Horror

2013 Aurealis Award winners announced

By
0
April 8, 2014

Saturday was a big day. I drove down to Canberra, took part in the Conflux Writer’s Day minicon, where I did a highspeed “Social Media for Authors” presentation, then went for a quick change of clothes in order to attend the Aurealis Awards ceremony. Nicole Murphy, who organised everything that day, did a truly amazing job. The writers day and awards ceremony were both superb. We caroused and drank and laughed, and fantastic Australian fiction scored very well-deserved awards.

Here are all the fantastic nominees and winners. If you want a sampler of excellent recent Aussie spec fic, here’s your huckleberry:

(The winners are separated at the top of each list of nominees.)

Best Science Fiction Novel

  • Lexicon, Max Barry (Hachette)


  • Trucksong, Andrew Macrae (Twelfth Planet)
  • A Wrong Turn at the Office of Unmade Lists, Jane Rawson (Transit Lounge)
  • True Path, Graham Storrs (Momentum)
  • Rupetta, Nike Sulway (Tartarus)

Best Science Fiction Short Story

  • “Air, Water and the Grove”, Kaaron Warren (The Lowest Heaven)


  • “The Last Tiger”, Joanne Anderton (Daily Science Fiction 5/17/13)
  • “Mah Song”, Joanne Anderton (The Bone Chime Song and Other Stories)
  • “Seven Days in Paris”, Thoraiya Dyer (Asymmetry)
  • “Version 4.3.0.1”, Lucy Stone (Andromeda Spaceways Inflight Magazine #57)

Best Fantasy Novel

  • A Crucible of Souls, Mitchell Hogan (self-published)


  • Lexicon, Max Barry (Hachette Australia)
  • These Broken Stars, Amie Kaufman & Meagan Spooner (Allen & Unwin)
  • Newt’s Emerald, Garth Nix (Jill Grinberg Literary Management)
  • Ink Black Magic, Tansy Rayner Roberts (FableCroft)

Best Fantasy Short Story

  • The Last Stormdancer, Jay Kristoff (Thomas Dunne)


  • “The Touch of the Taniwha”, Tracie McBride (Fish)
  • “Cold, Cold War”, Ian McHugh (Beneath Ceaseless Skies 6/13/13)
  • “Short Circuit”, Kirstie Olley (Oomph: A Little Super Goes a Long Way)
  • “The Year of Ancient Ghosts”, Kim Wilkins (The Year of Ancient Ghosts)

Best Horror Novel

  • Fairytales for Wilde Girls, Allyse Near (Random House Australia)


  • The Marching Dead, Lee Battersby (Angry Robot)
  • The First Bird, Greig Beck (Momentum)
  • Path of Night, Dirk Flinthart (FableCroft)

Best Horror Short Story

  • “The Year of Ancient Ghosts”, Kim Wilkins (The Year of Ancient Ghosts)


  • “Fencelines”, Joanne Anderton (The Bone Chime Song and Other Stories)
  • “The Sleepover”, Terry Dowling (Exotic Gothic 5)
  • “The Home for Broken Dolls”, Kirstyn McDermott (Caution: Contains Small Parts)
  • “The Human Moth”, Kaaron Warren (The Grimscribe’s Puppets)

Best Young Adult Novel (Tie)

  • These Broken Stars, Amie Kaufman & Meagan Spooner (Allen & Unwin)
  • Fairytales for Wilde Girls, Allyse Near (Random House Australia)


  • The Big Dry, Tony Davies (Harper Collins)
  • Hunting, Andrea Host (self-published)
  • The Sky So Heavy, Claire Zorn (University of Queensland Press)

Young Adult Short Story

  • “By Bone-Light”, Juliet Marillier (Prickle Moon)


  • “Mah Song”, Joanne Anderton (The Bone Chime Song and Other Stories)
  • “Morning Star”, D.K. Mok (One Small Step)
  • “The Year of Ancient Ghosts”, Kim Wilkins (The Year of Ancient Ghosts)

Best Collection

  • The Bone Chime Song and Other Stories, Joanne Anderton (FableCroft)


  • Asymmetry, Thoraiya Dyer (Twelfth Planet)
  • Caution: Contains Small Parts, Kirstyn McDermott (Twelfth Planet)
  • The Bride Price, Cat Sparks (Ticonderoga)
  • The Year of Ancient Ghosts, Kim Wilkins (Ticonderoga)

