Photoshop Bound giveaway winners

July 7, 2014

So I stole this idea from Mark Lawrence and asked people to photoshop the cover of Bound into whacky pictures, just for a laugh. I was going to pick a winner. Then I couldn’t decide and asked people to go the Facebook album where I put all the pics and Like their favourites. Then I decided to reward the top three, which turned out to be four due to a tie! So I’ll be sending out four signed copies this week.

Here are the results:

Geoff Brown’s entry was a clear winner with 27 Likes (plus it panders beautifully to my ego.)

10406946 901985129828400 6411272847290657643 n 300x131 Photoshop Bound giveaway winners


David Wood with 11 Likes (you sick fuckers, all o’ya!)

10472731 902581919768721 2932070921505772847 n 300x220 Photoshop Bound giveaway winners
And joint third:

Voytek Zochowski and Josh Connolly with 7 Likes each. And come on, Bruce Lee and CoD Predator? Top work.

10488154 901410969885816 990162268133634488 n 300x294 Photoshop Bound giveaway winners

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Click on each image for  larger version. Those Likes might change, but that’s how they stood at 11pm Sunday when I decided to call it.

I’ll contact the winners privately for address details. Congrats all, and thanks to everyone who entered. What a lot of fun that was!


Photoshop competition for a signed copy of Bound

June 24, 2014

I saw this done by Mark Lawrence on Facebook and I’m shamelessly stealing it because it’s a very cool concept. The idea is that you photoshop my book into another image and link me to your work of art. The one I like (or perhaps the one that disturbs me) the most, gets a signed copy of Bound. Even though the book is only out in the Australia and New Zealand region this week, I’ll send the comp winner anywhere in the world, so you could score the book long before it’s available in your area.

The cover images are below. Click on them for a higher res version, then right click and save as, and let your creativity fly. You don’t have to be a dab hand at photoshop either – I don’t care about your technical skills so much as the idea. Dodgy graphic art can be hilarious. Impress, amuse or disturb me and you could score the book. Think things like King Kong reading a copy of Bound atop the Empire State Building, or Batman with a copy in the Batmobile or Bound as the Necronomicon or… or… the possibilities are endless. Get surreal, get nightmarish, get weird. When you’ve made your image, you can post a link to it in the comments here, or post it on my Facebook page here, or Tweet it to me here. I’ll start a gallery of entries on my Facebook page and pick a winner at some future point not too far from now.

EDIT: Some entries are coming in and they’re very cool. I’ve started to collect them in an album on my Facebook page here.

Here are the images – have at it!

Front cover:

bound cover large 195x300 Photoshop competition for a signed copy of Bound

Full cover:

COV Bound med 300x212 Photoshop competition for a signed copy of Bound

3D book mockup:

Bound 3D Cover 300x300 Photoshop competition for a signed copy of Bound


Devilish Dr Slatter Digs the Dirt

June 18, 2014

My good pal and extraordinarily talented writer, Dr Angela Slatter, had me over to her blog the other day where  she dug into the skinny on all things Bound. She introduced the interview thusly:

So, my mate Alan Baxter has a book out on 1 July 2014. Bound is an action-packed, kickass, pulpy urban fantasy with martial arts, evil demons (is there any other kind?), a troubled hero, a take-no-crap heroine, and a really really scary grimoire. Yeah, I’ve read, and it’s already getting some terrific reviews.

She goes on to ask me about the inspiration for Bound, my early life as a writer, my favourite writers, kickass female heroes, the lack of a title on the front cover and much more. See all my innermost thoughts* laid bear over at her blog, here.

*Note: Might not be all my innermost thoughts. No one needs to see those.


Obligatory eligibility post for award season

January 17, 2014

It’s award season in the SFF world and I’ve seen several people post things on Twitter and Facebook and the like that basically say, “Yes, I want a reminder of what you’ve had published in 2013 so I can make informed votes, but no, I don’t want to be spammed upside the head with it constantly.” Which is really fair enough. I’ve been enjoying several of these posts and remembering books and stories I enjoyed last year. So, I’ll just leave this post here for people to do with as they please.

