Convention

Signed ARCs of Bound being given away at Continuum X

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June 5, 2014

So you all know I’ll be at Continuum X. My schedule is posted here. Well, it turns out those awesome people at HarperVoyager have made some ARCs of Bound available. An ARC is an Advanced Reading Copy, so it’s not the final version of the book – the artwork on the cover, the back cover blurb and some internal corrections are not final – but it is the full novel. There aren’t that many changes between the ARC and the final version coming out on July 1st, to be honest. The front and back cover will be a bit different, especially the back, but the content is purely some corrected typos and a few very small changes that you probably wouldn’t even notice unless you’re particularly pedantic. You are? Then I challenge you to find the changes!

Anyway, so at Continuum X, we’ll be giving away a bunch of these ARCs. Every time I give one away, I’ll sign it for you. If you get a giveaway from the organisers, come and find me and I’ll sign it for you. The best chance of getting one will be to come to any of the panels I’m on. I’ll give away at least one ARC at every panel I’m sitting on, and at least two at my reading. Can’t say fairer than that. Well, maybe I could, but I have to eat, you know?

See you at Continuum! I’ll be arriving around midday on Saturday.

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My Continuum X schedule

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May 23, 2014

Continuum X is just around the corner. Have you voted in the Ditmars? If not, stop reading this and read this. Then go and vote! Then come back and read the rest of this. I’ll wait. *starts filing nails*

*makes a cuppa*

*squeezes in a quick game of Hearthstone*

You’ve voted? Good. You’re making the world of Australian SFF a better place.

So, other than the Ditmar Awards, loads of other stuff is happening at Continuum X and here’s my schedule:

SigningsSaturday 13:00-13:30 in The Midway (Foyer)
I’m pretty sure there won’t be any copies of Bound available yet, but I’m happy to sign anything else. Really, I’ll sign anything. Surprise me.

ReadingsSaturday 14:00-15:00 in Sideshow Alley
with: to be confirmed.
While there won’t be copies of Bound available, I will be reading an excerpt from the book, so if you want a sneak preview, come along to this.

Judging a Book By Its Cover panelSaturday 15:00-16:00 in The Hall of Mirrors
with: Alan Baxter, Nalini Haynes, Kate Cuthbert, Laura Wilkinson, Dirk Strasser
This should be an interesting panel!

Demystifying Social Media panelSaturday 18:00-19:00 in The Haunted House
with: Nalini Haynes, Alan Baxter, Jim C. Hines, Satima Flavell, Helen Stubbs

This is always too big a subject for a single panel, but we’ll do our best, I’m sure.

The Aliens Are Too Human! panelSunday 10:00-11:00 in The Hall of Mirrors
with: Alan Baxter, Steve Cameron, Darren Sanderson, Bismuth Hoban, Stacey Larner

I’m looking forward to this. No Star Trek galactic DNA seeding bollocks here, please.

At the Crossroads: Music and Genre Fiction panelSunday 15:00-16:00 in The Haunted House
with: Julia Svaganovic, Jason Franks, Narrelle Harris, Alan Baxter

RAWK!

How To Make a Podcast panelSunday 16:00-17:00 in The Big Top
with Sean Wright, Alan Baxter, Kirstyn McDermott, Terry Frost, Alex Pierce

I’m sure my co-panelists will be far more knowledgable than me on this one, even though I’ve co-hosted over 100 episodes of Authorcast, but there you go!

So that’s me actually fairly busy at the con this year, but that’s cool. Plenty of bar time in between. And I’m sure I’ll be checking out a lot of the other interesting panels and things going on. Come and find me, say hello, let’s have a beer or something.

See you there!

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Bound official Sydney launch at Kinokuniya, plus Continuum and Supanova news!

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May 16, 2014

This writing life sure has its ups and downs, often to great extremes. There has been one huge downer recently, but I’ll keep that to myself – I don’t want to bring you guys down and, after all, the nature of a down is that it can only go up again, right? Thankfully there have been some real highs too, so I’ll share those. These really are Good Things!

9bc96de8 8acc 4faa aef7 3edfc849e6fe Bound official Sydney launch at Kinokuniya, plus Continuum and Supanova news!Firstly, Bound, Alex Caine #1, is now on Goodreads. You can add it to your shelves and list it among the books you want to read – click here to find it. It would be great if you could add it and give the book some early exposure among your pals.

And talking of exposure, I’ll be on the promotional tour soon, starting with Continuum X, this year’s National Science Fiction convention in Melbourne, over the first weekend in June (7th – 9th). Bound is officially out on July 1st, so I don’t think we’ll have copies for Continuum, but there will be Bound-related stuff going on, and maybe a few ARCs up for grabs. If you can get along to Continuum, come and say hi and we’ll have a drink at the bar. I’ll be on a few panels and doing a couple of signings and a reading too, so plenty happening. Signings will most likely be previous things, as Bound won’t be out yet, but I’ll definitely do a reading from Bound, so if you want an early sneak peek, come and have a listen then.

Talking of sneak peeks, over the next weekend in June (13th-15th), I’m very excited to say I’ll be an author guest at Supanova in Sydney. It’ll be my first Supanova. And here I can reveal that we’ll have the first official pre-release launch of Bound during the Supanova weekend and there will be copies of the book available. If you get to Supanova, you can get the book three weeks before it’s officially out and available in shops. And I’ll be there to sign it for you. Here’s the list of author guests – I’m honoured to be in this kind of company.