Best Anthology (Tie)

  • The Year’s Best Australian Fantasy and Horror 2012, Liz Grzyb & Talie Helene, eds. (Ticonderoga)
  • One Small Step: An Anthology of Discoveries, Tehani Wessely, ed. (FableCroft)


  • Dreaming of Djinn, Liz Grzyb, ed. (Ticonderoga)
  • The Best Science Fiction and Fantasy Of The Year: Volume Seven, Jonathan Strahan, ed. (Night Shade)
  • Focus 2012: Highlights of Australian Short Fiction, Tehani Wessely, ed. (FableCroft)

Best Children’s Fiction

  • The Four Seasons of Lucy McKenzie, Kirsty Murray (Allen & Unwin)


  • Kingdom of the Lost, Book 2: Cloud Road, Isobelle Carmody (Penguin Group Australia)
  • Refuge, Jackie French (Harper Collins)
  • Song for a Scarlet Runner, Julie Hunt (Allen & Unwin)
  • Rules of Summer, Shaun Tan (Hachette Australia)
  • Ice Breaker: The Hidden 1, Lian Tanner (Allen & Unwin)

Best Illustrated Book/Graphic Novel (Tie)

  • Burger Force, Jackie Ryan (self-published)
  • The Deep Vol. 2: The Vanishing Island, Tom Taylor & James Brouwer (Gestalt)


  • Savage Bitch, Steve Carter & Antoinette Rydyr (Scar Studios)
  • Mr Unpronounceable Adventures, Tim Molloy (Milk Shadow)
  • Peaceful Tomorrows Volume Two, Shane W Smith (Zetabella)

The annual Aurealis Awards ceremony took place at the Great Hall, University House, Australian National University, Canberra. All the details of the awards can be found at the Aurealis Awards website.

Congratulations to all the winners and nominees!

.

Far Voyager Postscripts #32/33 ToC announced

By
0
April 7, 2014
Troop Inspection Pete Von Sholly 300x193 Far Voyager Postscripts #32/33 ToC announced

Pete Von Sholly’s “Troop Inspection” for Far Voyager.

This has been far and away the longest gap between a story sale and story publication, for many reasons mostly out of everyone’s control, but I’m very happy to say that Far Voyager Postscripts #32/33 from P S Publishing is finally coming out and it will include my story, Thirty Three Tears to a Teaspoon, along with a plethora of amazing writers. I’m really thrilled to be a part of this one. See the solid list of names below. And also check out that amazing cover artwork. It’s Pete Von Sholly’s “Troop Inspection”. You can click on that image for a larger version.

What’s also very exciting, apart from being in this publication myself, is that quite a few other great Aussies are in there too. As it’s a very well-respected UK publisher, it’s always great to see Australian voices represented. Along with myself are Angela Slatter, Lisa Hannett, Angie Rega, and Suze Willis.

The full ToC is shown below. I’ll be sure to post again when you can pre-order/buy the release.

Far Voyager — Ian Sales
3 A.M. in the Mesozoic Bar — Michael Swanwick
Dear Miss Monroe — Andrew Jury
The Case of the Barking Man — Mel Waldman
One Hundred Thousand Demons and the Cherub of Desire — Andrew Drummond
An American Story — Darrell Schweitzer
Irezumi — John Langan
Sister Free — Rio Youers
A Little Off the Top — Tom Alexander
Sweetheart, I Love You — Mel Waldman
Winter Children — Angela Slatter
A Girl of Feather and Music — Lisa L. Hannett
Thirty Three Tears to a Teaspoon — Alan Baxter
The Rusalka Salon for Girls Who Like to Get Their Hair Wet — Angie Rega
The Psychometrist — Suzanne J. Willis
Sea Angels — Quentin S. Crisp
Plink — Kurt Dinan
Xaro — Darren Speegle
We Are Not Alone — Richard Calder
The Curtain — Thana Niveau
Playground — Gio Clairval
What Once Was Bone — Gary A. Braunbeck
Darkscapes: Three Journeys to the Night Side — Mel Waldman
Services Rendered — Bruce Golden
GW in the Afterlife — Robert Reed
Eskimo — Andrew Hook
With Friends Like These — Gary Fry
An Inspector Calls — Ian Watson
Confessions — Mel Waldman
A Legion of Echoes — Alison Littlewood
Talk in Riddles — Mark Reece
The Mermaid and the Fisherman — Paul Park

.

