Convention

Conflux 9, the aftermath

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May 2, 2013

I said I would get around to a quick wrap up post for Conflux 9, the 52nd NatCon, that happened last week. It’s fast becoming history and life is barrelling on (seriously, May, calm the fuck down) and so I thought I’d better get around to it now or I never would. First and foremost, congratulations to co-chairs Donna Hanson and Nicole Murphy and the whole Conflux team. They did an amazing job and it really was a great con. Conflux is always my favourite of the year – open, friendly, inspiring – and this year it had all that in spades.

Much time was spent in the bar with friends old and new, drinking too much and talking shit. Which is, after all, one of the main purposes of a con. I have a few highlights persisting through the alcoholic haze. If this con had a theme beyond the official one, it was book launches. So many amazing books were thrust out into the world at Conflux 9.

Cat Sparks’ new collection, The Bride Price, was launched and sold out. Highlights there included Cat drinking champagne from a mug (classy lady, is Cat Sparks) and telling people during her little speech to “Now go and buy my fucking book!” This was particularly entertaining as she was standing three feet from Thoraiya Dyer’s four year old daughter at the time. I don’t know why, I just find that stuff hilarious. Especially when Thoraiya stepped up to buy a book and said to Cat, “Thanks for swearing in front of my kid.” Ah, I laughed.

Rob Hood also launched his amazing novel, Fragments of a Broken Land, which also sold out. And seriously, go and buy that book, folks, because it’s brilliant. Something actually different and dark and bloody good. And Jo Anderton sold out at the launch of her new collection, The Bone Chime Song & Other Stories, which is also dark and different and also fucking brilliant. Such talented writers making work in Australia.

I enjoyed the panels I was on too. Talking horror with Kaaron Warren, Kirstyn McDermott, Jason Nahrung and Terry Dowling was probably my favourite panel of the con. I also really enjoyed talking about authors and social media with Alex Adsett, Abigail Nathan, Zena Shapter and Russell B Farr. The best bit about that panel was that we got the panel trending on Twitter while it happened. Fuck yeah, social media masters at work!

Another highlight, as it always is at the NatCon, was the Ditmar Award ceremony. Loads of lovely people being justly rewarded for their fantastic work. Deb Biancotti did a great job of hosting and the thing even ran to time. There was a live Twitter screen by the stage, too. Look at Conflux all up in the future. And a particular highlight there was Russell B Farr getting the A Bertram Chandler Award for his services to SF. Russ has been an amazing advocate of Australian specfic since around 1996 and his press, Ticonderoga Publications, puts out seriously brilliant books. He really deserved that award and I’m glad he got it. I’m also glad because it made him generous with the whisky in the bar afterwards. Russell, and his partner in crime, life and publishing, Liz Grzyb, have been kind enough to publish several of my stories over the years and I hope they continue to do so. I’m very proud to be a small part of the Ticonderoga legacy.

I also sold all bar one copy of Dark Rite that I took to the con with me, so that’s another highlight. I must thank profusely the CSFG for letting me have my books for sale on their table in the dealer room.

I’m sure there was a lot more I should be talking about, and I apologise for anything I’ve missed that really needs a mention, but it’s all blended into that delicious post-con haze of friendship and inspiration. So I’m off to write now, and see if I can’t try to be even a fraction as talented as some of my wonderful friends. If you’d like a pictorial idea of what happened, check out Cat Sparks’ Flickr stream here, with loads of pics from throughout the con.

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Home to nice reviews

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April 29, 2013

I’m back from Conflux 9 and a damn fine time was had by all. Great to catch up with old friends, make some new friends and drink too much. I’ll write up a proper report soon, probably tomorrow. I’m too brain dead today and have a bunch of classes to teach, so might go for a little lie down for while beforehand. But I came back to some very nice reviews of Dark Rite, which is always wonderful.

Firstly, the very cool Damien Smith wrote us this review for Thirteen O’Clock, where he says: “a rollercoaster ride that kept me turning the pages until I was almost late for work” among other nice things.

And US author Terry Ervin II had this to say:

“Unraveling the mystery of his dad’s death turns into a nightmare as Grant finds himself mired in a dark cult’s secret that long ago engulfed a small town, and threatens Cassie, a girl he’s fallen for. Grant knows he’s doomed, but that doesn’t mean the demon worshipers have to win.

