Ebooks

Publetariat Omnibus ebook

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November 26, 2012

cover 199x300 Publetariat Omnibus ebookI started out as an indie author, and I still believe the hybrid model, where writers combine aspects of self-publishing and traditional publishing, is the best way forward. I have some self-published stuff out there, plenty of traditionally published stuff too and I have every intention of continuing in that vein. And regardless of how your stuff gets out there, a lot of the processes are much the same. For a long time now I’ve been a regular contributor at Publetariat.com, a website built for indie authors, but also of enormous benefit to small press owners, indie collectives and even big publishers for that matter. The powerhouse behind Publetariat is April Hamilton and she has now put together an ebook which collects all the best advice from the first four years of Publetariat.com into one handy resource.

A few of the articles in there are mine, and I share the pages with some very well-informed folks. Here’s the official blurb:

A compendium of advice, lessons learned and how-tos from leading authors, publishing industry pros, consultants and subject area experts, drawn from the first four years of Publetariat.com’s operation. They’ve been there, done that, and now they’re sharing their lessons learned. This book includes articles written by:

Alan Baxter, Julian Block, Mark Coker, Melissa Conway, Nick Daws, Joel Friedlander, April L. Hamilton, Joseph C. Kunz Jr., Cheri Lasota, M. Louisa Locke, Shannon O’Neil, Joanna Penn, Virginia Ripple, Fay Risner, Mick Rooney, L.J. Sellers, Dana Lynn Smith, Bob Spear, Richard Sutton and Toni Tesori.

Here you’ll find everything from craft advice to tax advice, from marketing tips to design walkthroughs, from self-editing how-tos to copyright boilerplate you can use in your own book, and more! Having these 67 collected articles is like having a publishing consultant, editor, designer and business adviser by your side as you set out on your own indie publishing path.

The book is set out into sections:

Think; Write; Design; Publish; Sell; Business End and Lighter Side Of The Writing Life.

It really is quite a significant resource, and only $5.99 on Amazon. Go get it here.

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My work is recommended reading

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November 9, 2012

 My work is recommended readingLook at that lovely cover. That’s the latest Year’s Best Fantasy & Horror (2011) from Ticonderoga Publications. It’s a lovely book with 32 awesome stories in it. Sadly, none of mine made the book this year. My story The King’s Accord was reprinted in last year’s Year’s Best, which I’m still very chuffed about. But I have just discovered that no less than five of my stories published in 2011 made the Recommended Reading List in this latest edition. Five of ‘em! Fuck me, can’t complain about that.

So, as they’re recommended reading, I thought I’d help people find them, in order to read them. As recommended. They were published in a variety of anthologies, a podcast (now in print too) and one in a magazine, but you can still find them all easily enough. So here they are:

Dream Shadow – This is an urban horror story, first published in the Winds Of Change anthology from CSfG Publications. You can get a copy of that book here (use the Contact Us page to order a copy).

The Seven Garages Of Kevin Simpson – This was a podcast original, on Pseudopod, episode 242. You can still listen to it there for free. It was also just reprinted in Dark Places 2, the e-anthology from Gryphonwood Press, and you can get that for just 99c right here.

Duty And Sacrifice – This is a fantasy story I wrote for the Hope anthology, published by Kayelle Press. This is a really important book, with lots of great stories and information about suicide and suicide awareness. All profits of the book go to relevant charities. I wrote a big post all about that stuff here. You can get this great anthology here.

Mirrorwalk – This is a dark urban fantasy/horror story that was originally published in issue 16 of Murky Depths magazine. You can still get a copy of that from here.

Punishment of the Sun – This is a vampire horror story, written for the Australian vampire anthology Dead Red Heart, from Ticongeroga Publications. This story also made the recommended reading list in Ellen Datlow’s Year’s Best Horror 4. Dead Red Heart is a great big book of vampire yarns, with some real crackers among them. You can get your copy of that book here.

Of course, all these great books and magazines are also available from Amazon, B&N, etc. or you can order them through your local bookstore or library. So hopefully that will help you find some stuff that editors extraordinaire Talie Helene and Liz Grzyb recommend. And you know what else is recommended reading? The whole Year’s Best Fantasy & Horror 2011. Go get it here. Seriously.

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GenreCon this weekend, Nov 2 – 4

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November 1, 2012

GC web banner e1334023900490 300x117 GenreCon this weekend, Nov 2   4I wasn’t originally going to be able to attend GenreCon this weekend, but now I can, so firstly I want to thank the Australian Horror Writers’ Association for making that happen. I’ll be there as an official representative of the AHWA for the Sunday afternoon shenanigans. I won’t be able to make the Friday night part of the con, but I’ll be there all day Saturday and Sunday. What is GenreCon? Here, from the website:

GenreCon is a three-day convention for Australian fans and professionals working within the fields of romance, mystery, science fiction, crime, fantasy, horror, thrillers, and more. One part party, one part celebration, one part professional development: GenreCon is the place to be if you’re an aspiring or established writer with a penchant for the types of fiction that get relegated to their own corner of the bookstore.