Dimension6 Issue 1 available now and it’s free

By
0
April 4, 2014

D6badge 300x256 Dimension6 Issue 1 available now and its freeCoeur De Lion Publishing is one of Australia’s best small press outfits and they always produce fantastic work. You may remember a while ago I was going on about the Anywhere But Earth anthology, which is about the best science fiction short story anthology I’ve seen in years (and not only because I have a story in it!) Keith Stevenson, editor and owner of Coeur De Lion also produced the amazing X6 novella anthology, worth it for Paul Haines’ story Wives, apart from the other five sterling pieces of work therein.

Well, now Keith is weaving his magic again with a new project. Dimension6 is an ebook magazine, featuring three spec fic stories, three times a year and it’s both DRM-free and cashmoney free. That’s right – free to read on any device. Issue 1 is out now and you can get mobi or epub versions here. While you’re there, sign up for the D6 newsletter so you always know when a new issue comes out.

Issue #1 features:

‘Ryder’ by Richard Harland
Sent from bustling Sydney to boring country NSW during World War I, life is undeniably dull for Sally. Until she meets Ryder.

‘The Message’ by Charlotte Nash
On a future Earth ravaged by the Event, a soldier with a terrifying secret must travel behind enemy lines.

‘The Preservation Society’ by Jason Nahrung
For the undead, blood is more than sustenance. It’s a connection to the memory of life.

Issue 2 will feature three more great Australian authors including yours truly. My story, Upon a Distant Shore, will be in Dimension6 issue 2 in July. In the meantime, get your reading teeth (eye teeth?) into issue 1.

.

Bound – This is the really real world!

By
1
March 24, 2014

Bound proof 288x300 Bound   This is the really real world!So HarperVoyager AU tweeted a blurry image today of the proof copies of Bound, Book 1 of The Alex Caine Series. The proofs have just arrived in the office there. It’s really real. Look! It’s an actual freaking book right there in the picture in the really real world. To say I’m a bit excited about this is like saying the Catholic Church has a couple of bucks stashed away for a rainy day. In other words, it’s a celestially massive understatement. It’s really actually happening, you guys. This also constitutes a sneaky little cover reveal for the first book.

I’m glad it’s a bit blurry because, as far as I know, there are going to be a couple of small artistic tweaks to the cover yet before the final version that will officially go to print. Plus it maintains a little but of mystery. It’s quite normal for advanced copies like these to have a few small last minute changes, as I understand it.

But I can tell you that the next two books will have covers like this one, obviously with a 2 and a 3 in the background respectively, with variations in the distance background and in the character poses, but all three make a kind of connected triptych design. Honestly, how cool is that? For anyone wondering, the title, Bound, is big and clear on the spine. I should be getting a copy of this proof myself this week, so I’ll post another picture of it then. Probably with my maniacally grinning face right next to it. Now scuse me while go Snoopy dancing.

EDIT: HarperVoyager posted a better picture, so I’m sharing that too.

.

20140324 155817 Bound   This is the really real world!

True Detective – true storytelling

By
17
March 20, 2014

true detective 236x300 True Detective   true storytellingI’ve just finished watching the eight episode HBO drama, True Detective, and feel compelled to write about it. I mainlined eight episodes in about three days, which is some going given I have a 5 month old son and very little time. It’s an absolutely amazing achievement in storytelling. This post is mostly spoiler-free, but if you haven’t seen the series I’d recommend going in without reading this or anything else and having as unprepared a mind as you can. I’m glad I avoided all spoilers before watching, especially as I kept thinking I’d got part of it figured out only to realise I was wrong. There was one thing I thought of that turned out not to be the case that I was particularly disappointed about. It would have been really cool, but hey, I didn’t write the thing and I’m no Nic Pizzolatto, so there you go. Anyway, go watch it, then come back to read this.

True Detective follows the story of two detectives – Marty Hart, played by Woody Harrelson, and Rust Cohle, played by Matthew McConaughey – and their hunt for a serial killer over the course of something close to twenty years. But, of course, it’s actually so much more than that. It’s written by novelist Nic Pizzolatto and the writing is first class. It’s multi-layered storytelling in so many ways. First and foremost, the serial killer hunt is something bigger than a single man. It’s a whole complicated mess of people, it has devil worshipping, there’s ritual sacrifice and all kinds of associated paraphernalia adding a sense of deep horror to what would otherwise be standard police procedural stuff. It’s set in Louisiana and that combination makes this excellent Southern Gothic fare.