As the plot began to unfold, I found myself unwilling to put the book aside until I reached the end.”

–Terry W. Ervin II, author of Blood Sword

Bloody lovely. But for now, a snoozzzzzzzz…

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Conflux 9, 52nd NatCon – my schedule

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April 16, 2013

It’s convention time again. My favourite con every year is Conflux in Canberra. I can’t really explain why other than that it’s always well-organised, always good fun and always has a very inclusive and open vibe about it. It’s also a great chance to catch up with all my writerly friends, who I usually only get to interact with online from the shadowy corners of my writing cave. It’s Conflux 9 this year, and it’s also the NatCon, or National Convention. Each year in Australia, one of the state conventions takes on the role of being Natcon – that makes it the biggest con of the year and means it has extra stuff happening, not least of which is the Ditmar Award ceremony. The Ditmars are like the Australian Hugos, so it’s all good fun.

Conflux 9 runs from Thursday 25th April through to Sunday 28th April, at Rydges Capital Hill in Barton, Canberra. All the details can be found at that link. There’s loads going on, so if you have any chance to get along to Canberra for all or some of the con, I would highly recommend it. There are day passes as well as full con memberships.

I’m going to be involved in a few things:

Thursday 9 – 9.55pm – The Horror Spectrum panel – What forms does horror take? Domestic, psychological or slash? Is there more to it and why do fans like it and why do some writers write it?

There’s always one of these panels at cons and I often seem to sit on them. It’s one of those impossible questions to really answer and almost always devolves into an hour of trying to pin down just what horror is, but it’s usually enjoyable nonetheless. If nothing else, it usually helps to convince some people that there’s a lot more to horror than the torture porn so prevalent in movies right now.

Thursday 10 – 10.55pm – Taboo subjects for authors panel – Fiction these days seems to have no boundaries as to what is good taste, yet there are boundaries, depending on the genre, or are there?

This is another one I always like to get involved with, mainly because I sit firmly in the “fuck your taboos!” camp. But there are some places we don’t go, there are some places we should tread very carefully and there are some places we can stomp all over. So I’ll enjoy discussing that stuff because I’m bound to piss some people off.

Friday 11.30am – 12.25pm – Crowd funding – what is it? How does it work? panel – Crowd funding (using websites like Kickstarter and Indie Gogo to convince complete strangers to fund your creative work) have become the in thing. How do they work? How do they work best? Is this the answer for whatever dilemma you’re facing?

Or should you stop begging and work fucking hard like the rest of us? I’m going to enjoy this one. (And I’m actually a fan of crowd-funding used well.)

Sunday 11am – Reading
I have a reading session here that I think is probably a half an hour long. I’m not sure yet what I’ll be reading – I’m thinking I might read one of my newer short stories that’s about to be published… I’ll have to think on that, but it’ll be something new. And probably a short story rather than a novel excerpt, as that way people get something complete rather than just a teaser.

Sunday 3.30 – 4.30pm – Elegant promotion or just plain annoying panel – Promoting yourself with social media. The tips and traps of promoting books, films, events or your sense of humour. Take a journey through good and bad examples. This panel discusses various pros and cons of reaching audiences in this digital age.

Again, this should be a lot of fun, especially as I’m such an internet whore and happy to bandy myself all over the place. But even then, I do have a pretty strict set of personal guidelines I use to manage my online activity.

So those are my official engagements for the con. The rest of the time I’ll probably… who am I kidding? I’ll definitely be in the bar. Please come and say hello, hang out, drink and partake of the “convention airing of grievances” (about anything). It’s half of what it’s all about. Hopefully see you there!

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GenreCon a great success

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November 6, 2012

I’m very glad I got to go to GenreCon after all last weekend. Thanks to the AHWA for that. It really was a tremendous event, bringing writers of all genres (sci-fi, fantasy, horror, romance, crime and more) all together. The streams of panels were excellent, the venue was great and the organisation was simply top notch. Well done to convenor Peter Ball, and to Meg Vann and the team, for such a well organised and well executed con.

