Fantastic Fiction

On reading widely and the power of titles

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May 10, 2013

Stephen King 2max On reading widely and the power of titlesIt was Stephen King who said, “If you don’t have the time to read, you don’t have the time or the tools to write. Simple as that.” And let’s be honest, Stephen King is a frood who knows his shit when it comes to the writing caper. In all honesty, I can’t imagine anyone trying to be a writer without a voracious appetite for reading. All the writers I know are basically pathological readers – the kind who will rip your head off if you keep interrupting them near the end of a book.

I remember getting in trouble at school once because I was reading before the start of class. I even remember the book – it was, appropriately enough, Stephen King’s “It”. I was a teenager, technically sitting in a classroom in my high school in Camberley in the south of England, but I was actually miles away in Maine. Slowly, pushing through the story, I became aware of the sound of my name. Then again. And again. I was so near the end of this great book and someone kept calling my name. So rude! Eventually I looked up with a terse, “WHAT!?”

It was my teacher, trying to get my attention because the bell had rung, she had arrived, everyone else had their work books out, and I was still in Stephen King’s head. The whole class laughed at me, the teacher scowled at me and I spent the next few hours until lunch with a burning pain in my chest because I needed to finish that freaking book!

I tell this story to illustrate what I think it’s like for most writers. Of course, it’s like that for all those other voracious readers out there who don’t have the accompanying and equally powerful need to write. But for writers, I think it’s essential. Readers don’t have to write, but writers have to read. Reading, man, it’s the dog’s absolute bollocks. Best thing out there. Nothing like a good book.

When it comes to being a writer, the other thing about reading is that we should read as widely as possible. It’s important to read outside the genre we write in too, just to experience all those other styles and storytelling techniques. I do read mostly in the genre I write, but I try to stretch out as much as possible. Reading every kind of fiction and non-fiction, even newspapers and magazines, it’s all good for the wordy parts of your brainmeats.

westerns 300x300 On reading widely and the power of titlesWhich brings me to this. Check out those three sweet books I picked up in a thrift shop today. They’re hardback western novellas/short novels and were only $5 each. Bargain! I love a good western. I finally turned my hand to the genre with my western ghost story, which I’m very pleased to have sold to Beneath Ceaseless Skies. The story is called Not the Worst of Sins – I’ll be sure to let you all know when it’s published later this year. For that I read a lot of western fiction and developed a new found taste for it. I’d read it a lot when I was younger, but had fallen out of the habit.

When I saw this stack of books in the thrift shop, I had to get some. There were a dozen or more, all $5 each, and I managed to resist the temptation to buy them all. Mainly because I couldn’t afford them all. So I decided I’d treat myself to three. Then I had the brain tease of picking which three. It all came down to the titles. So it’s worth bearing in mind that titles really are strong selling points for books. I’ve been paying much more attention to titles these days – even if I choose a single word title for a work, it has to be exactly the right word.

So out of that stack of books I chose these three purely based on cool titles: War at Wind River sounds exciting, and I want to know why a river is named Wind. Five Guns South sounds like a posse tale, with five gunslingers heading south for some reason, maybe on the trail of a bad guy or gang. And Red Silver! because it’s a contradiction of sorts and it has an exclamation mark! I’m guessing maybe a massacre of some sort, maybe in a town called Silver. Bear in mind that I deliberately didn’t read the back cover blurb on any of these. I picked titles that excited me and I’m looking forward to being surprised by them. Hopefully pleasantly surprised.

So the message today for all you word-wranglers out there is read voraciously, read widely and pick your titles with as much care and consideration as you give to all the other words in your work, if not more!

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New publications like buses

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April 22, 2013

It’s a funny old game, this writing business. High highs and crushing lows. Hours of toil for seemingly no return, wondering why we bother, then something happens that reminds us exactly why we bother. And I don’t know if this is the case for other writers, but my career seems to always be a fluctuation of flood and drought. Right now, I’m very happy to say, it’s a bit of a flood.