There’s a distinct resurgence of Southern Gothic lately and I love it. True Blood and American Horror Story: Coven are two other recent shows I’ve really enjoyed which play on the theme, but nothing I’ve seen evokes it so well as True Detective. That’s primarily due to three things – the acting, especially Harrelson and McConaughey, is fantastic; the soundtrack is absolutely bang on (in fact, when I’ve written this I plan to go and look for the soundtrack album. I hope there is one!); and the direction by Cary Fukunaga. In fact, it’s Fukunaga’s direction that really stands out – the cinematography, the locations, the lighting are all sublime. There’s so much space in this production, so many slow pans and high aerial shots of the Bayou and cane fields. The best stories always evoke and develop a strong sense of place and this one does it brilliantly.

True Detective dead body Rust Cohle  300x221 True Detective   true storytelling

This is not a spoiler image – it’s the opening scene of the series.

Outside of the Southern Gothic trappings, the reason this series is so good is because the story has as much room to breathe as the visuals and the drawling soundtrack. We get to see two cops who are partners but this is no buddy movie. They are both deeply flawed and they don’t like each other. Hell, Cohle doesn’t like anyone. We watch the development and breakdowns between these two and their various partners and work colleagues all the way through the series and it’s all handled really well. The secondary characters are no less fleshed out and real, and they play as excellent foils for the two leads.

There are some small flaws for me. I felt a bit of a disconnect with the amount of time Cohle spent away in the middle of the story and I would have loved a bit more development of the history of the “cult” and the Tuttle connections. I feel like we missed out on some juicy details somewhere along the line, but I guess that’s because the focus was on the main characters. There was certainly enough of the case that I didn’t feel cheated of some resolution. I would just have liked a little more resolution in terms of the activities and complexities of the criminals. Of course, there are no real resolutions in real life and that’s partly what this whole series is playing with. I had one other issue that I’ll address below after the spoiler warning.

But that aside, there’s philosophy and reflection throughout that never overshadows the narrative and that’s the beauty of well-written character-driven stories. This is dark, mesmerising, stylised, beautiful and horrible. It’s compelling drama and creeping horror. It’s absolutely human. I honestly can’t recommend this highly enough.

SPOILER! Beyond the image below is a question that is also a massive SPOILER! Also, be advised that there may be spoilers in the comments if anyone chooses to answer my question.

true Detective 300x186 True Detective   true storytelling

So, at the start of the series there’s the ritual killing in the cane field, with the woman kneeling before the tree with the antlers and all that. It’s what kicks off the whole investigation. But why the fuck was she there like that? The whole thing turns out to be a complicated cult with ritual child sacrifice and all that stuff in the deep woods and it’s been going on for years and Hart and Cohle finally track down the man with the scars and expose the whole thing, even if loads of connected people will never be caught. But what the hell was with that first killing? Why was she there and not at the place they discover at the end? Was it the scarred man trying to get caught? The cult showing off? It’s one big unanswered question that I can’t figure out – I can see no reason for them to have killed her there like that. Did I miss something? Please comment if you have any theories! (And please start your comment with a spoiler warning if you do.)

.

The little anthology that could – Suspended in Dusk

By
1
March 5, 2014

I’m glad we can finally announce this one officially. Editor, Simon Dewar, approached me a while ago asking if I’d be interested in submitting to an anthology he was putting together called Suspended in Dusk. The theme was exactly what the title suggests and loosely based at that. He wanted a collection of horror and dark fantasy stories and the publisher was already lined up.

botd logo 150x150 The little anthology that could   Suspended in DuskI sent him a story which he liked and everything was going ahead when he ran into some problems and the publisher had to put the book on indefinite hold. No one’s fault, just one of those industry things that happens from time to time. Rather than hold on to everyone’s stories indefinitely, Simon said he would try to find another publisher or let our stories back to us if he couldn’t. Another publisher cropped up but didn’t eventuate. Simon was prepared to give it all up as an unfortunate series of events, but like a good terrier, he gave the whole project one last solid shake and landed the anthology with Books of the Dead Press and it’s all going ahead after all. Simon’s official announcement is here.