In short fiction, I’ve had the following publications in 2013 (if there’s a link, you can read it online):

Not the Worst of Sins” – Beneath Ceaseless Skies #133 (October 31st, 2013)

“Roll the Bones” – Crowded Magazine issue #2 (August 2013)

“The Beat Of A Pale Wing” – A Killer Among Demons anthology (Dark Prints Press, June 2013)

“The Fathomed Wreck To See” – Midnight Echo Magazine, issue 9 (May 2013)

“On A Crooked Leg Lightly” – Dreaming Of Djinn anthology (Ticonderoga Publications, May 2013)

“Quantum Echoes” – Next anthology (CFSG Publishing, April 2013)

“A Time For Redemption” – Urban Occult anthology (Anachron Press, March 2013)

“It’s Always the Children Who Suffer” – Midnight Echo Magazine, issue 10, Winner of the 2013 AHWA Short Story Competition (due end of December, 2013)

“Exposure Compensation” – Midnight Echo Magazine, issue 10 (due end of December, 2013)

Also published in 2013 was “Dark Rite”, the short horror novel I co-wrote with David Wood. That’s some good, pulpy, Hammer-esque horror fun if you’re into that sort of thing, and barely more than a novella, so a quick, easy read.

All the anthologies, magazines, novels and so on I’ve talked about above, and all the others I’m involved with, can be tracked down via this page:

So if you enjoyed any of the above last year and you fancy voting for it anywhere, I would be most grateful. And remember to check in with the blogs of your favourite writers for a reminder of their eligible stuff. The more people who vote in popular awards, the better the awards reflect the will of the reading public. Have at it.


2012 storySouth Million Writers Award notable stories

September 25, 2013

Well, this was a very pleasant surprise today, and many thanks to Josh Melican who pointed it out to me on my Facebook page. The news came via the website of Jason Sanford, one of the judges of the storySouth Million Writers Award, and the news is that one of my stories made the cut to be shortlisted among the notable stories of 2012.

You can learn more about the award at

The judges are currently reading the shortlist to pick the top ten, released in October, which will be eligible for more than $1,000 in cash and prizes. I’m not too sure how it all works, but I’ll certainly be watching closely now.

My shortlisted story is Tiny Lives, originally published in Daily Science Fiction. It’s a story that’s working hard for me, as it’s already been picked to be included in the latest Year’s Best Australian Fantasy & Horror, due out soon, which is very exciting. To be shortlisted here as well is great news.

There are quite a few notable stories on the list and it’s an honour to be among them. Full list below.

2012 storySouth Million Writers Award notable stories
(Stories listed in random order)