I’ve been banging on about Dark Rite the last week or so, as that book has just been published. I won’t say more on that for now, other than to mention that at the time of writing it’s sitting at #39 in bestsellers for horror on Amazon. That’s great news, so thanks to all who bought a copy.

I’ve also had some excellent news in other areas too. In order of happenings, I’ve sold my contemporary fantasy story, Roll The Bones, to Crowded Magazine. Crowded is a new pro-paying magazine in Australia with a very funky idea on crowdsourcing its content. Do check it out whether you’re a reader (as it has some excellent content!) or a writer (pro rates!) That should be out around the middle of the year.

Secondly, I’ve sold my wild west ghost story, Not The Worst Of Sins, to Beneath Ceaseless Skies, due out around the northern autumn. I’m very excited about this one, as BCS is one of my favourite pro-zines and I’m really happy to get published there.

years best fantasy and horror 2012 New publications like busesAnd, as if all that wasn’t enough, I can announce today that my story, Tiny Lives, originally published at the end of last year in Daily Science Fiction, has made the cut to be reprinted in the Year’s Best Australian Fantasy & Horror 2012, due out soon from Ticonderoga Publications.

See what I mean about a flood? It’s a flood of fucking awesome, is what it is. These are the times you have to remember when the slog is getting you down and the rejections are threatening to drown you. Hard work and perseverance pays off, as long as you have the pig-headed determination to never give up and to always work on improving your craft.

I’m sharing some amazing company in the 2012 Year’s Best. Here’s the full ToC:

  • Joanne Anderton, “Tied To The Waste”, Tales Of Talisman
  • R.J. Astruc, “The Cook of Pearl House, A Malay Sailor by the Name of Maurice”, Dark Edifice 2
  • Lee Battersby, “Comfort Ghost”, Andromeda Spaceways Inflight Magazine 56
  • Alan Baxter, “Tiny Lives”, Daily Science Fiction
  • Jenny Blackford, “A Moveable Feast”, Bloodstones
  • Eddy Burger, “The Witch’s Wardrobe”, Dark Edifice 3
  • Isobelle Carmody, “The Stone Witch”, Under My Hat
  • Jay Caselberg, “Beautiful”, The Washington Pastime
  • Stephen Dedman, “The Fall”, Exotic Gothic 4, Postscripts
  • Felicity Dowker, “To Wish On A Clockwork Heart”, Bread And Circuses
  • Terry Dowling, “Nightside Eye”, Cemetary Dance
  • Tom Dullemond, “Population Management”, Danse Macabre
  • Thoraiya Dyer, “Sleeping Beauty”, Epilogue
  • Will Elliot, “Hungry Man”, The Apex Book Of World SF
  • Jason Fischer, “Pigroot Flat”, Midnight Echo 8
  • Dirk Flinthart, “The Bull In Winter”, Bloodstones
  • Lisa L. Hannett, “Sweet Subtleties”, Clarkesworld
  • Lisa L. Hannett & Angela Slatter, “Bella Beaufort Goes To War”, Midnight And Moonshine
  • Narrelle M. Harris, “Stalemate”, Showtime
  • Kathleen Jennings, “Kindling”, Light Touch Paper, Stand Clear
  • Gary Kemble, “Saturday Night at the Milkbar”, Midnight Echo 7
  • Margo Lanagan, “Crow And Caper, Caper And Crow”, Under My Hat
  • Martin Livings, “You Ain’t Heard Nothing Yet”, Living With The Dead
  • Penelope Love, “A Small Bad Thing”, Bloodstones
  • Andrew J. McKiernan, “Torch Song”, From Stage Door Shadows
  • Karen Maric, “Anvil Of The Sun”, Aurealis
  • Faith Mudge, “Oracle’s Tower”, To Spin A Darker Stair
  • Nicole Murphy, “The Black Star Killer”, Damnation And Dames
  • Jason Nahrung, “The Last Boat To Eden”, Surviving The End
  • Tansy Rayner Roberts, “What Books Survive”, Epilogue
  • Angela Slatter, “Jimmy Dean, Jimmy Dean”, This Is Horror Webzine
  • Anna Tambour, “The Dog Who Wished He’d Never Heard Of Lovecraft”, Lovecraft Zine
  • Kyla Ward, “The Loquacious Cadaver”, The Lion And The Aardvark: Aesop’s Modern Fables
  • Kaaron Warren, “River Of Memory”, Zombies Vs. Robots