The international guests were also brilliant. Joe Abercrombie is an interesting and funny guy, who had time for everyone and always entertained on his panels. Ginger Clark, agent extraordinaire with Curtis Brown, gave a very inspiring and fascinating talk on what an agent does these days, which is a lot more than they used to. If all agents are like Ginger, we writers will be well looked after into the future. And Sarah Wendell, of Smart Bitches, Trashy Books, gave a tremendous presentation on social media and “author platform”. This is a subject very familiar to me and I’ve given similar presentations myself. Sarah was clear, open and funny and she gave me a lot to think about. Most of her presentation went over things I already know, but even then she gave me new ways to look at them. And a handful of things new to me made the event really worthwhile.

Of course, the local Australian author guests were all very friendly and open, as was everyone at the con. I attended several really good panels.

Martin Livings launched his collection, Living with the Dead, as part of an Australian Horror Writers Association presentation, which I was very proud to be a part of. Seriously, Martin is a bloody great writer and you really should get hold of that collection.

The great debate, Plotters vs Pantsers, at the end of the con was hilarious, and Meg Vann announced that GenreCon 2 was confirmed for Brisbane next year. Bring it on!

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GenreCon this weekend, Nov 2 – 4

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November 1, 2012

GC web banner e1334023900490 300x117 GenreCon this weekend, Nov 2   4I wasn’t originally going to be able to attend GenreCon this weekend, but now I can, so firstly I want to thank the Australian Horror Writers’ Association for making that happen. I’ll be there as an official representative of the AHWA for the Sunday afternoon shenanigans. I won’t be able to make the Friday night part of the con, but I’ll be there all day Saturday and Sunday. What is GenreCon? Here, from the website:

GenreCon is a three-day convention for Australian fans and professionals working within the fields of romance, mystery, science fiction, crime, fantasy, horror, thrillers, and more. One part party, one part celebration, one part professional development: GenreCon is the place to be if you’re an aspiring or established writer with a penchant for the types of fiction that get relegated to their own corner of the bookstore.

Sounds pretty sweet, huh? There’s all kinds of stuff going on, which you can find from the Program page on the website. My official duties will be on Sunday from 3 – 4 pm when the AHWA will host afternoon tea and, as part of the festivities, we’ll be launching Martin Livings’ new collection, Living With The Dead. So don’t miss out!

Come and find me and say hello. I’m looking forward to catching up with old friends and making new friends this weekend. All the details here.

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Festival of Learning and Leornian

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October 17, 2012

Many of you may have heard me mention here and there that I’ve had the pleasure of working on a videogame recently. It’s not some huge release by a big international studio, but it’s been great fun all the same. It’s called Leornian, and is a game about Game Based Learning, or GBL. Leornian is being developed for the education sector in NSW, and I’ve been on board in charge of writing the narrative.

While the game itself is designed to showcase all different types of gameplay, which teachers can then play in order to understand gaming and use it in their classrooms, it needs to be more than just a collection of examples. To that end, the PLANE team were tasked with creating an open sim environment within which to situate all these gaming examples. To keep people interested, the whole thing needed emotional engagement. For that, we need story. That’s where I came in, developing a story that gave players a reason to continue on to the next task. We set the game over three levels – medieval, steampunk and sci-fi. The story is woven through all the levels, with an overreaching plot and all kinds of sub-plots and minigames throughout. It’s been enormous fun and a good challenge to get this thing happening, so I’m very pleased I got to be a part of it. I’ll embed a video below that shows the opening sequence to the game.

This weekend, Friday and Saturday, I’ll be at the PLANE Festival Of Learning in Sydney. PLANE stands for “Pathways for Learning Anywhere, anytime – Network of Educators”. To take the description from the website:

PLANE is a Professional Learning community built by educators for educators. It is an environment in which educators can enrich their own and others professional practice in an ever evolving technology-rich world. Since its inception, PLANE has been shaped by the ideas and needs of educators who are looking to impact change in student learning. This continues to be a guiding principle of PLANE.

The Festival of Learning will mark the official launch of the PLANE online learning environment, including the first level of Leornian. I’ll be presenting there about storytelling and speakers include Adam Elliot, Kitty Flanagan, Dr Jason Fox and others. If you’re interested, you can learn more about it here.

Here’s the opening sequence for Leornian:

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Conflux 8 – the con report

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October 1, 2012

This is going to be short and incomplete, because I’m pretty tired and have a lot to do. But I couldn’t let this weekend pass without a mention. Conflux is always a great con – it’s my favourite on the Australian scene – and this year was no exception, despite the shortened program. As Conflux 9 next year is also the 52nd Australian NatCon (National Science Fiction Convention) and as it’s in April, this Conflux was programmed over only two days instead of the usual three or four. But it certainly didn’t suffer for that.