“Freezing Time” by Murli Melwani

“All the Things the Moon is Not” by Alexander Lumans

“Dirwhals!” By Ethan Rutherford

“For Old Times’ Sake” by Billy O’Callaghan

“Red Planet” By Jo Ann Heydron

“Polly” by Nik Korpon

“Invisible Men” by Christopher Barzak

“Shadows under Hexmouth Street” by Justin Howe

“Secrets of the Sea” by Jennifer Marie Brissett

“Give Her Honey When You Hear Her Scream” by Maria Dahvana Headley

“The Grinnell Method” by Molly Gloss

“Hands” by Lou Gaglia

“Tiny Lives” by by Alan Baxter

“After We Were Nothing” by Alan Stewart Carl

“The Battle of Candle Arc” by Yoon Ha Lee

“Distance” by Susan Tepper

“Sasha, That Night” by G. K. Wuori

“Lightning My Pilot” by Samuel Snoek-Brown

“The Three Feats of Agani” by Christie Yant

“Lone Wolf” by Eric Freeze

“An Occurrence at School” by Okechukwu Otukwu

“The Anastasia Caper” by Bruce Graham

“West” by Ryan W. Bradley

“Woodrow Wilson” by Tim Horvath

“Birthday Americana” by Erika Swyler

“Cousin Barnaby is Dead” by Clifford Garstang

“Reform, AL” by Christopher Lowe

“The Cathedral of Es” by Michael Stein

“Mother Ship” by Caroline M. Yoachim

“Who Cooks for You” By Holly Goddard Jones

“Why I Hate the Holidays” by Andrea Broxton

“Confidante” by Michael Barber

“And the Hollow Space Inside” by Mari Ness

“Chlorine Mermaid” by Rachel Steiger-Meister

“Serkers and Sleep” by Kenneth Schneyer

“Art Lessons” by Gleah Powers

“Household Management” by Ellen Klages

“Everyday Murders” by Jasobn Ockert

“Watching Alice Watch” by Nan Cuba

“Literature Appreciation” by Man Martin

“The Raven” by Jacqueline Kolosov

“The Ones” by Nicholas Rombes

“Treasures Few Have Ever Seen” by Mary Akers

“And the Ruin of That House Was Great” by Ric Hoeben

“The Eternal Youth of Everyone Else” by Adrienne Celt

“The King’s Huntsman” by Jennifer Mason-Black

“Melt With You” by Emily C. Skaftun

“The Tree Poachers” by James Zerndt

“The Butterfly Effect” by Daniel Harris

“Ocean of Ash” by Kirsten Perry


You don’t owe me anything

June 28, 2013

boy reading 263x300 You dont owe me anything Mea culpa. I am guilty of this and I’m putting my hand up right now to accept that and change my position. I’m getting more than a little sick and tired of authors demanding things of their readers. Back in 2011, I wrote this blog post where I said such things as “You’re a reader and you have a new responsibility” and “it’s an act of true benevolence to leave good reviews of stuff you enjoy, or drop by websites and leave a star rating. You can write a single line or single paragraph review and copy that to all the sites you visit or shop at. If you do blog, then reviewing a book on your site is fantastic. But whatever you do, do something.” While I still believe that stuff has true value, the last part is bollocks and I take it back. You don’t have to do something. You don’t have to do jack shit.

I also posted a thing recently which listed all the ways readers could care for authors – it was a funky little infographic and had things like leaving star ratings at Amazon and Goodreads, reviewing, telling friends and family and so on. Again, all those things are great, but you don’t have to do anything.

If you bought a book, give yourself a pat on the back, because you are a fucking legend. You did all you had to do. Anything else is gravy. I do log all the books I read on Goodreads. I usually leave short reviews, and cross-post to Amazon if I can. I’m one of three contributing editors at Thirteen O’Clock, a dark fiction review site. But you know what? I really enjoy all that stuff. I’m happy to do it. But I don’t have to do any of it and neither do you.

I honestly believe that reviews are the lifeblood of authors. Whether those reviews are on a dedicated blog, at sites like Goodreads or over a beer in the pub with your friends, only honest word of mouth really works. That’s the holy grail of marketing right there. People talking up your shit is the stuff of dreams. But if someone bought your book, enjoyed it and never mentioned it again, anywhere, it doesn’t matter. They haven’t slacked off in their readerly duties at all.

Too often now I’m seeing things like the stuff I posted before, but it’s starting feel wrong. Where my intention in posting it was a genuine entreaty for mutual support between readers and writers (who are often the same person, incidentally), I’m seeing a more and more militant approach lately and it’s pissing me off. It makes the stuff I wrote before seem just as militant and I don’t like that. I don’t want to demand anything of my readers. Fuck me, you bought my book! I’m dancing like a freaking numpty over here, because that is the absolute top of the line result right there.

If you want to do more, like write reviews, tell your friends, even buy more copies as gifts for like-minded friends and family, then you shit solid gold and your breath smells like roses dipped in chocolate and don’t let anybody tell you different, because you went above and beyond, dear reader. You, sir or madam, are a diamond encrusted behemoth of a human being. Because you didn’t owe me anything. No one does. But if all you did was buy and read my books, you still have gold shit, chocolate-rose breath and diamond encrusted body parts, because there’s nothing “all you did” about it. You bought and read a book. You. Fucking. Rock.