As Simon says:

Over the last few months I’ve collected 19 short stories which I feel are a broad representation of some of the established and new talent within the horror/dark/weird genres. I am also very pleased that over one-third (42% unless I screwed the maths) of the table of contents are women who, frankly, scare the crap out of me every bit as much as their male counterparts (probably more!).

The anthology has a great lineup of names including Ramsey Campbell (Bram Stoker and British Fantasy award winner), Angela Slatter (British Fantasy Award Winner and Aurealis Award winner) and John Everson (Bram Stoker Award winner) along with myself and a bunch of other emerging and established names. The full Table of Contents will be announced in due course. I’m very pleased to be in such august company. My story is called Shadows of the Lonely Dead and I’m very proud of it and glad it’s found such a good home.

Watch this space for further announcements.

.

Paula Guran on what defines Dark Fantasy and Horror

By
0
February 27, 2014

Ah, this is an eternal old chestnut. Way back in 2006, in the early days of this blog, I had a post about the difference between dark fantasy and horror. That post is here. I still stand mostly by it. However, in the introduction to the 2010 edition of Paula Guran’s “Year’s Best Dark Fantasy & Horror 2010″, she had this to say:

There’s no single definition. “Dark fantasy” isn’t universally defined—the definition depends on the context in which the phrase is used or who is elucidating it. It has, from time to time, even been considered as nothing more than a marketing term for various types of fiction.

Darkness itself can be many things: nebulous, shadowy, tenebrous, mysterious, paradoxical (and thus illuminating)…

A dark fantasy story might be only a bit unsettling or perhaps somewhat eerie. It might be revelatory or baffling. It can be simply a small glimpse of life seen “through a glass, darkly.” Or, in more literary terms (all of which are debatable), it might be any number of things—as long as the darkness is there: weird fiction (new or old) or supernatural fiction or magical realism or surrealism or the fantastique or the ever-ambiguous horror fiction.

As for defining horror: Since horror is something we feel—it’s an emotion, an affect—what each of us experiences, responds or reacts to differs.

I really like what she says there and it’s further proof that genre definitions are heinously hard to pin down.

You can read the full intro here, and I suggest you do.

.

Bound is done

By
3
February 21, 2014

It’s a terrifying feeling, to let go of a book. To say, “Okay, this is as good as I can make it and it’s time to let it go.” There’s that saying – Great art is never finished, only abandoned. There’s a lot of truth to it. Eventually you have to say, “Enough!” And I just have with Bound, the first Alex Caine book. I approved or not the last copy edits, made the last few tweaks and sent the manuscript back to HarperVoyager yesterday. That’s it. No more. Once the typesetter puts in those last changes we’re done. That’s the book that will be published in July. I can’t have anything more to do with it. It belongs to the readers now. And, fuck, I hope they like it!

I like it. I really do. I’m terrified, racked with self-doubt like always, of course. That destructive little voice is still whispering away. You’re a fucking fraud, it mutters. This book, it’ll ruin you. People will read it and laugh. Reviewers will refuse to even give it a rating. Not worthy of a single star. They’ll invent a new way to anti-review books just for you. It’ll get MINUS FIVE STARS!

Honestly, that voice is a complete bollocks. It never goes away. But I draw a deep breath and tell it to go fuck itself. Because I’ve worked my arse off on this book and I’m really bloody proud of it. People I hugely respect – Paul Haines, Angela Slatter, Joanne Anderton, Kylie Chan – have endorsed it. All amazing writers and they tell me it’s good. HarperVoyager are totally behind it. It would be disingenuous of me to insist in the face of all that support that the book is shit. Of course there will be people who don’t like it. You can never write something that everyone will love. And I can already think of things that I might do differently if I had a chance. But I have to let go of those things. I have to accept that I’ve written a good book here, one I can be proud of and stand tall.

Come July, when it’s released, I’ll be a mess, I’m sure. I’ll be breathing into a paper bag and intravenously consuming single malt scotch. But regardless, I’m proud as fuck of this book. And of Obsidian and Abduction, which follow it and will both be released in quick succession after Bound. I’ve yet to do the last edits and release on those, so I don’t have to let them go just yet. But I will. I’ve seen the covers (not yet finished, but close) and they are brilliant. I honestly can’t wait to share these books with the world and I really hope they go down well. I know I’ve done the best I can and hopefully that’ll show.