9am Saturday opened with the inimitable Jack Dann doing his usual schtick as MC. Jack’s a great guy and really got things moving, and he kept his energy and enthusiasm throughout the weekend. Aussie SF is lucky to have him. The two day programme was packed with loads of interesting panels and all had great speakers and interesting, engaging crowds. My favourite panel environment is one where the audience have a level of participation that engages and moves the panel along, instead of distracting it or hogging time. Almost every panel I was part of or in the audience for was just like that. I really enjoyed the ones I sat in on, so thanks to my fellow panelists. This year I was on panels with Ian McHugh, Sue Isle, Rob Hood, Lewis Morley, Tracey O’Hara, Lily Mulholland and Rik Lagarto. I also did a workshop on Friday and a reading on Sunday with Ian McHugh. So thanks to you all for making it so much fun.

Highlights of the con for me included music from the awesome duet, The Fildenstar, (watch out for more about them on here soon), Keith Stevenson’s guest of honour speech (though I think I’m a little more optimistic about the changing role of editing and publishing than he is!), the massed launch on Saturday night (which included From Stage Door Shadows, which has my story, Fear Is The Sin, in it) and the launch of Adam Browne’s new novel, Pyrotechnicon. That was possibly the best book launch I’ve ever attended. The novel is published by Coeur De Lion, of which GoH Keith Stevenson is the head honcho. The launch consisted of Keith in full fancy dress and Keith, Adam Browne and Jack Dann enacting a scene from the book. Truly wonderful!

Here’s a shot (stolen from from Claire McKenna) showing Adam on the left and publisher, Keith Stevenson, on the right. I can’t find a shot with all three, sadly. If you have one, please comment and let me know.

browne stevenson Conflux 8   the con report

And while I say that these things were highlights, the whole con was an absolute success. Top respect to Jane Virgo and the team for doing such a tremendous job. Here’s to next April and Conflux 9, NatCon!

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Conflux 2012

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September 25, 2012

It’s Conflux time again. I love going to Conflux, as it always has a great vibe. Always a very friendly con. (Next year, Conflux is NatCon, so that should be extra exciting!) But in the meantime, we’ll all be in Canberra again this coming weekend, so join us. Jooiiiinnn uuuuuusssssss!

I’ll be conducting a seminar on Friday afternoon, with the very talented Ian McHugh. We’ll be talking about getting the details right in your fiction, from fighting to scene-setting to character description and more. Then I’ll be on a few panels over the weekend:

Saturday 10am – 11am: What makes a good fantasy / sf / horror story? with Sue Isle, Ian McHugh and myself.

Saturday 11am – noon: Story and Plot Structure in Superhero Comics with Rob Hood, Conor Bendle, Lewis Morley and myself.

Saturday 2pm – 3pm: The art of scene and mood setting in dark speculative fictionwith Tracey O’Hara,
Lily Mulholland and myself.

Sunday 9am – 10am: Writing dialogue workshop with myself and Rik Lagarto.

Sunday 3.15pm – 4.15pm: Readings : Alan Baxter and Ian McHugh. I’ll read from my novella, The Darkest Shade Of Grey, I think.

Also, on Saturday Night from 7 pm onwards at Smiths Alternative Bookshop there are no less than Five books launches! Launched by Conflux MC, Jack Dann, we have:

Jodi Cleghorn (editor) – From Stage Door Shadows;

Gillian Polack – Ms Celllophane (e-book);

Craig Cormick – Time Vandals;

Tor Roxburgh – The Light Heart of Stone;

Greg Mellor – Wild Chrome.

I have a story in the From Stage Door Shadows anthology, and will probably read a bit of it at the launch.

So it looks like a busy and fun time will be had. Obviously, as usual with cons, at any times not listed above you’ll find me in the bar, drinking and carousing. Come and say hello!

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2012 Hugo Awards

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September 3, 2012

The 2012 Hugo Awards were presented at Chicon 7 (Worldcon) today, in Chicago, Illinois. The host was John Scalzi and this year’s base was designed by Deb Kosiba. The results are listed below, with the full list of nominations and the winners in bold. Congratulations to all the winners and nominees.