So yes, I do still stand by the value of all those lovely things readers can do, but I retract any assertion that they have to do those things. Because it’s getting kinda creepy and nasty out there and the last thing we need to do is be creepy and nasty around our readers. Talk about taking a crap in your food bowl. Readers are awesome and that’s all writers really want – to be read. So buy the book, read it and hopefully have a good time. If you choose to signal boost that book in any way, you’re brilliant. If you don’t, you’re still brilliant, because you’re a reader. And you don’t owe anyone anything.

*drops mic*



Home to nice reviews

April 29, 2013

I’m back from Conflux 9 and a damn fine time was had by all. Great to catch up with old friends, make some new friends and drink too much. I’ll write up a proper report soon, probably tomorrow. I’m too brain dead today and have a bunch of classes to teach, so might go for a little lie down for while beforehand. But I came back to some very nice reviews of Dark Rite, which is always wonderful.

Firstly, the very cool Damien Smith wrote us this review for Thirteen O’Clock, where he says: “a rollercoaster ride that kept me turning the pages until I was almost late for work” among other nice things.

And US author Terry Ervin II had this to say:

“Unraveling the mystery of his dad’s death turns into a nightmare as Grant finds himself mired in a dark cult’s secret that long ago engulfed a small town, and threatens Cassie, a girl he’s fallen for. Grant knows he’s doomed, but that doesn’t mean the demon worshipers have to win.

As the plot began to unfold, I found myself unwilling to put the book aside until I reached the end.”

–Terry W. Ervin II, author of Blood Sword

Bloody lovely. But for now, a snoozzzzzzzz…


Dead Robots’ Society Podcast

April 24, 2013

Pic DRS Dead Robots Society PodcastI got up a bit earlier than usual this morning to be a guest on the Dead Robots’ Society Podcast along with David Wood. We had a lot of fun, talked about genre fiction and horror especially. Of course, we were mostly talking up Dark Rite as that’s the new and current thing.

It’s a great podcast and we had a good laugh with hosts Justin Macumber and Paul Elard Cooley. The episode is up and available already, so go here to have a listen.

On that front, I was very happy today to see that Dark Rite is at number 42 in Horror Hot New Releases on Amazon, and number 17 in Occult Horror Hot New Releases. Thanks to everyone who had bought a copy – you people rock.


Book day nerves and why they’re a good thing

April 16, 2013

Dark Rite books Book day nerves and why theyre a good thingI’m trepidatious. Kinda nerve-wracked. The novella I’ve co-authored with David Wood, Dark Rite, is due for release tomorrow. Hopefully it will become available then, or very soon after. I’ll be sure to let you know. And because of its imminent release, I’m quietly terrified.

I’m also very excited, of course. It’s great to get a new book out there. While this is technically a novella, it kind of bridges the gap, because it’s bloody long for a novella. The Science Fiction and Fantasy Writers of America specify word lengths for each category of its Nebula award categories like this:

Novel – over 40,000 words
Novella – 17,500 to 40,000 words
Novelette – 7,500 to 17,500 words
Short story – under 7,500 words

As far as I know, the Aurealis Awards here in Australia use the same categorisation. Dark Rite is something like 42,250 words. Which is sorta dumb of us, because it will be classed as a novel rather than a novella for awards and we could have cut 2,251 words and dropped it back into the novella category if we really wanted to. But we talked about it and were happy with the tightness and finish of the story. It seems presumptuous and counter-productive to chop at a story purely for award lengths or to accurately describe its category. The story is exactly as long as it needs to be, so we’re sticking with it. And I’ll describe it as a very long novella, even though it’s technically a very short novel.

Nelson Muntz 300x292 Book day nerves and why theyre a good thingBut I digress. Nerves. I was talking about book day terror. Whether it’s a full-length novel, a long novella/short novel, a novelette or a short story being published in a magazine or anthology, the same kind of nerves are always there. Will people like it? Will people read it and point and laugh like Nelson Munz? Will I be revealed for the try-hard, pointless hack my inner demons often tell me I am, in the darkest corners of the night when I’m wondering why I fucking bother.