Bound is done and out of my hands. It’s a very strange feeling – exultation and trepidation. But it’s a good feeling. Fuck, yeah!

Excuse me, I gotta go find a paper bag.

.

2013 Aurealis Awards finalists announced

By
0
February 16, 2014

AA logo 2013 Aurealis Awards finalists announcedAfter a record number of entries, the finalists for the 2013 Aurealis Awards have been announced.

The Aurealis Awards are Australia’s premier speculative fiction awards. The ceremony will take place April 5, 2014 in Canberra. The venue is the Great Hall, University House, Australian National University.

Doors open 7pm for drinks, ceremony begins at 8pm. Details here: http://www.aurealisawards.com/

Congratulations to all the very worthy nominees!

The 2013 Aurealis Awards Finalists are:

BEST ILLUSTRATED BOOK OR GRAPHIC NOVEL

Savage Bitch by Steve Carter and Antoinette Rydyr (Scar Studios)

Mr Unpronounceable Adventures by Tim Molloy (Milk Shadow Books)

Burger Force by Jackie Ryan (self-­‐published)

Peaceful Tomorrows Volume Two by Shane W Smith (Zetabella Publishing)

The Deep Vol. 2: The Vanishing Island by Tom Taylor and James Brouwer (Gestalt Publishing)

BEST CHILDREN’S BOOK

Kingdom of the Lost, book 2: Cloud Road by Isobelle Carmody (Penguin Group Australia)

Refuge by Jackie French (Harper Collins)

Song for a scarlet runner by Julie Hunt (Allen & Unwin)

The four seasons of Lucy McKenzie by Kirsty Murray (Allen & Unwin)

Rules of Summer by Shaun Tan (Hachette Australia)

Ice Breaker: The Hidden 1 by Lian Tanner (Allen & Unwin)

BEST YOUNG ADULT SHORTFICTION

“Mah Song” by Joanne Anderton (The Bone Chime Song and Other Stories, FableCroft Publishing)

“By Bone-­‐light” by Juliet Marillier (Prickle Moon, Ticonderoga Publications)

“Morning Star” by D.K. Mok (One  Small Step, an anthology of discoveries, FableCroft Publishing)

“The Year of Ancient Ghosts”  by Kim Wilkins (The Year of Ancient  Ghosts, Ticonderoga Publications)

BEST YOUNG ADULT NOVEL

The Big Dry by Tony Davies (Harper Collins)

Hunting by Andrea Host (self-­‐published)

These Broken Stars by Amie Kaufman and Meagan  Spooner (Allen & Unwin)

Fairytales for Wilde Girls by Allyse  Near (Random House  Australia)

The Sky So Heavy  by Claire Zorn (University of Queensland Press)

BEST HORROR SHORT FICTION

“Fencelines” by Joanne Anderton (The Bone Chime Song and Other Stories, FableCroft Publishing)

“The Sleepover” by Terry Dowling (Exotic  Gothic 5, PS Publishing)

“The Home for Broken Dolls” by Kirstyn McDermott (Caution: Contains Small Parts, Twelfth Planet Press)

“The Human  Moth” by Kaaron Warren (The Grimscribe’s Puppets, Miskatonic Press)

“The Year of Ancient Ghosts” by Kim Wilkins (The Year of Ancient Ghosts, Ticonderoga Publications)

BEST HORROR  NOVEL

The Marching Dead by  Lee Battersby (Angry Robot Books)

The First Bird by  Greig Beck (Momentum)

Path of Night by Dirk Flinthart (FableCroft Publishing)

Fairytales for  Wilde Girls by Allyse Near (Random House Australia)

BEST FANTASY SHORT FICTION

“The Last Stormdancer” by  Jay Kristoff (Thomas Dunne Books)

“The  Touch of the  Taniwha” by Tracie McBride (Fish, Dagan  Books)

“Cold, Cold War” by Ian McHugh  (Beneath Ceaseless Skies,  Scott H  Andrews)

“ShortCircuit” by Kirstie Olley (Oomph: a little  super goes a long  way, Crossed Genres)

“The Year of Ancient Ghosts” by Kim Wilkins (The Year of Ancient Ghosts,  Ticonderoga Publications)

