Self-publishing

Aurealis and Shadows Awards finalists for 2012 announced

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March 25, 2013

It’s award season again and the first couple of shortlists are out. The Aurealis Awards for fantasy, sci-fi and horror, and the Australian Shadows Awards for horror. All the finalist lists for both of these are really strong – it’s great to see so much Australian talent being celebrated, not to mention how many friends I can count among the finalists.

I’ve posted the full lists for both over at Thirteen O’Clock, so you can see all the Aurealis Award finalists here and all the Australian Shadows Awards finalists here.

Go and make yourself a big old reading list of everything there and you certainly can’t go wrong. Congratulations to all the finalists!

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Publetariat Omnibus ebook

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November 26, 2012

cover 199x300 Publetariat Omnibus ebookI started out as an indie author, and I still believe the hybrid model, where writers combine aspects of self-publishing and traditional publishing, is the best way forward. I have some self-published stuff out there, plenty of traditionally published stuff too and I have every intention of continuing in that vein. And regardless of how your stuff gets out there, a lot of the processes are much the same. For a long time now I’ve been a regular contributor at Publetariat.com, a website built for indie authors, but also of enormous benefit to small press owners, indie collectives and even big publishers for that matter. The powerhouse behind Publetariat is April Hamilton and she has now put together an ebook which collects all the best advice from the first four years of Publetariat.com into one handy resource.

A few of the articles in there are mine, and I share the pages with some very well-informed folks. Here’s the official blurb:

A compendium of advice, lessons learned and how-tos from leading authors, publishing industry pros, consultants and subject area experts, drawn from the first four years of Publetariat.com’s operation. They’ve been there, done that, and now they’re sharing their lessons learned. This book includes articles written by:

Alan Baxter, Julian Block, Mark Coker, Melissa Conway, Nick Daws, Joel Friedlander, April L. Hamilton, Joseph C. Kunz Jr., Cheri Lasota, M. Louisa Locke, Shannon O’Neil, Joanna Penn, Virginia Ripple, Fay Risner, Mick Rooney, L.J. Sellers, Dana Lynn Smith, Bob Spear, Richard Sutton and Toni Tesori.

Here you’ll find everything from craft advice to tax advice, from marketing tips to design walkthroughs, from self-editing how-tos to copyright boilerplate you can use in your own book, and more! Having these 67 collected articles is like having a publishing consultant, editor, designer and business adviser by your side as you set out on your own indie publishing path.

The book is set out into sections:

Think; Write; Design; Publish; Sell; Business End and Lighter Side Of The Writing Life.

It really is quite a significant resource, and only $5.99 on Amazon. Go get it here.

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Selling Fiction vs Self-Publishing

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October 2, 2012

Self-publishing doesn’t carry anything like the stigma it used to. This is a good thing, of course, as it opens more opportunities for writers, and we’re all looking for opportunity. But should we all jump on board and self-publish all the writings?

There is certainly the argument that self-publishing has the potential to give the writer a far greater dividend than any other form of publishing. But this is something of a furphy. All the really successful self-publishers have either built their success on an already established traditional publishing career (like Konrath, et al) or they’re publishing lottery winners (like Hocking, et al). For ninety nine point nine per cent of the rest of us, self-publishing will garner far smaller results.

Let’s look at the alternatives.

One of the myths bandied around all the time by the self-publishing evangelists is that traditional publishers are mean and nasty, and not interested in new talent. This same nonsense is applied to publishers of short and long fiction, to publishers of books and magazines, be they print or electronic. It is true that a lot of big business trade publishers operate on something of a risk-averse model. They’re unlikely to take a chance on anything really left of centre, because they operate under a certain agenda. But there are numerous small press outfits around who are very keen on “different” stories, to set them apart and build their own legacy.

Publishers are not mean, nasty or averse to new talent. They’re just very busy and receive a lot of submissions – and a lot of what they receive is pretty poor. Writing, like any other craft, takes time, effort and commitment to master…

Read the rest of this article at the Planet EWF Blog here.