If it’s a magazine or anthology, the terror is that mine will be the story reviewers talk about for all the wrong reasons. “A tremendous collection of short fiction, with only one story out of place. You have to wonder what the editor was thinking, including this sloppy turd by Baxter.”

Of course, that kind of thinking is an insult to the editor, because they picked the story and included it for a reason, and their name is all over the publication. But publication nerves know nothing of common sense and laugh in the face of logic.

If it’s a book or novella, something that is going out there on its own merit, the nerves are the same, only amplified. There are no other works to hide among. It’s just you, out there in public without your pants on. Metaphorically speaking. You know you can’t please everyone, even Neil Gaiman gets one star reviews, but you hope to please more people than you offend. You want more cries of Bravo! and very few Ha-Has! But you don’t know if you’ll get them. Hell, you don’t know if anybody will even read your work. The only thing worse than bad reviews is no one turning a single fucking page of the thing you slaved over. At least a bad review meant the thing got read.

But I realised, especially reinforced after the recent series of guest posts I’ve run about Ongoing Angst, that this stuff is not only common among writers of every level, but actually a good thing. I’m bloody nervous, because I care. I care not because I want people to like me, but because I want them to like the work. I want people to read my stories and get something out of them, be moved in some way, have a rollicking good time and recommend their friends and family read my stuff too. They don’t ever need to know who the fuck I am, as long as they know and enjoy the work. And my fear comes from the thought that my work might not be good enough. And that fear drives me to always do my best, to always try to be better.

I strive to get better all the time. I work my arse off trying to make my writing as good as it can be. Nerves like this are symbolic of an artist striving to be good enough. If I ever don’t get nervous when a publication is due I’m going to wonder where my fire went. Because I’m certainly not arrogant enough to think people are automatically going to like everything I get published. Nerves are a good thing – they remind you that you’re alive and striving. That this shit matters. Because it really does matter. Through fiction we look at our lives and the life around us, and it matters. Even fun, pulpy horror like Dark Rite has things to say about society and humanity. It’s deeper than just a gloss imagery. And I care about it. I really hope readers do too.

I’ve got a bunch of stuff due for publication over the next two or three months, in magazines and anthologies, and it’s all kicking off with the release of Dark Rite any day now. So I really hope you like it. I’ll be over here, chewing on the bony tips of fingers, cos I finished eating through the nails a couple of days ago.

(Of course, the beauty of this one is that it’s co-authored. So it if does go down well, I’ll bask in all the glory. If it tanks, I’ll just blame David Wood.)


The Ongoing Angst of Successful Writers – Conclusions

April 11, 2013

I’ve really enjoyed the recent run of guest posts from six of Australia’s most successful genre writers. Here I’ll try to collate the overlapping themes from those posts into one place (and have links to all the posts in one place too.) First and foremost, I’d like to thank the six respondents for giving their time and honesty to the idea. So here are the links to each individual post, with my heartfelt thanks:

Kaaron Warren

Jo Anderton

Angela Slatter

Lisa L Hannett

Trudi Canavan

Margo Lanagan

I expected considerable consensus from all of these talented writers to most of the questions. It’s pretty obvious the questions were loaded to that end, but that was because I’ve regularly seen those kind of comments from writers of all styles and all levels of success. But let’s go through each of the three questions and see what the key themes were.

1. What do you still fear as a writer, when it comes to putting your work out there? What fills you with doubt and angst?

This is the question that I knew would draw the most consensus. The over-riding responses were of “imposter syndrome” – that dark and quiet thought that no matter how much success you see, at some point everyone is going to realise you’re a hack, or that one day everyone will point and laugh because they’ve all been having you along all this time. It’s simply the fear of not being good enough, contrary to all the available evidence. Or there’s been some terrible mistake.

Kaaron said: I’m still sure that one day someone will say, “You do realise it’s all been an elaborate joke we’ve played on you? You’re a crap writer and no one has ever liked anything you’ve ever written.” Trudi said: “one day I’ll discover that every person who liked and bought my books was just being polite” although she also pointed out: “but I can laugh it off.” That’ll happen when you’ve sold as many books as Trudi has!