Best Novel

  • Among Others, Jo Walton (Tor)
  • A Dance With Dragons, George R. R. Martin (Bantam Spectra)
  • Deadline, Mira Grant (Orbit)
  • Embassytown, China Miéville (Macmillan / Del Rey)
  • Leviathan Wakes, James S. A. Corey (Orbit)

Best Novella

  • Countdown, Mira Grant (Orbit)
  • “The Ice Owl”, Carolyn Ives Gilman (The Magazine of Fantasy & Science Fiction)
  • “Kiss Me Twice”, Mary Robinette Kowal (Asimov’s)
  • “The Man Who Bridged the Mist”, Kij Johnson (Asimov’s)
  • “The Man Who Ended History: A Documentary”, Ken Liu (Panverse 3)
  • Silently and Very Fast, Catherynne M. Valente (WSFA)

Note: 6 nominees due to tie for final position.

Best Novelette

  • “The Copenhagen Interpretation”, Paul Cornell (Asimov’s)
  • “Fields of Gold”, Rachel Swirsky (Eclipse Four)
  • “Ray of Light”, Brad R. Torgersen (Analog)
  • “Six Months, Three Days”, Charlie Jane Anders (Tor.com)
  • “What We Found”, Geoff Ryman (The Magazine of Fantasy and Science Fiction)

Best Short Story

  • “The Cartographer Wasps and the Anarchist Bees”, E. Lily Yu (Clarkesworld)
  • “The Homecoming”, Mike Resnick (Asimov’s)
  • “Movement”, Nancy Fulda (Asimov’s)
  • “The Paper Menagerie”, Ken Liu (The Magazine of Fantasy and Science Fiction)
  • “Shadow War of the Night Dragons: Book One: The Dead City: Prologue”, John Scalzi (Tor.com)

Best Related Work

  • The Encyclopedia of Science Fiction, Third Edition, edited by John Clute, David Langford, Peter Nicholls, and Graham Sleight (Gollancz)
  • Jar Jar Binks Must Die…and other Observations about Science Fiction Movies, Daniel M. Kimmel (Fantastic Books)
  • The Steampunk Bible: An Illustrated Guide to the World of Imaginary Airships, Corsets and Goggles, Mad Scientists, and Strange Literature, Jeff VanderMeer and S. J. Chambers (Abrams Image)
  • Wicked Girls (CD), Seanan McGuire
  • Writing Excuses, Season 6 (podcast series), Brandon Sanderson, Dan Wells, Howard Tayler, Mary Robinette Kowal, and Jordan Sanderson

Best Graphic Story

  • Digger, by Ursula Vernon (Sofawolf Press)
  • Fables Vol 15: Rose Red, by Bill Willingham and Mark Buckingham (Vertigo)
  • Locke & Key Volume 4: Keys To The Kingdom, written by Joe Hill, illustrated by Gabriel Rodriguez (IDW)
  • Schlock Mercenary: Force Multiplication, written and illustrated by Howard Tayler, colors by Travis Walton (The Tayler Corporation)
  • The Unwritten (Volume 4): Leviathan, created by Mike Carey and Peter Gross, written by Mike Carey, illustrated by Peter Gross (Vertigo)

Best Dramatic Presentation, Long Form

  • Captain America: The First Avenger, screenplay by Christopher Markus and Stephan McFeely; directed by Joe Johnston (Marvel)
  • Game of Thrones (Season 1), created by David Benioff and D. B. Weiss;
    written by David Benioff, D. B. Weiss, Bryan Cogman, Jane Espenson, and George R. R. Martin; directed by Brian Kirk, Daniel Minahan, Tim van Patten, and Alan Taylor (HBO)
  • Harry Potter and the Deathly Hallows Part 2, screenplay by Steve Kloves; directed by David Yates (Warner Bros.)
  • Hugo, screenplay by John Logan; directed by Martin Scorsese (Paramount)
  • Source Code, screenplay by Ben Ripley; directed by Duncan Jones (Vendome Pictures)

Best Dramatic Presentation, Short Form

  • Doctor Who, ”The Doctor’s Wife”, written by Neil Gaiman; directed by Richard Clark (BBC Wales)
  • The Drink Tank’s Hugo Acceptance Speech”, Christopher J Garcia and James Bacon (Renovation)
  • Doctor Who, ”The Girl Who Waited”, written by Tom MacRae; directed by Nick Hurran (BBC Wales)
  • Doctor Who, ”A Good Man Goes to War”, written by Steven Moffat; directed by Peter Hoar (BBC Wales)
  • Community, ”Remedial Chaos Theory”, written by Dan Harmon and Chris McKenna; directed by Jeff Melman (NBC)