Sounds pretty sweet, huh? There’s all kinds of stuff going on, which you can find from the Program page on the website. My official duties will be on Sunday from 3 – 4 pm when the AHWA will host afternoon tea and, as part of the festivities, we’ll be launching Martin Livings’ new collection, Living With The Dead. So don’t miss out!

Come and find me and say hello. I’m looking forward to catching up with old friends and making new friends this weekend. All the details here.

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Dark Places 2, free for Halloween only

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October 31, 2012

Remember I posted last week about a new anthology from Gryphonwood Press called Dark Places 2? It’s the second volume of Halloween short fiction from Gryphonwood Press authors. It features short fiction from Justin R. Macumber, Terry W. Ervin II, John E. Bailor, David Wood and myself. My contribution is The Seven Garages Of Kevin Simpson, a creepy story about a daughter who discovers, after her father’s death, that he had seven garages the family knew nothing about.

For today, Halloween, only, the anthology is free here at Smashwords with the following coupon code: VY29G

Go get some!

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Red Penny Papers Vol III, Issue 1, featuring my story “Crossroads & Carousels”, out now

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October 29, 2012

rpp2012fallmed 206x300 Red Penny Papers Vol III, Issue 1, featuring my story Crossroads & Carousels, out nowCheck out that brilliant cover (by artist C. Bernard). What a thing of beauty. This is the second anniversary issue of The Red Penny Papers and it features my story, Crossroads & Carousels. The full ToC is:

- A Connection to Beyond by Cat Rambo
- Breathing Room by Jamie Mason
- Fearsome Critters and Friendly Giants by M. Bennardo
- Crossroads and Carousels by Alan Baxter
- The Extravagant and Venturesome Lives of Woman Pyrates by Katy Gunn

That’s a pretty great line-up and I’m very proud to be a part of it. On top of all that, the whole thing is free right here. The ebook version of this issue should be out soon and mini-interviews with all the authors are forthcoming.

Crossroads & Carousels is a story I’d been planning to write for a long time. I finally found the right framework for the story and I’m very pleased it found a home at RPP. The story is a homage to two things I’ve always loved – the old blues legends of the crossroads and the Dire Straits song, Tunnel Of Love. I have a pretty eclectic taste in music and, while I might be a blues and metal fan at heart, I’m into a wide cross-section of sounds. One of my favourite bands for years has been Dire Straits. Mark Knopfler’s blues inspired guitar playing is just sublime. In fact, it’s almost entirely due to Mark Knopfler and David Gilmour from Pink Floyd that I learned to play guitar myself.

It’s also the lyricism of bands like these that appeals to me so much. Both Dire Straits and Pink Floyd tell fantastic stories with their music. One of the stories that’s always appealed to me and fascinated me is Tunnel Of Love. It contains such evocative lyrics and such emotive imagery. I finally found my crossroads story through a short fiction retelling of the story behind Tunnel Of Love. So I hope my homage is as enjoyable to everyone reading as it was to me in the writing. I’ve changed the location and a lot of things about the song, of course, as it was inspiration for this story – I haven’t just written a short story version of the song. But you’ll recognise key motifs in the story if you know the song. I hope I’ve done it justice.

Go here, and read.

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Dark Places 2 anthology out for Halloween

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October 26, 2012

160b9c7df0f111a1d2aeb71d9dd5c94e8cc86480 188x300 Dark Places 2 anthology out for HalloweenThe publisher of my novels, Gryphonwood Press, has got a bit of a tradition going. Each Halloween there’s a new anthology featuring dark short fiction from Gryphonwood authors. The first one was last year, and now there’s Dark Places 2. That makes it a tradition. So shut up. You can get it in any ebook format you prefer right here from Smashwords.

Dark Places 2 features short fiction from Justin R. Macumber, Terry W. Ervin II, John E. Bailor, David Wood and myself. My contribution is The Seven Garages Of Kevin Simpson. This story was a Pseudopod original in episode 242 back in August 2011. That, of course, was a podcast. Now it’s available in text at last.

For the absolute steal of 99c, (buy it here, now!) these five stories should hopefully entertain and set a good Halloween vibe. I’ve read David Wood’s Aqua Zombie and it’s a great yarn. And yes, an aqua zombie. Think about it. Now go and get the book and read about it. You’ll also get my creepy story about a dead man with seven unexpected garages, plus stories from Justin Macumber, Terry Ervin and John Bailor. How can you go wrong with that?