In terms of being good enough, Jo said: “I fear being ignored, but I fear attention too. Silence is disheartening, but when people do sit up and take notice I’m terrified they’ll hate the story, tell everyone they know, and then laugh at me. Loudly.” Angela said: “you’ve lavished all your love, attention and care on it, that you’ve flensed and polished it until it looks like a slightly evil supermodel, but that when it’s out in the public gaze someone will find a fault you didn’t see.”

Lisa used a quote from Keats that summed things up well and she explained it thus: “It’s that niggling doubt that you’re not necessarily crap, but that what you’re writing isn’t adding anything exciting to the mix. That it’s just mediocre. That it’s not just forgotten, but forgettable. Now that’s scary.”

I think these fears are actually encouraging. Of course, that doesn’t help in our darkest moments of self-doubt, but the fear we’re not good enough leads to a desire to always be better. I think that’s essential to growth in any art. If we start to think we’re good enough, that we can’t learn more or get better, then surely our work will stagnate and become, at best, ordinary. Not necessarily crap, as Lisa says, but pedestrian. In the pursuit of any art, we need to constantly strive to be better, to out-do what we’ve done before. Sometimes we’ll succeed and sometimes we won’t – we may write something that truly resonates and then write a lot of stuff that doesn’t reach those heights again for quite a while. But we must always strive to do so regardless and surely, as our skill and experience improve, we will reach those heights again, and beyond. There’s no ceiling to how high we can go if we always strive to improve. I think the fear of not being good enough is what constantly drives us in that pursuit.

Margo made an interesting point that bad reviews can sometimes fuel that self-doubt. She said: “those voices feed directly into, and reinforce, that other voice inside me that’s ready to tear me down and call me a fraud”.

Interestingly enough, just yesterday Chuck Wendig posted this blog, about that very same thing. He calls it the “writer as stowaway”. He has two new books coming out soon and the early copies have gone out for review. He describes the feeling like this:

all the while I’ve got that flurry of fear-bubbles in my tummy: egads they won’t like it they’ll despise it I’m going to receive hate mail people might punch me Kirkus and Publisher’s Weekly will probably give me whatever the opposite of a starred review is like maybe they’ll rub a cat’s butthole on my face in public OH GODS THAT’S HOW BAD THIS BOOK IS.

In classic Wendig style, he echoes exactly what the writers in my guest posts have said.

The second question I asked was:

2. What career markers do you still strive for? What heights are you determined to scale?

I asked this for a very specific reason. Whenever I talk to other writers about their successes, whether they’re new and have just had their first publication or whether they’re as successful as the guest post respondents, there’s always one over-riding response: “Yes, but I haven’t done X yet.” That might be anything from making a sale to a pro market, selling a novel even after massive short fiction success, getting a bigger advance even after a 7 figure deal or anything else. Regardless of levels of success, writers are always striving for more. And I think that’s a good thing – it goes hand in hand with always striving to be better. We want to get better all the time and we measure whether we are getting better by whether or not we score those better publications, bigger advances, more awards, movie deals, etc.

In answering that question, we got some interesting variations on the theme. Kaaron would love to sell a story to the New Yorker and get a call from Hollywood. Jo would prefer a Manga or videogame deal. Angela strives for constantly better markets for her work. Lisa has similar desires to Angela and they both want to see their novel-length work finished and in a good home. Trudi wants to see better success in the US market and wouldn’t mind a call from Hollywood too. Margo wants her work to constantly plumb deeper into truer depths of humanity.

And beyond all this, the over-riding desire (which overlapped this question and the next) was for their writing to be successful enough that they could give up the day jobs (or work less) and have the time to write as much and as often as they like. As Margo put it so well when she talked about who she envies: “anyone who’s had (and earned out) a seven-figure-or-more advance, or freakishly big sales, gives me a bit of a pang, simply because they can buy the slabs of time that make the efficient production of regular novels possible. They can focus, you know? They don’t have to always be fighting their way towards the writing; they can just pay the world to go away.”