And look at that fantastic cover art! You can pre-order your copy of the Year’s Best here. In addition to the above incredible tales, the volume will include a review of 2012 and a list of highly recommended stories.

I’ll be sure to let you know when these publications come out.

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On Word Frequency Analysis and Advanced Procrastination for Writers by Ian McHugh

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April 15, 2013

Ian McHugh is a fellow member of the CSFG and we were having a discussing on the mailing list the other day about this strange thing Ian had discovered in terms of word frequency in fiction. So I asked him if he’d consider writing up his findings and guest posting here for me. After all, that saves me having to write up what he found and it’s his baby anyway. He was foolish kind enough to agree. So, many thanks to Ian and hopefully you guys might find some of this quite interesting.

On Word Frequency Analysis and Advanced Procrastination for Writers

by Ian McHugh (ianmchugh.wordpress.com)

A few weeks ago, fellow CSFG member Phill Berrie wrote a post about word frequency analysis, a tool he uses in his work as an editor. In his post, Phill included a link to a free online word frequency analyser. Plug the text of your story in and it spits out:

  • the total word count of the story
  • how many different unique words you’ve used (a, few, weeks, ago, etc)
  • and how many times you’ve used them (a=36, few=5, weeks=2, ago=2)

Since I had set aside that weekend for working on the final draft of my novel, I decided instead (see “advanced procrastination”, above) to plug a few of my stories into the online analyser and see what the results were. After plugging all of my stories into the analyser, it told me a bunch of stuff that I already pretty well knew:

  • I’m using less adjectives and adverbs than I used to.
  • I have developed a habit of overusing the word as to join two clauses in a sentence.
  • I somehow don’t write stories between 3,000 and 4,000 words long. Like, ever.

What it also showed, that I hadn’t realised before, was that the number of different unique words that I use has fallen by about 20-25% since I first started writing. For stories over 6,000 words, my number of unique words per thousand has dropped from up near 300 to under 230.

So, why?

I had a couple of hypotheses:

Hypothesis #1
My vocabulary is shrinking. No, seriously. I had to look up synonyms for theory to find hypothesis. Then I had to look up like to find synonym. I was very hard on my brain in my late teens and early twenties – like, “I can’t really remember 1991 to 1994″ kind of hard on my brain. I flunked out of art school because I was too stoned and drunk. Art school. That’s like flunking out of rock’n'roll for doing too much cocaine, only less cool. These days when I’m speaking, I often lose my words in mid-sentence. Maybe I’m using less words because I’m losing my words?

Hypothesis #2
Or, given that I’m using less adjectives and adverbs in my stories, maybe I’m just cutting out the crap?

So I wondered what the unique word counts would be for writers operating at a higher level than me. I just happened to have a softcopy of Kaaron Warren’s first short story collection, The Grinding House, so I plugged a few of Kaaron’s old stories into the analyser. Casting about, I also had a softcopy of a longish Lucius Shepard story from Issue 1 of Crowded Magazine. In both cases, I found that the unique word counts were down around 200 per 1,000 words.

Interesting!

Then I went to Tor.com and grabbed a few stories by authors who I immediately recognised as famous, award-winners, working novelists etc, and plugged those in. There was a wider range, but most of the unique word counts were still at or below the low end of my own stories.

