventuate. Simon was prepared to give it all up as an unfortunate series of events, but like a good terrier, he gave the whole project one last solid shake and landed the anthology with Books of the Dead Press and it’s all going ahead after all. Simon’s official announcement is here.

As Simon says:

Over the last few months I’ve collected 19 short stories which I feel are a broad representation of some of the established and new talent within the horror/dark/weird genres. I am also very pleased that over one-third (42% unless I screwed the maths) of the table of contents are women who, frankly, scare the crap out of me every bit as much as their male counterparts (probably more!).

The anthology has a great lineup of names including Ramsey Campbell (Bram Stoker and British Fantasy award winner), Angela Slatter (British Fantasy Award Winner and Aurealis Award winner) and John Everson (Bram Stoker Award winner) along with myself and a bunch of other emerging and established names. The full Table of Contents will be announced in due course. I’m very pleased to be in such august company. My story is called Shadows of the Lonely Dead and I’m very proud of it and glad it’s found such a good home.

Watch this space for further announcements.

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2013 Aurealis Awards finalists announced

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February 16, 2014

AA logo 2013 Aurealis Awards finalists announcedAfter a record number of entries, the finalists for the 2013 Aurealis Awards have been announced.

The Aurealis Awards are Australia’s premier speculative fiction awards. The ceremony will take place April 5, 2014 in Canberra. The venue is the Great Hall, University House, Australian National University.

Doors open 7pm for drinks, ceremony begins at 8pm. Details here: http://www.aurealisawards.com/

Congratulations to all the very worthy nominees!

The 2013 Aurealis Awards Finalists are:

BEST ILLUSTRATED BOOK OR GRAPHIC NOVEL

Savage Bitch by Steve Carter and Antoinette Rydyr (Scar Studios)

Mr Unpronounceable Adventures by Tim Molloy (Milk Shadow Books)

Burger Force by Jackie Ryan (self-­‐published)

Peaceful Tomorrows Volume Two by Shane W Smith (Zetabella Publishing)

The Deep Vol. 2: The Vanishing Island by Tom Taylor and James Brouwer (Gestalt Publishing)

BEST CHILDREN’S BOOK

Kingdom of the Lost, book 2: Cloud Road by Isobelle Carmody (Penguin Group Australia)

Refuge by Jackie French (Harper Collins)

Song for a scarlet runner by Julie Hunt (Allen & Unwin)

The four seasons of Lucy McKenzie by Kirsty Murray (Allen & Unwin)

Rules of Summer by Shaun Tan (Hachette Australia)

Ice Breaker: The Hidden 1 by Lian Tanner (Allen & Unwin)

BEST YOUNG ADULT SHORTFICTION

“Mah Song” by Joanne Anderton (The Bone Chime Song and Other Stories, FableCroft Publishing)

“By Bone-­‐light” by Juliet Marillier (Prickle Moon, Ticonderoga Publications)

“Morning Star” by D.K. Mok (One  Small Step, an anthology of discoveries, FableCroft Publishing)

“The Year of Ancient Ghosts”  by Kim Wilkins (The Year of Ancient  Ghosts, Ticonderoga Publications)

BEST YOUNG ADULT NOVEL

The Big Dry by Tony Davies (Harper Collins)

Hunting by Andrea Host (self-­‐published)

These Broken Stars by Amie Kaufman and Meagan  Spooner (Allen & Unwin)

Fairytales for Wilde Girls by Allyse  Near (Random House  Australia)

The Sky So Heavy  by Claire Zorn (University of Queensland Press)

BEST HORROR SHORT FICTION

“Fencelines” by Joanne Anderton (The Bone Chime Song and Other Stories, FableCroft Publishing)

“The Sleepover” by Terry Dowling (Exotic  Gothic 5, PS Publishing)

“The Home for Broken Dolls” by Kirstyn McDermott (Caution: Contains Small Parts, Twelfth Planet Press)

“The Human  Moth” by Kaaron Warren (The Grimscribe’s Puppets, Miskatonic Press)

“The Year of Ancient Ghosts” by Kim Wilkins (The Year of Ancient Ghosts, Ticonderoga Publications)

BEST HORROR  NOVEL

The Marching Dead by  Lee Battersby (Angry Robot Books)