What’s more, if you wait till Halloween to buy the book, it won’t even cost you 99c. It’ll be free on Halloween. Seriously, free. Nada. Zip. Nothing. But seeing as it’s only 99c anyway, you might as well get it right now. I’ll put a quick post up here on Halloween with the coupon code for the freebie, but I’m sure you won’t be able to contain your excitement. I mean, what’s 99c? You can’t even buy a newspaper for that kinda moolah. In fact, you’ve probably already gone to buy it and I’m talking to myself right here, aren’t I. Huh? Aren’t I? Hello?

Excellent.

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Small press and non-digital survival

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October 11, 2012

It’s a fact of the publishing world that new ventures rise and old ones fail all the time. Running a small press is incredibly hard work, and there’s not much, if any, profit to be found. So many small presses are run for the love of it, with their owners also keeping a full time job and using their own money to keep the press afloat. If a small press can break even, financially, it’s considered a success. Of course, there are those which do actually turn a profit, even if it’s not a full living wage, and those presses could go on to eventually become financially successful ventures. But it’s not easy and by no means definite. With the way the publishing world is currently changing, there are a lot of pitfalls along the way, just as there are a lot more opportunities out there. Never before has the phrase “Adapt or die” been more relevant.

So it was with sadness and some consternation that I read about the closure of Wet Ink the other day. From their announcement:

It is with great regret we have to announce that Wet Ink is closing down after seven years of publication; the current issue, number 27, is the last.

We were hoping for number 28, but it isn’t feasible.

Basically, the reasons are financial. Retail sales are weak, advertising and sponsorship are almost impossible to obtain and subscriptions levels haven’t been enough to make up for the shortfall in other areas. Despite all of these problems we are not interested in only going digital, as it isn’t for us a meaningful alternative.

Now I quite understand that some people are married to the physical artefact and not interested in reading ebooks. I understand that many publishers aren’t interested in learning new skills to engage with the digital marketplace. Even though those skills are easy to learn and implement, I get that some people aren’t interested. And, as a result, the publishing endeavours of those people will die because of it. What confused me more in the case of Wet Ink was this line:

Despite all of these problems we are not interested in only going digital, as it isn’t for us a meaningful alternative.

(The emphasis is my own.)

Only? Meaningful? The implication there is that survival is only likely with a purely digital product, which is simply not true. Digital production doesn’t mean only ebooks. With technology as it is today, it’s quite possible to build any publishing venture into a print and digital product without any compromise on quality and with far lower operating costs. Print On Demand technology is responsible for producing some truly beautiful books and magazines these days, without the high cost of physical print runs. Also, the difference between producing a print product and then adjusting that product for the ebook market is negligible in terms of time and effort.

A press that is producing a quality magazine with high running costs can switch to POD and ebook production quickly and easily and still produce their own favoured high end print artefact, as well as making ebook versions available, thereby maintaining any existing (print) subscriber base and potentially attracting a whole new set of electronic subscribers. That’s adapting to the modern era and giving yourself a chance at survival.

To suggest that it’s death or digital, as in suggesting that it’s a choice between losing money on beautiful books or giving in to those awful ebooks, is misinformed. It’s a perfect example of refusing to adapt, therefore dying.

I feel for the people behind Wet Ink, I really do. It sucks when something you love becomes unsustainable. I quite understand that there are people who don’t want to learn or embrace the new digital ways. But it’s a shame that a well-respected journal like Wet Ink has to die because digital isn’t seen as a “meaningful alternative”. What’s not meaningful about keeping a good thing alive?

Adapting to the modern environment is something people have always had to do. Every industry goes through many changes and old technologies die or change. Publishing, until recently, has been strangely insulated from change. But not any more. It’s very sad to see Wet Ink die, just as it’s sad to see any journal die, thus reducing the variety of publications out there.

I wish the people behind Wet Ink all the best. And I hope other publishers stay on top of this changing world and manage to adapt so their publications don’t die too. Still, even if they do, young turks will come along with new ideas, embrace the new technology and opportunity, and exciting new things will appear. Publishing isn’t dead or dying – far from it. It’s never been more vibrant.