So, does this mean that better writers use less words, but use them better? It’s an appealing idea. Had I cracked the secret code to being a better writer?

Yeah, no.

Nice idea, but it holds water about as well as… as one of them thingies that you wash lettuce in… like a bowl, but with holes in it… eh, nevermind.

When I threw a wider net (this was still my novel-editing weekend, mind you – advanced procrastination, remember) and looked at a larger sample of stories from online SFWA pro-markets (including more stories from Tor.com and stories from Apex, Beneath Ceaseless Skies, Clarkesworld, Lightspeed and Strange Horizons) the unique word counts were all over the place. Including from some of the same authors I’d looked at in the first sample. So much so that it’s not even meaningful to talk about any kind of mean or median.

If anything, many of them were opposite to where my stories have been headed, with unique word counts above my high early average.

So where does this leave me? Back at Hypothesis #1? Was Kaaron also hard on her brain in her youth?

Is there maybe some superficial similarity between my writing style and Kaaron’s writing style? Or at least, Kaaron Warren circa 1994 to 2003? Hell, I’d take that, any day.

Colander!

In all honesty, I wouldn’t say that my writing style really is like Kaaron’s in any way you’d notice, but if I have lifted something from her work and incorporated it into my own, it wouldn’t be at all surprising. The Grinding House was a book that made a big impression on me in the early part of my writing career. (Kaaron still uses a quote from my review of it.)

Similarly, if there’s any single story that most influenced me as a new writer, it was Tony Daniel’s “A Dry Quiet War”. Because of that story, I wrote ““Bitter Dreams”, which is probably still my best story, and have kept on writing Westerns since then. “A Dry Quiet War” has a unique word count under 200 per thousand words.

Shepard was another early influence. While he does write elaborate fantasy stories (the Dragon Graiule tales, for example), he’s also written knuckle-dragging, hairy-backed manly stories for Playboy, with protagonists who are terse like the love-child of Clint Eastwood and Conan the Barbarian.

Maybe there’s a clue there. I tend to write in a close third-person or, occasionally, first-person point of view. A lot of my recent stories have featured protagonists who are in some way “simple” – mentally simple, children, from simple socio-cultural settings, or just plain terse. It follows that, with a close point-of-view, the narrative voice for a simple character should also be simple.

Simple character = simple language = lower unique word count.

And a lot of my more complex and elaborate stories are ones with higher unique word counts.

That seems like one of those revelations that’s bleeding obvious once you see it. “Well, of course I knew that!” I think there’s a lesson there, though, in terms of writing consciously for your character’s voice.

And another thing I found? One of the sweet spots for story length for (at least the) SFWA pro markets (I looked at) seems to be between 3,000 and 4,000 words long.

Sigh.

Another sweet spot seems to be between 5,000 and 6,000 words – in which range my stories have, overall, been noticeably less successful than they have over 6,000 words or under 3,000.

Well, I guess if nothing else I found out what I need to work on.

And I did also write/edit nearly 10,000 words of the final draft of my novel that weekend.

Advanced procrastination.

Speaking of which: You should be writing! So go find your character’s voice, and get back to work!

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Midnight Echo 9 cover revealed, featuring me

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March 26, 2013

Cover 2013 03 26 Midnight Echo 9 cover revealed, featuring meCheck out the awesome cover for issue 9 of Midnight Echo magazine. That’s some great, creepy work by Mahdesigns. This issue, edited by Geoff Brown, is horror stories themed around myths and legends. It features my story, The Fathomed Wreck To See. I’m really pleased to have a story in this issue, as I’m a huge fan of the magazine. Not only that, but if you look closely you’ll see I’ve even got my name on the cover along with some seriously talented people in the horror field. And honestly, seeing your name on a book or magazine cover never gets old. Such a treat and such an honour to be included among so many talented people who have work in this issue. Check it out:

Midnight Echo 9 Table of Contents:

Literature

Changeling by Jonathan Maberry
Black Train Blues by James A Moore
Black Peter by Martin Livings
The Road by Amanda J Spedding
Coffee Rings by Kristin Dearborn
The Wee Folk by JG Faherty
From the Forebears by Steven Gepp
Little Boy, Little Girl, Lost in the Woods by Mark Patrick Lynch
The Fathomed Wreck to See by Alan Baxter

Poetry

ganesh by Talie Helene

Comic

Allure of the Ancients; The Key to His Kingdom – story by Mark Farrugia, illustrations by Greg Chapman

Special Features

The Mythology of Mid-World by Robin Furth (non-fiction)
Russian Field of Mysteries by Tony Vilgotsky (non-fiction)
An Interview with Jonathan Maberry
An Interview with Mel Gannon

Regular Features

A Word from the AHWA President – Geoff Brown
Tartarus – Danny Lovecraft (poetry column)
Pix and Panels – Mark Farrugia (comic column)
Black Roads, Dark Highways #4 – Andrew McKiernan (column)
Sinister Reads (all the latest releases from AHWA members)

Pre-orders for the limited print edition are now being taken, and it will be available in all electronic formats too. For more information on this amazing issue, head to www.midnightechomagazine.com

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Aurealis and Shadows Awards finalists for 2012 announced

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March 25, 2013

It’s award season again and the first couple of shortlists are out. The Aurealis Awards for fantasy, sci-fi and horror, and the Australian Shadows Awards for horror. All the finalist lists for both of these are really strong – it’s great to see so much Australian talent being celebrated, not to mention how many friends I can count among the finalists.

I’ve posted the full lists for both over at Thirteen O’Clock, so you can see all the Aurealis Award finalists here and all the Australian Shadows Awards finalists here.

Go and make yourself a big old reading list of everything there and you certainly can’t go wrong. Congratulations to all the finalists!

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Urban Occult has landed

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March 15, 2013

IMG 6773 300x300 Urban Occult has landedI got this today, my contributor’s copy of Urban Occult from Anachron Press. It includes my story, A Time For Redemption, about a young university student who discovers an amulet that allows him to stop time. He sees a way to get back with the girl he lost. Of course, it’s not that easy.

I’m looking forward to reading the other stories in this one too. Get your copy wherever books are sold.

Happy birthday, Douglas Adams

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March 11, 2013

He was one of the hoopiest froods ever, a thinker, entertainer, genius and master storyteller. He would have been 61 years old today. His trilogy of five books in The Hitchhikers Guide To The Galaxy series sold over 15 million copies in his own, far too short, lifetime. If you haven’t read it, go and rectify that now. He was man who knew where his towel was.

douglas adams 300x192 Happy birthday, Douglas Adams

He was one wise man, who, through his writing, flew by learning how to throw himself at the ground and miss.

Vale, Mr Adams.

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Paul Haines, one year gone, never forgotten

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March 5, 2013

Paul Richard Haines 8 June 1970 – 5 March 2012

It’s hard to believe that it’s been a year since Paul Haines died. Husband, father, friend, mentor and so much more, and exemplary writer. I still miss him terribly and the Australian scene is not the same without him. My heartfelt best wishes go out to Jules and Isla, as this must be a very hard time for them.

But he will never be forgotten. One of the best ways we can remember Paul Haines is through his work. After his death last year, I put together this list over at Thirteen O’Clock. It details all his work and his incredibly impressive collection of award wins and nominations. In that list are links to buy his collections, and I recommend you do if you haven’t read them. Paul Haines wrote some of the best, most visceral and honest horror and dark fiction ever. You should read it. I’ll probably read some again over the next few days.

Vale, Haines. Always loved, never forgotten.

Paul haines 290x300 Paul Haines, one year gone, never forgotten

Photo by Cat Sparks

365 Shorts – 1st Quarter update

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February 28, 2013

So, back on December 10th I posted this. In a nutshell, I set myself a challenge to read 365 short stories during 2013. And I expected to fail. Well, bizarrely, I’m actually ahead of schedule at the moment. I know, I’m as surprised as you are. You’re surprised, right?