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Industry IQ seminar: Going Indie: inside self-publishing – Saturday 22 September

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September 17, 2012

If you’re going to be around Brisbane this weekend and you have an interest in self-publishing, you should try to get along to this event. I’m very pleased to be presenting alongside Sally Collings and Graham Nunn, where we’ll be talking all about the ins and outs of self-publishing and chatting about our own publication journeys. Regular readers here will know that I’ve dabbled in a variety of forms of self-publishing, as well as being traditionally published. Some of my self-published work is now traditionally published, and other stuff I’m happy to keep publishing on my own. Hopefully I can give a decent overview of my experience and be useful to anyone who comes along.

As far as I can tell, we should have a good mix of fiction, poetry and non-fiction experience between us. As the blurb says:

Demystify the world of self-publishing with this seminar that examines the issues and process of self-publishing. Explore the process of making and selling books, editing and manuscript development, marketing and author platforms with these industry professionals who have taken the leap into self-publishing.

Here are all the details:

Going Indie: Inside Self-Publishing

Presented by Alan Baxter, Sally Collings, Graham Nunn

Date: Saturday September 22

Time: 11:00am – 1:00pm

Venue: Meeting Room 1.B, Ground Floor, State Library of Queensland, Cultural Centre, Stanley Place, South Brisbane

Price:

Full Price $50

Concession $45

QWC Members $30

QWC Member Concessions $27

Further details about the event and the presenters, and booking forms, can be found by clicking here.

I hope to see you there. I’ll be around a little bit before the event and sticking around for a little while afterwards, so do come and say hello.

EDIT: Venue corrected.

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Genre fiction and the advancing world

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August 2, 2012

I’ve jumped into this one at the last minute, so a bit short notice, but if you’re anywhere near Sydney you might want to come along. I’ll be giving a talk at the Sydney Mechanics’ School of Arts about Genre fiction and the advancing world. The talk is open to the public and free, so you can’t really go wrong. Here’s the blurb:

Many of the most popular novels today are genre fiction.

Covering everything from historical romance, hard-boiled crime and science fiction, through to urban fantasy and horror, genre writing is sometimes the victim of literary snobbery. But is that fair?

Alan Baxter, an author and independent publisher, will talk about what genre writing is and what it entails.

He will also explore how writing and publishing in all forms is changing in today’s rapidly advancing world, and what that means for a genre writer in the modern arena.

It’s on Tuesday, 7th August 2012, 12:30pm – 1:30pm, in the Mitchell Theatre. All the details here.

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Tuesday Toot – Patrick O’Duffy

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May 8, 2012

Tuesday Toot is a semi-regular feature here at The Word. An invite-only series of short posts where writers, editors, booksellers and other creatives have been asked to share their stuff and toot their own horn. It’s hard to be seen in the digital morass and hopefully this occasional segment will help some of the quality stuff out there get noticed. It should all be things that readers of The Word will find edifying.

This week, it’s Patrick O’Duffy.

IMG 0724 Tuesday Toot   Patrick ODuffyWho is Patrick?

Patrick O’Duffy is… hang on, should this be first-person or third-person? It’s always weird talking about myself in the third person. It’s too much like I’m Bruce Wayne talking about what a strange fellow that Batman character is.

Okay, I just compared myself to Batman. Which is flattering, but not very accurate. Let’s start again.

I’m an editor and publisher by day, a writer and self-publisher by night, and again I’m falling back upon Bat-metaphors. Anyway, I used to write a lot of material for role-playing games, mostly about vampires and demons and monster-hunters but also occasionally about fantasy adventurers and pirates. Strange that those streams never crossed, really. These days I leave the role-playing for the weekends and write stories about haunted hotels and forensic accountants, and then publish these stories online as independent e-books.

Gosh, what else? I used to live in Brisbane and now I live in Melbourne. I like video games and superhero comics. I like Dungeons & Dragons and microbrewery beer. I dig both genre fiction and literary fiction and don’t understand why so many readers prefer one over the other. I’m a nerd, but my wife thinks I make nerdishness look good.

Oh, and I have a new book out.

 Tuesday Toot   Patrick ODuffyWhat are you tooting?

What happens to your online identity when you die? Who will update your blog when you’re no longer here? And how can you protect yourself from scammers after you’ve passed away?

Help is here.