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Red Penny Papers – ToC, anniversary, giveaways

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October 7, 2012

TheRedPennyPapers2 Red Penny Papers   ToC, anniversary, giveawaysI mentioned here recently that my story, Crossroads & Carousels, will be published in the Fall edition of The Red Penny Papers. The full Table of Contents for that issue has now been announced:

A Connection to Beyond by Cat Rambo
Breathing Room by Jamie Mason
Fearsome Critters and Friendly Giants by M. Bennardo
Crossroads and Carousels by Alan Baxter
The Extravagant and Venturesome Lives of Woman Pyrates by Katy Gunn

That’s a fine ToC, and one I’m very proud to be in. But wait, there’s more! As you may remember, it was Red Penny Papers who published my novelette, The Darkest Shade Of Grey. As this is their second anniversary short fiction issue, and as I’m a returning author in their pages, they’ve organised a very cool giveaway. Here are the details:

…to celebrate our second anniversary, it seemed appropriate to do a little giveaway. The first two people to purchase The Darkest Shade of Grey and email their receipt to redpennypapers AT gmail DOT com will receive an eBook of Alan’s debut novel, RealmShift.

Ah, but wait, there’s more. Keep sending those purchase receipts, because at the end, we’ll do a drawing for a complete set: both RealmShift and the sequel MageSign.

Happy birthday to us!

I’m obviously a bit biased, but I reckon that’s a bloody good celebratory offer right there. All the details here.

I’ll drop a note here when the issue in question comes out.

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Selling Fiction vs Self-Publishing

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October 2, 2012

Self-publishing doesn’t carry anything like the stigma it used to. This is a good thing, of course, as it opens more opportunities for writers, and we’re all looking for opportunity. But should we all jump on board and self-publish all the writings?

There is certainly the argument that self-publishing has the potential to give the writer a far greater dividend than any other form of publishing. But this is something of a furphy. All the really successful self-publishers have either built their success on an already established traditional publishing career (like Konrath, et al) or they’re publishing lottery winners (like Hocking, et al). For ninety nine point nine per cent of the rest of us, self-publishing will garner far smaller results.

Let’s look at the alternatives.

One of the myths bandied around all the time by the self-publishing evangelists is that traditional publishers are mean and nasty, and not interested in new talent. This same nonsense is applied to publishers of short and long fiction, to publishers of books and magazines, be they print or electronic. It is true that a lot of big business trade publishers operate on something of a risk-averse model. They’re unlikely to take a chance on anything really left of centre, because they operate under a certain agenda. But there are numerous small press outfits around who are very keen on “different” stories, to set them apart and build their own legacy.

Publishers are not mean, nasty or averse to new talent. They’re just very busy and receive a lot of submissions – and a lot of what they receive is pretty poor. Writing, like any other craft, takes time, effort and commitment to master…

Read the rest of this article at the Planet EWF Blog here.

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Stories like buses

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September 24, 2012

I’m very pleased to say that I’ve just sold my short story, Crossroads & Carousels, to The Red Penny Papers. It’ll be out in October in their fall issue, and available online from here: http://redpennypapers.com/ If they sound familiar, they should. Apart from the fact that they’re awesome, they also published my supernatural noir novella, The Darkest Shade Of Grey, which is still available online or in all ebook formats. Click the cover in the sidebar for more details on that.

It’s been a funny old year for me with publications. I’ve had two gluts of releases with an arid desert of nothing in between. Between February and April this year I had five original stories published and one reprint. Obviously, those things were written and sold across a wide spread of time. The wait from sale to publication can vary massively. For example, I’ve sold a story that has taken more than a year to see publication, and sold another story months later that hit print within weeks. Publishers and editors all work to a wide variety of schedules. It usually means that things come out spread neatly across the year, but not in 2012. After one rush of publications in February, March and April, nothing of mine has seen print (or pixel) since.

Until now, where I’ve got three things coming out within a few weeks of each other. My depression-era story based on the Tiny Dancer lyric, “Jesus freaks, out in the street”, which is part of the Shadows At The Stage Door anthology, is being launched at Conflux this weekend (be there – a post about that is forthcoming).

Then my story, Cephalopoda Obsessia, is coming out in the Bloodstones anthology in time for Halloween. It’s a great line-up in that book, so I’m excited to read it.

And now Crossroads & Carousels is coming out in The Red Penny Papers Fall edition, due around the end of October. I’m really pleased this story has a home. I’ve always wanted to write a Devil-at-the-crossroads tale, and this is it. I’ve also combined that idea with an homage to one of my favourite songs, so I think I’m pretty clever and you can’t tell me otherwise, so shut up.

Publications like buses, nothing for ages, then three come along at once.

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The website of author Alan Baxter

Alan Baxter, Author

Author of horror, dark fantasy & sci-fi. Kung Fu instructor. Motorcyclist. Dog lover. Gamer. Heavy metal fan. Britstralian. Misanthrope. Learn more about me and my work by clicking About Alan just below the header.

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