Firstly, I should point out that I made a couple of small changes to the rules. Get fucked, it’s my game. I can make whatever rule changes I like. Basically, it occurred to me that if I set the challenge for all of 2013, the end would be at the busy Xmas/New Year time and might get lost or forgotten. So I decided to start my year on December 1st, 2012 and run till November 30th, 2013. As I’d just read a short story collection, it seemed fitting. So I started to record all my short fiction reading from then. I set up a document in Dropbox that I can access and edit in Documents To Go on my iPhone or iPad, or just edit directly from my laptop. That way, it’s easy to update the list wherever I am and whatever format I’m reading in (ebook, online, printed book, podcast, etc.)

Now is the end of February, which makes three months, or one quarter of the year down. I just did a quick calculation and I’ve read 153 stories so far. If I want to make 365 stories in a year, I need to average just over thirty stories a month, or about 93 stories every quarter. I’m leaps and bounds ahead of schedule at the moment. That does include a week’s holiday up in the Snowy Mountains, where I read almost nothing but short fiction, as I had two issues of Midnight Echo to catch up on, and a couple of anthologies. But even so, I’m taking it as an auspicious start. I have a pile of anthologies still to go in my reading pile, plus the usual selection of magazines (print and online) that I read, and regular podcast listening. At this stage, I’m quietly confident that I might succeed in my challenge. Of course, it could all turn to shit at any moment.

One thing that really helps is the awesome Daily Science Fiction. Not only because they published me at the end of last year (and no, I’m not including my own stories in the challenge!) but because every weekday they drop a new story in my inbox. I don’t read them all – if I get more than a day or two behind, I let the ones I’ve missed go, but I try to read them all. And it’s certainly helping my total.

Anyway, enough waffle. I’ve set up a page here, where I’ve listed all the stories I’ve read so far. I’ll update it either monthly or quarterly or whatever, and each time I do I’ll post here so you can keep up if you’re interested. Of course, it can fall apart at any time, so if you never hear about this again, don’t you dare remind me!

How about you? Are you playing along? How are your numbers so far?

365 Shorts 2012/13 – My reading so far.

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“The Fathomed Wreck To See” to be published in Midnight Echo #9

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February 28, 2013

AHWA logo3 copy The Fathomed Wreck To See to be published in Midnight Echo #9I’m very happy to announce that my modern myth-based horror story, “The Fathomed Wreck To See”, will be published in Midnight Echo #9. This particular issue called for horror stories based on a modernisation of any established legend or myth. I won’t spill exactly what direction I took, but it’s a story I’m very of, and I’m really pleased it’s found a home here (with thanks to the Drs Brain for their invaluable help!). Midnight Echo is the official magazine of the Australia Horror Writers’ Association, and one of my favourite publications. It’s a big old glossy magazine, always packed full of excellent fiction, articles, art and more. It’s available in electronic form as well, of course. I was published in Midnight Echo once before, in issue 6, the sci-fi horror special.

Issue 9 already has confirmed contributions from Jonathan Maberry (a Joe Ledger short story), James A Moore (a Jonathan Crowley tale), and Robin Firth (a non-fiction dissection of the myths within Stephen King’s Dark Tower series), as well as the selection of submitted short fiction including my story. The full Table of Contents has yet to be announced, but I’m already excited.

You can learn more about Midnight Echo here, and Issue 10 submission guidelines are already up. Ghost stories!

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Welcome

The website of author Alan Baxter

Alan Baxter, Author

Author of horror, dark fantasy & sci-fi. Kung Fu instructor. Motorcyclist. Dog lover. Gamer. Heavy metal fan. Britstralian. Misanthrope. Learn more about me and my work by clicking About Alan just below the header.

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