Kendall Barber calls himself an obituarist – a social media undertaker who settles accounts for the dead. If you need your loved one’s Facebook account closed down or one last tweet to be made, he’ll take care of it, while also making sure that identity thieves can’t access forgotten personal data. It’s his way of making amends for his past, a path that has seen him return to the seedy city of Port Virtue after years in exile.

But now his past is reaching out to catch up with him, just as he gets in over his head with a beautiful new client whose dead brother may have been murdered – if he’s even dead at all. If Kendall doesn’t play his cards right, he could wind up just as deceased as the usual subjects of his work.

On the other hand, Kendall may know more about what cards to play than anyone else realises…

The Obituarist is the story of one very rough week in the life of Kendall Barber. It’s a story about death, identity and how technology affects our interaction with these concepts. It’s a crime story featuring an unlikely detective, angry bikers, a seductive client, illegal chemistry, erratic drug dealers, identity theft, unhygienic cops and a fair bit of swearing.

Interested? Here’s a little to whet your appetite further:

Jay Moledacker was far more handsome in death than he ever had been in life. Okay, not true, but at least his Facebook profile picture was now a lot more dignified. Not difficult, since his profile picture while alive had been a photo of him drunk and vomiting onto a horse during a racing carnival.

Now that he was dead – of an embolism, rather than being kicked to death – he looked regal, elegant and a good six years younger. That’s because I had to use his graduation photo; everything after that point seemed to involve Jay throwing up, getting punched in nightclubs or out cold with FUCKWIT written on his chest in mustard.

A life well lived. Well, a life. Lived.

And it had fallen to me to close it all down.

Which didn’t stop my clients – his parents – from dicking me about on the invoice.

The Obituarist is a novella, available as a $2.99 ebook in a variety of formats. You can find it at Smashwords – http://www.smashwords.com/books/view/157386 or the Amazon Kindle Store, with other outlets soon to follow.

Read it now. Before you die.

And if you’re interested in Patrick’s other books and projects, check out his blog or follow him on Twitter (@patrickoduffy).

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Emma Newman’s Split Worlds

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April 20, 2012

split worlds button Emma Newmans Split WorldsI’ve got something a bit special for you all today. Emma Newman is a great new voice in speculative fiction, and she’s got an intriguing project on the go. If you think you recognise that name, you’re right. A year and a day ago (isn’t that a nicely fairy tale thing to say) I reviewed her debut short story collection, From Dark Places after the publisher asked me to blurb it for her. I was happy to do so – it’s a great collection and you should get a copy. Anyway, now Emma has this very amibitious new thing going on.

Every week for a year (Tuesday November 1st 2011 to Thursday November 1st 2012), Emma is posting a new short story from her Split Worlds series of connected yarns. Each new story is hosted in a different place, and this week it’s my turn. So I’ll stop crapping on and let Emma explain:

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This is the twenty-fifth tale in a year and a day of weekly short stories set in The Split Worlds. If you would like me to read it to you instead, you can listen here. You can find links to all the other stories, and the new ones as they are released here.

The Necessary Witness

Martin opened the bottle of beer and passed it to his brother-in-law, studying the bags under his eyes as he did so. He looked awful, and whilst he’d been warned by his sister, he hadn’t really appreciated it until he saw him in the flesh.

“Thanks for coming,” Paul said and took a long gulp of beer from the bottle’s neck. He looked at the kitchen clock, then at his watch. “It’ll be any time in the next hour.”

“What will?”

“The thing I need you to see. The thing I can’t make Helen understand.”

“She said you’re having problems.”

“I think she wants to leave me,” Paul put the bottle down and rested his elbows on the kitchen worktop, letting his head droop. “I don’t blame her. I would leave me, if I could.”

“Why?”

Paul looked over his shoulder at him with bloodshot eyes. “Because I’m a fucking lunatic.”

Martin twisted his own bottle, out of his depth. He was an accountant, not a counsellor. “You um… you want to talk about it?” Please say no, he thought.

“I need to show you,” Paul said, straightening up. “Helen’s away at a conference, and it’s due to happen tonight, I need someone else to be here when it does. I need someone else to see it, because every time I try to talk to Helen about it, I can’t. I… I can’t even tell you.”