The First Bird by  Greig Beck (Momentum)

Path of Night by Dirk Flinthart (FableCroft Publishing)

Fairytales for  Wilde Girls by Allyse Near (Random House Australia)

BEST FANTASY SHORT FICTION

“The Last Stormdancer” by  Jay Kristoff (Thomas Dunne Books)

“The  Touch of the  Taniwha” by Tracie McBride (Fish, Dagan  Books)

“Cold, Cold War” by Ian McHugh  (Beneath Ceaseless Skies,  Scott H  Andrews)

“ShortCircuit” by Kirstie Olley (Oomph: a little  super goes a long  way, Crossed Genres)

“The Year of Ancient Ghosts” by Kim Wilkins (The Year of Ancient Ghosts,  Ticonderoga Publications)

BEST FANTASY NOVEL

Lexicon by Max Barry  (Hachette Australia)

A Crucible of Souls by Mitchell Hogan (self-­‐published)

These Broken Stars by Amie Kaufman and Meagan  Spooner (Allen & Unwin)

Newt’s Emerald by Garth Nix (Jill Grinberg Literary Management)

Ink Black Magic by Tansy Rayner  Roberts (FableCroft Publishing)

BEST SCIENCE FICTION SHORT FICTION

“The Last Tiger” by Joanne Anderton (Daily Science Fiction)

“Mah Song” by Joanne Anderton (The Bone Chime Song and  Other Stories, FableCroft Publishing)

“Seven Days in Paris” by  Thoraiya Dyer (Asymmetry, Twelfth Planet Press)

“Version 4.3.0.1” by Lucy Stone (Andromeda Spaceways Inflight Magazine #57)

“Air, Water and  the Grove” by Kaaron Warren  (The Lowest Heaven, Pandemonium Press)

BEST SCIENCE FICTION NOVEL

Lexicon by Max Barry (Hachette)

Trucksong  by Andrew Macrae (Twelfth Planet Press)

A Wrong  Turn At The Office  Of Unmade Lists by Jane Rawson (Transit Lounge)

True Path by Graham Storrs (Momentum)

Rupetta by Nike Sulway (Tartarus Press)

BEST ANTHOLOGY

The Year’s Best Australian Fantasy and Horror 2012  by Liz Grzyb and Talie Helene (Eds), (Ticonderoga Publications)

One  Small Step, An Anthology  Of Discoveries by Tehani Wessely (Ed) (FableCroft Publishing)

Dreaming Of Djinn by Liz Grzyb (Ed) (Ticonderoga Publications)

The Best Science Fiction  And Fantasy Of The  Year: Volume Seven by Jonathan Strahan (Ed) (NightShade Books)

Focus 2012: Highlights Of Australian Short Fiction by Tehani Wessely (Ed) (FableCroft Publishing)

BEST COLLECTION

The Bone Chime Song and  Other Stories by Joanne Anderton (FableCroft Publishing)

Asymmetry by Thoraiya Dyer (Twelfth Planet Press)

Caution: Contains Small Parts by Kirstyn McDermott (Twelfth Planet Press)

The Bride Price by Cat Sparks (Ticonderoga Publications)

The Year  of Ancient Ghosts by Kim  Wilkins (Ticonderoga Publications)

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Midnight Echo 10 in print

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February 4, 2014

ME10 300x300 Midnight Echo 10 in printCheck it out – got my name on the cover and everything. This is Midnight Echo issue 10, which came out in e-copy at the end of December, but is now available in sweet, sweet print as well. All big and glossy and weighty in the hand. It’s got loads of great fiction based around guest editor Craig Bezant’s brief of ghost stories, including my twist on the ghost yarn, Exposure Compensation. It also has the winners of the AHWA Short Story and Flash competition, so that means my winning story, It’s Always the Children Who Suffer, is also in there among those. Plus feature articles, graphic novel stories, interviews and all that jazz.

And a brilliant Vincent Chong cover. What’s not to love? Get yours in ebook or print, or both, from the Midnight Echo site right here.