Best Semiprozine

  • Apex Magazine, edited by Catherynne M. Valente, Lynne M. Thomas, and Jason Sizemore
  • Interzone, edited by Andy Cox
  • Lightspeed, edited by John Joseph Adams
  • Locus, edited by Liza Groen Trombi, Kirsten Gong-Wong, et al.
  • New York Review of Science Fiction, edited by David G. Hartwell, Kevin J. Maroney, Kris Dikeman, and Avram Grumer

Best Fanzine

  • Banana Wings, edited by Claire Brialey and Mark Plummer
  • The Drink Tank, edited by James Bacon and Christopher J Garcia
  • File 770, edited by Mike Glyer
  • Journey Planet, edited by James Bacon, Christopher J Garcia, et al.
  • SF Signal, edited by John DeNardo

Best Fancast

  • The Coode Street Podcast, Jonathan Strahan & Gary K. Wolfe
  • Galactic Suburbia Podcast, Alisa Krasnostein, Alex Pierce, and Tansy Rayner Roberts (presenters) and Andrew Finch (producer)
  • SF Signal Podcast, John DeNardo and JP Frantz (presenters), Patrick Hester (producer)
  • SF Squeecast, Lynne M. Thomas, Seanan McGuire, Paul Cornell, Elizabeth Bear, and Catherynne M. Valente
  • StarShipSofa, Tony C. Smith

Best Editor, Long Form

  • Lou Anders
  • Liz Gorinsky
  • Anne Lesley Groell
  • Patrick Nielsen Hayden
  • Betsy Wollheim

Best Editor, Short Form

  • John Joseph Adams
  • Neil Clarke
  • Stanley Schmidt
  • Jonathan Strahan
  • Sheila Williams

Best Professional Artist

  • Dan dos Santos
  • Bob Eggleton
  • Michael Komarck
  • Stephan Martiniere
  • John Picacio

Best Fan Artist

  • Brad W. Foster
  • Randall Munroe
  • Spring Schoenhuth
  • Maurine Starkey
  • Steve Stiles
  • Taral Wayne

Note: 6 nominees due to tie for final position.

Best Fan Writer

  • James Bacon
  • Claire Brialey
  • Christopher J. Garcia
  • Jim C. Hines
  • Steven H Silver

The John W. Campbell Award for Best New Writer

  • Mur Lafferty
  • Stina Leicht
  • Karen Lord
  • Brad R. Torgersen
  • E. Lily Yu

 

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Continuum 8, NatCon 51 report

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June 12, 2012

I have to be honest, this is going to be a fairly lame report. Don’t get me wrong, the con was awesome, the programming stream was excellent and huge fun was had by one and all. It’s just that my brain is jelly and there’s so much to do, but I did want to mention a few personal highlights.

As for my own involvement in things, I enjoyed all the panels I was on. The discussions about ebooks and the future of reading devices were both fascinating debates and I learned a lot along with taking part. The New Faiths For New Worlds panel, where we discussed religion in worldbuilding was perhaps my favourite of the panels I took part in. It was a really interesting exploration of how to get it right and what mistakes people make in weaving religion well into their cultural worldbuilding rather than simply slapping it on the side or rebadging our own religions and shoehorning them into the narrative. As a snapshot example, David Eddings (Belgariad) copped a lot of flack for fucking it up and George R R Martin (A Song Of Ice And Fire) got kudos for doing it well.

My workshop on writing fight scenes was very sparsely attended but good nonetheless, and I hope those who did attend got something from it. I have to admit that I was heinously hungover for that, but I don’t think it showed too much. I also had a fairly savage stomach bug, so the start of the con was hard work indeed, but thankfully I came good by Saturday and all was well.

I was on a reading panel with Kelly Link, Jenny Blackford and Tansy Rayner Roberts which was also good fun. I read last and it’s probably just as well, as the three before me all read things that were not nearly as dirty and grim and sweary as my stuff (I read an excerpt from The Darkest Shade Of Grey) and I think I kinda brought the tone down a bit. But I did get a lot of positive feedback from attendees afterwards, so that’s good. People like the dark stuff.