Martin put his hand on his shoulder, guided him through into the living room, trying to rein in the mental images of potentially embarrassing things Paul might want to show him, mostly a variety of bizarre growths in the nether regions. He resisted the urge to talk about the football or the latest idiocy the government had come out with, all the comfortable safe topics he usually depended upon with his family. “Something’s bothering you, I can see it,” he said, sitting on the sofa next to him. “Maybe it won’t seem so bad if you just tell me what kicked all this off.”

Paul downed the rest of the beer and dumped the bottle on the coffee table. “It started three months ago. I went for a drink with some friends from work, we’d finished a big project, we were ready for a break.”

An affair, Martin thought. Christ, what am I going to tell my sister?

“We’d been there a while, I’d had a few but not too many, and there was this woman there, she was… God, she was gorgeous.”

Martin began to panic. His sister would be devastated. They’d been together for ten years, married for six of them.

“She came over and said “I know this is a weird thing to ask, but I need a man’s shadow.” And we laughed and she explained she was an art student and that I had the perfect shape for this project she was working on.”

“That’s quite a chat-up line,” Martin said.

“But that’s the thing, it wasn’t,” Paul replied. “That’s not how I saw it anyway. Like I said, I’d had a few, she was hot, I said I’d help. She said the picture had to be taken outside, in natural light, so I left the pub with her.”

“Are you having an affair?” Martin couldn’t help himself, couldn’t listen to the build-up any longer.

Paul’s shock was reassuring. “Good God no! You think I’d do that to Helen? Bloody hell Martin, I’m not the kind of-”

“Sorry,” Martin said, patting the air. “It’s just… that’s what it sounded like. Go on, I’m sorry.”

“She took me to a quieter street, set up this camera on a tripod thing she had with her and arranged me, like a model I suppose. We laughed and chatted about it, it all seemed totally normal. Well, as normal as it could be. Then when she was happy with the way the shadow looked, she pulled out this… I dunno, test-tube full of powder and chucked it all over it.”

“For the picture?”

“That’s what I thought, it was all kinds of colours and it had some glitter in it. She was whispering when she did it, I thought that was arty, then she took the picture, said thanks and left. I didn’t think much of it, but now I look back, I did feel… I don’t know, a bit odd when she chucked that stuff all over the shadow.”

“So has she used your picture for something dodgy?” Martin could see it now; pictures of his brother-in-law all over Facebook, photo-shopped into doing something unspeakable.

“God, I wish she had,” Paul shivered. “Oh no… it’s going to happen soon, I can feel it.”

“What?” Martin gripped the beer bottle as he watched Paul’s eyes snap to his shadow. It was stretched out over the rug and looked completely normal.

“You can see it, can’t you? My shadow.”

“Yes.”

Paul jumped to his feet and moved the two lamps in the room to one side, switched them on and turned off the overhead light. “Keep watching it,” he said, pointing at the shadow, now darker and stretched long by the newly focused light.

“Paul, you still haven’t told me what-”

“Look!”

Martin followed Paul’s pointed finger to see the shadow twitch. He glanced back at Paul who was standing still, sweating and pale faced but definitely not twitching. Then the shadow moved, one leg stretching away from the sole of Paul’s shoe, as if pulling itself away from something sticky. Before Martin had a chance to speak the expletives filling his mind, the shadow completely detached, now looking like it was cast by Paul running out of the room, even when he still stood there, shivering violently.

“Did you see that?” he demanded and Martin nodded dumbly. “I thought I was going mad, it’s the… sixth, seventh time it’s happened. I don’t know where it goes or-”

“Let’s follow it!” Martin said, abandoning the beer and heading for the door. A tiny part of himself felt like he was a child getting older again, frantically believing the fantastical at any opportunity as the world became more dull. Then he stopped thinking and burst out of the house into the twilight, his shadowless brother-in-law behind him.

To be continued!

Thanks for hosting Alan!

I hope you enjoyed the story. If you would like to find out more about the Split Worlds project, it’s all here: www.splitworlds.com – you can also sign up to get an extra story and get each new story delivered to your inbox every week. If you would like to host a story over the coming year, either let me know in the comments or contact me through the Split Worlds site.