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All The Wealth In The World at Lakeside Circus

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January 22, 2014

I’m very happy to say that my first short story for 2014 has been published. It’s in an online magazine, so free to read for everyone. Can’t complain about that, eh? It’s in the first issue of a new zine called Lakeside Circus, which looks like it might become a very worthwhile spot to keep an eye on. Here’s how they describe themselves:

Lakeside Circus is a short-form speculative fiction magazine, published quarterly by Dagan Books, LLC. Beginning with Year One, Issue One (Nov 29, 2013), we will produce the magazine for sale in multiple ebook formats, and then release most of the content online over the course of three months (free to read). Readers can subscribe, purchase the individual ebooks, or wait for the free content to appear on our site.

And my story has indeed just appeared on the site. Here’s how it opens:

ALL THE WEALTH IN THE WORLD

by Alan Baxter

The Time-Maker’s expression is serious. I can’t stop looking at her translucent skin. She must be a thousand years old. Her eyes are almost lost in folds, but dark brown irises glisten, bright and sharp, in the tiny gap. “Nothing without a cost,” she says again, voice heavily accented. Eastern European, maybe Russian.

“I know,” I say.

“Do you really? Not just money.”

“Whatever time you give me has to come from somewhere else. I get it.”

Read the rest here.

lakeside circus All The Wealth In The World at Lakeside Circus

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10 Question SFF reading meme

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January 19, 2014

I saw this over at S F Signal, and thought it asked some interesting questions about sci-fi/fantasy/horror reading. So I’ve snurched it for my blog here. Feel free to copy the questions and add your answers in the comments, or snag it for your own blog, Facebook, blood-scrawling on the wall of your cold, wet dungeon or wherever else you like to write things down.

The last sf/f/h book I read and liked was:

On Stranger Tides by Tim Powers. This is the book that Pirates of the Caribbean was based on. It’s been on my To Read list for ages and I finally got around to it. It’s a brilliant book, the story far better than the movie. (Although, I do love those movies.)

The last sf/f/h book I read and wasn’t crazy about was:

The Girl Who Loved Tom Gordon by Stephen King. It’s not a bad book, but it’s far from a great book. It’s just kinda okay and I suppose I expect more than that from King. The previous King book I read, Joyland, was excellent.

The sf/f/h book I am reading now is:

North American Lake Monsters by Nathan Ballingrud. This is a short story collection. I’ve never heard of Ballingrud before or read his stuff, but I saw this book being touted a lot in my social media. I always take the advice of those good people, so I bought it. I’ve only read the first two stories so far and it’s really quite excellent.

The sf/f/h book(s) I most want to read next is/are:

The Cormorant by Chuck Wendig and The Book of the Crowman by Joseph D’Lacey. The first is the third Miriam Black book and I was a huge fan of the first two, Blackbirds and Mockingbird. The second is Volume 2 of The Black Dawn. I read the first one, Black Feathers, a while back and it was very good. In fact, I reviewed these books for Thirteen O’Clock. Blackbirds here, Mockingbird here, and Black Feathers here.

An underrated sf/f/h book is:

I’m not sure about this, as I don’t really know what’s underrated among other people. If I had to pick something that certainly deserves more attention I would suggest Joanne Anderton’s Veiled Worlds trilogy. The third one of those is out soon. (Jo is a friend, yes, but her books are fucking amazing, so shut up.) Another book I read last year that blew me away and I haven’t seen much about it elsewhere is Max Barry’s amazing novel, Lexicon. And the last thing to spring to mind is a novella from Spectral Press that I read last year, called Whitstable by Stephen Volk. It’s an amazing blend of fact and fiction.

An overrated sf/f/h book is:

Ender’s Game by Orson Scott Card. And not just because Card is a hoofwanking bunglecunt of the highest order. (I saw that insult on Twitter this morning and just had to find a place to use it.) But seriously, I hated this book before I really knew anything about Card’s despicable views. I read it because it’s always on top 100 sci-fi book lists so I thought I should try it. And it was very dull, and the central conceit was really obvious from early on and it’s just stupid. On that front, another highly overrated SF book is John Scalzi’s Old Man’s War. Now Scalzi isn’t a nasty piece of human sputum like Card. Scalzi is actually a stand-up guy, a really nice fella if my social media interaction is anything to go by and he does fantastic things for the SFF community. But this book did not work for me at all, I couldn’t finish it. I reviewed it briefly on Goodreads here if you’re interested in more of my opinion on it.