BEST FANTASY NOVEL

Lexicon by Max Barry  (Hachette Australia)

A Crucible of Souls by Mitchell Hogan (self-­‐published)

These Broken Stars by Amie Kaufman and Meagan  Spooner (Allen & Unwin)

Newt’s Emerald by Garth Nix (Jill Grinberg Literary Management)

Ink Black Magic by Tansy Rayner  Roberts (FableCroft Publishing)

BEST SCIENCE FICTION SHORT FICTION

“The Last Tiger” by Joanne Anderton (Daily Science Fiction)

“Mah Song” by Joanne Anderton (The Bone Chime Song and  Other Stories, FableCroft Publishing)

“Seven Days in Paris” by  Thoraiya Dyer (Asymmetry, Twelfth Planet Press)

“Version 4.3.0.1” by Lucy Stone (Andromeda Spaceways Inflight Magazine #57)

“Air, Water and  the Grove” by Kaaron Warren  (The Lowest Heaven, Pandemonium Press)

BEST SCIENCE FICTION NOVEL

Lexicon by Max Barry (Hachette)

Trucksong  by Andrew Macrae (Twelfth Planet Press)

A Wrong  Turn At The Office  Of Unmade Lists by Jane Rawson (Transit Lounge)

True Path by Graham Storrs (Momentum)

Rupetta by Nike Sulway (Tartarus Press)

BEST ANTHOLOGY

The Year’s Best Australian Fantasy and Horror 2012  by Liz Grzyb and Talie Helene (Eds), (Ticonderoga Publications)

One  Small Step, An Anthology  Of Discoveries by Tehani Wessely (Ed) (FableCroft Publishing)

Dreaming Of Djinn by Liz Grzyb (Ed) (Ticonderoga Publications)

The Best Science Fiction  And Fantasy Of The  Year: Volume Seven by Jonathan Strahan (Ed) (NightShade Books)

Focus 2012: Highlights Of Australian Short Fiction by Tehani Wessely (Ed) (FableCroft Publishing)

BEST COLLECTION

The Bone Chime Song and  Other Stories by Joanne Anderton (FableCroft Publishing)

Asymmetry by Thoraiya Dyer (Twelfth Planet Press)

Caution: Contains Small Parts by Kirstyn McDermott (Twelfth Planet Press)

The Bride Price by Cat Sparks (Ticonderoga Publications)

The Year  of Ancient Ghosts by Kim  Wilkins (Ticonderoga Publications)

.

Midnight Echo 10 in print

By
0
February 4, 2014

ME10 300x300 Midnight Echo 10 in printCheck it out – got my name on the cover and everything. This is Midnight Echo issue 10, which came out in e-copy at the end of December, but is now available in sweet, sweet print as well. All big and glossy and weighty in the hand. It’s got loads of great fiction based around guest editor Craig Bezant’s brief of ghost stories, including my twist on the ghost yarn, Exposure Compensation. It also has the winners of the AHWA Short Story and Flash competition, so that means my winning story, It’s Always the Children Who Suffer, is also in there among those. Plus feature articles, graphic novel stories, interviews and all that jazz.

And a brilliant Vincent Chong cover. What’s not to love? Get yours in ebook or print, or both, from the Midnight Echo site right here.

.

Welcome

The website of author Alan Baxter

Alan Baxter, Author

Author of horror, dark fantasy & sci-fi. Kung Fu instructor. Personal Trainer. Motorcyclist. Dog lover. Gamer. Heavy metal fan. Britstralian. Misanthrope. Learn more about me and my work by clicking About Alan just below the header.

Subscribe to my Mailing List: For occasional news, special offers and more. When you click the Subscribe button you will be sent to a confirmation page.

------------------------------

Contact

Contact Me


Our world is built on language and storytelling. Without stories, we are nothing.

------------------------------

TOP POSTS OF OLD

An archive page of some of the most popular blog posts can be found by clicking here. Enjoy.

Stalk Me

Find me on various social networks. Hover over the icon for a description:

@AlanBaxter on Twitter Like me on Facebook Friend me on Goodreads

My Amazon author page My Tumblr of miscellany My Pinterest boards



feedburner

Listen to my podcast

Australian Dark Fiction News & Reviews



National Archive

This website is archived by the National Library of Australia's Web Archive

Pandora