Em x

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Guest post – The Copper Promise by Jennifer Williams

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March 7, 2012

I’m pleased to present a guest post today from Jennifer Williams, where she talks about the way writing often seems to have a life of its own. I hope you enjoy it. – Alan

cover blog imageNEW Guest post   The Copper Promise by Jennifer WilliamsThe Copper Promise

Where did it come from? How did it go from a small thing to a big thing? This is what I’ve been thinking about lately. Sometimes I feel like I’m a scientist in a 1950s B-movie, looking sadly from the broken cage that once contained a small, docile bunny rabbit, to the very large and ominous bunny-shaped hole in the wall. Around me there are test tubes of various lurid colours. Some of them are gently steaming. From outside I can hear the distant screams of people being devoured by a giant bunny monster, and I’m not really sure how this happened.

I’d written some short stories, you see, enough that people started to ask me if I’d written anything longer. I have actually, I’ve written a number of chunky old novels, but the trouble with these is that they all require a severe beating with the editing stick and that sort of treatment takes time. So my thought was that I could write a longer thing, a story especially for the people who wanted something to get their teeth into; it would be longer than a short story, but not as huge and unwieldy as a novel. It would be a novella: it would be zippy and sexy, it wouldn’t take all that long to do, and I could pop it straight up on Amazon for people to download onto their kindles.

In terms of keeping it small I didn’t get off to a great start. My first idea was a horror story about the ghost of a serial killer haunting part of South East London. Zippy, I thought. Super-fast. Unfortunately the story ballooned, and eventually became The Snake House, a full-length novel containing all sorts of nasty stuff I didn’t realise I was capable of, and just as needful of a damn good editing as all my other books. So, not so zippy.

I tried again. I asked myself, what do I really love? At the time I was reading a lot of fantasy, and had just launched into a merry re-read of the Discworld novels. Gradually, an idea formed; at this stage still a tiny wee fluffy thing with a pink nosie and tiny feet. Perhaps, I thought, I could write a novella that looked back to the golden age of pulp fantasy fiction. It would be quick and zippy and sexy, and that would be appropriate for a fast-paced adventure. I could make it modern too, trim off some of the sexism and racism that sometimes cropped up, and populate it with realistic characters.

At what point did The Copper Promise bloom into a series of novellas? It is difficult to say. One minute I had a bunny-rabbit of an idea, curled into my hand, peaceably munching on a carrot, and the next I had a beast chewing at my elbow. Perhaps, you could say, I have no self-control. You might suggest I got a little experimental with the test tubes and it’s all my fault. Personally, I blame it on the genre.

The thing with fantasy books, and I genuinely believe this, is that they grow. All by themselves. I suspect there have been many fantasy writers, their beards glistening softly in the pearly light from their laptops, wondering how this little book, this off-the-cuff thing that was supposed to be 70,000 words at the most became a sprawling twelve book epic, taking up its own shelf at their local Waterstones.

I think fantasy has a life of its own. As George R.R Martin said (he of the glistening beard and sprawling seven book epic) “the best fantasy is written in the language of dreams”; it’s coming from a place deep inside us that we can’t necessarily control. There are whole worlds inside us and sometimes they make themselves known. I think this explains a lot.

And perhaps I can blame it on the characters a little bit too. Wydrin of Crosshaven, my charming rogue who was born out of a desire to write a strong female character and a love of Fritz Leiber’s Gray Mouser, soon stopped listening to my instructions and disobeyed appallingly. Similarly, Lord Frith and my dear knight Sebastian soon showed themselves to be more fun than they had any right to be, and I knew that I couldn’t leave them after just the one novella. The monstrous bunny flexed its terrible hairy muscles, booted open the door of the cage and sprinted off into the night, smelling faintly of mead and leather.

My short zippy experiment is now a serial. I suppose I’m lucky really; The Copper Promise will be about the length of a normal book when it’s finished, and will still look puny next to the multi-volume epics. Although I do look at those test tubes, and I wonder…

Jennifer Williams is a fantasy writer from South East London. She started her career by making up scary stories to frighten her school friends, and when this inevitably attracted the ire of certain parents she took to writing them down instead. The Copper Promise is the first in a short series of sword and sorcery novellas.