The last sf/f/h book that was recommended to me was:

I honestly can’t remember… I talk about books with people so much that it’s impossible to keep track. I know Lexicon was recommended to me not that long ago. Sorry, my brain isn’t up to this question.

A sf/f/h book I recommended to someone else was:

Recently I’ve been happily recommending these wherever I can:

Lexicon by Max Barry
Whitstable by Stephen Volk
The Dog-Faced Gods trilogy by Sarah Pinborough
Midnight & Moonshine by Angela Slatter and Lisa L Hannett
The Shining Girls by Lauren Beukes
The Great and Secret Show by Clive Barker
Cabal by Clive Barker

Seriously, if you’ve been stuck for a good read lately, go and buy all of those now and you’ll be reinvigorated. Amazing stories, brilliantly written.

A sf/f/h book I have re-read is:

The Great and Secret Show by Clive Barker. I lovelovelove this book and recently reread it again. It is a truly outstanding achievement, but I’m a total Clive Barker fanboy, so maybe I’m biased. But seriously, if you haven’t read it, do. In fact, I’m going to add it to the list answering the previous question, because I’m always recommending this and Cabal by Barker whenever I get the chance. I’m adding Cabal too. I’d better stop there though – honestly, I could sit here and recommend books all day.

A sf/f/h book I want to re-read is:

The Earthsea series by Ursula K Le Guin. I’ve read and loved the original trilogy a few times, but never read the others. I recently bought all the various volumes and have them sitting on my side table ready for a big reread. (Well, reread of the first three, then read of the rest.) I’m really looking forward to it.

So there you go. I thought those questions might lead to an interesting discussion of good reading. Mmmmbooks, how I love them…

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Obligatory eligibility post for award season

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January 17, 2014

It’s award season in the SFF world and I’ve seen several people post things on Twitter and Facebook and the like that basically say, “Yes, I want a reminder of what you’ve had published in 2013 so I can make informed votes, but no, I don’t want to be spammed upside the head with it constantly.” Which is really fair enough. I’ve been enjoying several of these posts and remembering books and stories I enjoyed last year. So, I’ll just leave this post here for people to do with as they please.

In short fiction, I’ve had the following publications in 2013 (if there’s a link, you can read it online):

Not the Worst of Sins” – Beneath Ceaseless Skies #133 (October 31st, 2013)

“Roll the Bones” – Crowded Magazine issue #2 (August 2013)

“The Beat Of A Pale Wing” – A Killer Among Demons anthology (Dark Prints Press, June 2013)

“The Fathomed Wreck To See” – Midnight Echo Magazine, issue 9 (May 2013)

“On A Crooked Leg Lightly” – Dreaming Of Djinn anthology (Ticonderoga Publications, May 2013)

“Quantum Echoes” – Next anthology (CFSG Publishing, April 2013)

“A Time For Redemption” – Urban Occult anthology (Anachron Press, March 2013)

“It’s Always the Children Who Suffer” – Midnight Echo Magazine, issue 10, Winner of the 2013 AHWA Short Story Competition (due end of December, 2013)

“Exposure Compensation” – Midnight Echo Magazine, issue 10 (due end of December, 2013)

Also published in 2013 was “Dark Rite”, the short horror novel I co-wrote with David Wood. That’s some good, pulpy, Hammer-esque horror fun if you’re into that sort of thing, and barely more than a novella, so a quick, easy read.

All the anthologies, magazines, novels and so on I’ve talked about above, and all the others I’m involved with, can be tracked down via this page: http://www.alanbaxteronline.com/books/.

So if you enjoyed any of the above last year and you fancy voting for it anywhere, I would be most grateful. And remember to check in with the blogs of your favourite writers for a reminder of their eligible stuff. The more people who vote in popular awards, the better the awards reflect the will of the reading public. Have at it.

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Welcome

The website of author Alan Baxter

Alan Baxter, Author

Author of horror, dark fantasy & sci-fi. Kung Fu instructor. Personal Trainer. Motorcyclist. Dog lover. Gamer. Heavy metal fan. Britstralian. Misanthrope. Learn more about me and my work by clicking About Alan just below the header.

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