(The exception to this desire, perhaps, is Trudi, but that’s because she’s already done that!)

And, as I said, the previous answers cross over with the answers to the third question I asked:

3. Whose career do you envy? Why?

I deliberately used the word “envy” because it’s very loaded. And I expected exactly what I got – very little in the way of actual envy. Margo’s answer above was one of desire rather than real envy – she doesn’t envy the people, just the time they have. As Trudi said: ”Envy is pointless.”

She’s right. Envy is a destructive emotion. I’ve always seen the success of others as proof that any of us can succeed, and that includes me. As Trudi went on to say: ”I’ve always been excited when someone has succeeded at doing something I want to do, as that proves it’s possible.”

Of course, those natural pangs of “Why not me!” are always there when we read about the success of others. As Lisa said: “It’s only natural to have a pang of oh-I-wish-that-was-me! when a new writer skyrockets to stardom apparently out of nowhere — but it’s not actual envy.”

Lisa then talked about the writers she respects and admires. She doesn’t envy them, she just wants a career like theirs. Jo said a similar thing, citing writers she admires and whose careers she’d like to follow.

Kaaron was a little more honest in her use of the word envy, but it boiled down to the same thing. An admiration of people who have got to a position she’d like to see herself in and a desire to get there too. In this instance, that’s not envy as a destructive emotion, but as a rallying call. Perhaps Angela summed it up best with this:

”I don’t envy anyone – what good would that do me? Envy is a wasteful emotion based in insecurity – yes, that’s a life lesson, not just a writing lesson. Comparing yourself to other people is destructive and a waste of time. When you look at successful writers, you need to remember that they had to do the hard yards before they were successful – there are no easy rides in this business. Everyone suffered rejections of novels they’d lavished attention on; everyone has had to do jobs they’ve hated just to make ends meet; but every successful writer has kept on writing. That’s the secret: keep writing, keep learning, keep improving.

By all means look at successful writers and learn from them – that’s what they’re there for, to act as models of ‘here’s one we prepared earlier’, rather than ‘oh, I wish I was [insert name here], I’ll never be as good as her/him, wah-wah-wah!’

Never stop learning – at no point in your career should you think ‘I know it all – no one can tell me anything!’ There’s always something new to learn or something to re-learn that you’ve started taking for granted and kind of forgotten.

So, envy no one, learn from everyone.”

So really, there are three primary things that we can take away from all of this:

1. Everyone struggles with self-doubt and is always concerned that they’re not good enough. It’s a natural and valuable thing, because it means we will always strive to be better.

2. We all want more from our careers – we want better publications, more readers, more money from writing so that writing is all we have to do and other jobs don’t distract us from our passion. And it’s good to desire those things.

3. There’s no point wasting our time envying others. Their success is proof of the possibility of our own success and we can learn from them and strive to have careers like them. There’s no reason we can’t have success like theirs if we accept but rise above the self-doubt and always work at learning and improving.

Beyond anything else, the simple truth is always the same. Keep writing. Regardless of doubt, fear, setbacks, the success of others or anything else, the successful writers are the ones who keep writing. Keep learning, keep striving to be better, keep putting your arse in that chair and your fingers on those keys and keep writing.

If the answers above tell us anything, it’s that there’s never an end to the process. We’ll never be happy with where we are and we’ll always strive for more. That’s what it is to be a writer. If you haven’t got that, you have to ask yourself – how much do you really want it?

Keep writing.



The website of author Alan Baxter

Alan Baxter, Author

Author of horror, dark fantasy & sci-fi. Kung Fu instructor. Personal Trainer. Motorcyclist. Dog lover. Gamer. Heavy metal fan. Britstralian. Misanthrope. Learn more about me and my work by clicking About Alan just below the header.

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Our world is built on language and storytelling. Without stories, we are nothing.



An archive page of some of the most popular blog posts can be found by clicking here. Enjoy.

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Australian Dark Fiction News & Reviews

National Archive

This website is archived by the National Library of Australia's Web Archive