My other official duty was launching the debut collection by Melbourne writer and very good friend, Felicity Dowker. Her collection of short fiction, Bread & Circuses, which I’ve mentioned here before, is brilliant. It was my first time being the official launcher for a book, so I was a bit nervous about it, but I think it went very well. Jack Dann congratulated me on it afterwards, so I must have been doing something right if the launchmaster himself approved. Felicity gave a great reading and then sold and signed loads of books, so the event was definitely a very well-attended win.

In between all that I got to listen in on a variety of other excellent panels and readings – I was always doing something and kept missing things I wanted to see, which is the sign of a well programmed con.

The awards night was another highlight. Kirstyn McDermott and Ian Mond did an excellent job of MCing the whole thing and bringing it in under time. I’ll post a list of winners at the end of this post. I was nominated, but I didn’t win. I have no concerns about that, though, as I lost to Joanne Anderton, who is a lovely person and absolutely deserving of the win. I even told her she would win, as I was sure she would, but she wouldn’t believe me till it happened.

Otherwise there was much drinking, eating, talking, drinking, laughing and drinking. The usual con stuff. And, as always, it was all over too soon and I felt like I hardly had more than a few seconds with anyone. Well done to the Continuum committee for a superb event and here’s to the next one!

Following are all the Award winners, taken from the Continuum 8 site.

Congratulations to the all the winners of the Australian SF awards, presented Sunday evening.

The A Bertram Chandler Award: Richard Harland

The Norma K Hemming Award: AA Bell, for Hindsight, and Sara Douglass, for The Devil’s Diadem

The Peter McNamara Award: Bill Congreve

The Chronos Awards:

Best Long Fiction:
The Last Days of Kali Yuga, Paul Haines (Brimstone Press)

Best Short Fiction:
The Past is a Bridge Best Left Burnt, Paul Haines (in The Last Days of Kali Yuga)

Best Fan Writer:
Jason Nahrung

Best Fan Artist:
Rachel Holkner

Best Fan Written Work:
Tiptree, and a collection of her short stories, Alexandra Pierce (in Randomly Yours, Alex)

Best Fan Artwork:
Blue Locks, Rebecca Ing (Scape 2)

Best Fan Publication:
The Writer and the Critic, Kirstyn McDermott and Ian Mond

Best Achievement:
Conquilt, Rachel Holkner and Jeanette Holkner (Continuum 7)

The Infinity Award, for overwhelming contribution to Australian SF: Merv Binns

The Ditmar Awards:

Best Novel
The Courier’s New Bicycle, Kim Westwood (HarperCollins)

Best Novella or Novelette
“The Past is a Bridge Best Left Burnt”, Paul Haines, in The Last Days of Kali Yuga (Brimstone Press)

Best Short Story
“The Patrician”, Tansy Rayner Roberts, in Love and Romanpunk (Twelfth Planet Press)

Best Collected Work
The Last Days of Kali Yuga by Paul Haines, edited by Angela Challis (Brimstone Press)

Best Artwork
“Finishing School”, Kathleen Jennings, in Steampunk!: An Anthology of Fantastically Rich and Strange Stories (Candlewick Press)

Best Fan Writer
Robin Pen, for “The Ballad of the Unrequited Ditmar”

Best Fan Artist
Kathleen Jennings, for work in Errantry (tanaudel.wordpress.com) including “The Dalek Game”

Best Fan Publication in Any Medium
The Writer and the Critic, Kirstyn McDermott and Ian Mond

Best New Talent
Joanne Anderton

William Atheling Jr Award for Criticism or Review
Alexandra Pierce and Tehani Wessely, for reviews of Vorkosigan Saga, in Randomly Yours, Alex

 

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The website of author Alan Baxter

Alan Baxter, Author

Author of horror, dark fantasy & sci-fi. Kung Fu instructor. Motorcyclist. Dog lover. Gamer. Heavy metal fan. Britstralian. Misanthrope. Learn more about me and my work by clicking About Alan just below the header.

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Contact

Contact Me


Our world is built on language and storytelling. Without stories, we are nothing.

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TOP POSTS OF OLD

An archive page of some of the most popular blog posts can be found by clicking here. Enjoy.

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Find me on various social networks. Hover over the icon for a description:

@AlanBaxter on Twitter Like me on Facebook Friend me on Goodreads

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This website is archived by the National Library of Australia's Web Archive

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