These days she lives in one of the more excitingly eventful bits of London with her partner and their cat, and when not frowning at notebooks in pubs and cafes her spare time is often spent gesticulating wildly at her Xbox. Jennifer blogs about things like writing, video games and fandom at www.sennydreadful.com

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Backing it up, old school

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February 15, 2012

I mentioned in a previous post recently that I’d been using modern technology to help me keep my work safe. The beauty of Print On Demand technology is that we can produce a single volume without any great effort or expense. The downside to this is the ever-growing mountain of shit out there, but that’s another story. The same thing applies to ebooks, of course. But there are many other ways we can use this technology for good.

For example, it’s easy now to gift someone a hardback, coffee-table edition of photos from a wedding or holiday. Rather than sticking photos in an album – Remember that? Does anyone actually print photos any more? – we can have a lovely, glossy book.

Equally, while it’s great to have all my writing saved and backed up, I still have a slight end-of-the-world niggle. My stuff is saved on the hard drive of my laptop. It’s also backed up on two extrenal hard drives, a USB memory stick and I have a cloud storage thing set up, so it’s on servers miles away. Every once in a while I also burn a DVD backup. But this is all digital. What happens when some fucktard supervillain drops an EMP and everything electronic becomes nothing more than a high-tech ornament?

You may think, Well, if that happens, who gives a fuck about your writing, Al? It’s the end of the freaking world, you narcissistic penmonkey! And you’d be right, to some degree. But, if post-apocalyptic fiction has taught us anything, it’s that the human race is one tenacious bastard and will survive. We’ll fight and claw and refuse to give in. We’ll end up with rag-tag bands of survivors, slowly finding each other and building civilisation anew. And who knows, we might even make a better job of it the second time around, though I have my doubts about that.

Regardless, if all our knowledge and culture is digital, we stand to lose it all. If we make sure there are hard, papery copies of as much as possible, we might not lose everything. Of course, that’s also assuming we don’t burn all the books to survive the hideous cold of the nuclear winter or the next ice age.

But there are other reasons to have hard copies as well. My wife likes to read my stuff, for example. Well, I often think she doesn’t like it, and she once called my “a sick and twisted little monkey”, but to me that’s a term of endearment. Anyway, she reads my stuff. But she has no ereader and doesn’t like to read on screen. Of course, she can read the contributor copies of magazines and anthologies that my work is in, and has read the print copies of my novels, but not all my stuff is produced in print.

There’s also the casual visitor. If I mention a story and they say, “Sounds sick and twisted, my friend, I’d like to read that”, then I can pull the book off the shelf and say, “Here, page 176.”

Plus, I’m a narcissistic penmonkey and like to see books of my stuff on the shelf.

So, I went to one of those POD sites where you follow all the guides and templates, upload a text file, and a couple of weeks later you get a book. I used a pretty small font to keep page numbers, and therefore cost, to a minimum, and it arrived in the post today. All my short fiction up to the end of last year. Just for my own shelf, a hardcopy backup:

print back up Backing it up, old school

I already noticed a couple of mistakes I made in the formatting. Nothing major, and it’s only for my records, so it really doesn’t matter. However, I think when I do another one, I’ll correct those things and maybe put a kickass dragon on the cover or something. Maybe a dragon eating a spaceship, dripping ectoplasm from its crystal fangs. Something like that.

So yeah. Backing it up, old school.

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Thrillercast episode 32 – Sorting Out The Civil War in Publishing

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November 22, 2011

ThrillerCast Thrillercast episode 32 – Sorting Out The Civil War in Publishing The latest episode of Thrillercast is out – Sorting Out The Civil War In Publishing. In this latest podcast, David Wood and I talk about the rise of evangelism on both sides of publishing – those advocating self-publishing as the only viable route, and those who think traditional publishing is the only acceptable path. And we discuss how we’re thoroughly sick and tired of both forms of extremism.

Listen, enjoy and share – Episode 32 – Sorting Out The Civil War in Publishing

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Welcome

The website of author Alan Baxter

Alan Baxter, Author

Author of horror, dark fantasy & sci-fi. Kung Fu instructor. Motorcyclist. Dog lover. Gamer. Heavy metal fan. Britstralian. Misanthrope. Learn more about me and my work by clicking About Alan just below the header.

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