But, if you can’t make Continuum or Supanova (or even if you can) and you’re in or near Sydney, here’s the skinny on the:

Official public launch of Bound

Thursday, July 10th at Kinokuniya Bookshop
Level 2, The Galeries, 500 George Street (opposite QVB) Sydney NSW 2000

From 6.00pm for  6.30pm start.

And I’m very chuffed and more than a little honoured to announce that the wonderful Margo Lanagan will be there to launch the book.

Margo is a good friend and a tremendous writer. Honestly, you need to seek out and read her stuff. This launch should be a good party, with reading, signing, nibbles, booze and great people. Of course, if you just can’t wait and you buy the book on release day, that’s absolutely fine – You’re more than welcome to bring it along to the launch if you want to get it signed and join in the festivities.

Please tell everyone who you think might be interested and help me spread the word about these events. I can’t wait to share the story of Alex Caine with you.

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Ditmar Award voting is open now

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May 7, 2014

I blogged recently that this year’s Ditmar Award shortlists have been released, and about the wonderful surprise of seeing that my story, Not the Worst of Sins, published in issue 133 of Beneath Ceaseless Skies magazine, has been noninated in the Best Short Story category. Well, now the voting is open. If you were at last year’s NatCon (which was Conflux in Canberra) or you have a full or supporting membership for this year’s NatCon, which is Continuum X in Melbourne, can vote for the winners.

If you’re eligible to vote, please do. More votes means the winners will more accurately reflect the opinion of the wider community. A supporting membership for Continuum X is just $35, which gives you several benefits including voting rights, if you want to be involved but can’t make the con. And you can vote online in a matter of minutes. Couldn’t be easier! Voting is open now until one minute before midnight AEST (ie. 11.59pm, GMT+10), Wednesday, 28th of May, 2014. That’s only three weeks left to get your votes in.

I’ll repost the full list of nominated works in all categories below, but here are a few relevant links:

You can vote for your choice of winners (as per conditions above) online here.

You can learn all about Continuum X and get your membership here.

You can read my nominated story free online here at BCS. (If you like it, I’d love to get your vote.)

Here’s the full list of nominations for the 2014 Ditmar Awards:Best Novel

* Ink Black Magic, Tansy Rayner Roberts (FableCroft Publishing)
* Fragments of a Broken Land: Valarl Undead, Robert Hood (Wildside Press)
* The Beckoning, Paul Collins (Damnation Books)
* Trucksong, Andrew Macrae (Twelfth Planet Press)
* The Only Game in the Galaxy (The Maximus Black Files 3), Paul Collins (Ford Street Publishing)

Best Novella or Novelette

* “Prickle Moon”, Juliet Marillier, in Prickle Moon (Ticonderoga Publications)
* “The Year of Ancient Ghosts”, Kim Wilkins, in The Year of Ancient Ghosts (Ticonderoga Publications)
* “By Bone-Light”, Juliet Marillier, in Prickle Moon (Ticonderoga Publications)
* “The Home for Broken Dolls”, Kirstyn McDermott, in Caution: Contains Small Parts (Twelfth Planet Press)
* “What Amanda Wants”, Kirstyn McDermott, in Caution: Contains Small Parts (Twelfth Planet Press)

Best Short Story

* “Mah Song”, Joanne Anderton, in The Bone Chime Song and Other Stories (FableCroft Publishing)
* “Air, Water and the Grove”, Kaaron Warren, in The Lowest Heaven (Jurassic London)
* “Seven Days in Paris”, Thoraiya Dyer, in Asymmetry (Twelfth Planet Press)
* “Scarp”, Cat Sparks, in The Bride Price (Ticonderoga Publications)
* “Not the Worst of Sins”, Alan Baxter, in Beneath Ceaseless Skies 133 (Firkin Press)
* “Cold White Daughter”, Tansy Rayner Roberts, in One Small Step (FableCroft Publishing)

Best Collected Work

* The Back of the Back of Beyond, Edwina Harvey, edited by Simon Petrie (Peggy Bright Books)
* Asymmetry, Thoraiya Dyer, edited by Alisa Krasnostein (Twelfth Planet Press)
* Caution: Contains Small Parts, Kirstyn McDermott, edited by Alisa Krasnostein (Twelfth Planet Press)
* The Bone Chime Song and Other Stories, Joanne Anderton, edited by Tehani Wesseley (FableCroft Publishing)
* The Bride Price, Cat Sparks, edited by Russell B. Farr (Ticonderoga Publications)

Best Artwork

* Cover art, Eleanor Clarke, for The Back of the Back of Beyond by Edwina Harvey (Peggy Bright Books)
* Illustrations, Kathleen Jennings, for Eclipse Online (Nightshade Books)
* Cover art, Shauna O’Meara, for Next edited by Simon Petrie and Rob Porteous (CSFG Publishing)
* Cover art, Cat Sparks, for The Bride Price by Cat Sparks (Ticonderoga Publications)
* Rules of Summer, Shaun Tan (Hachette Australia)
* Cover art, Pia Ravenari, for Prickle Moon by Juliet Marillier (Ticonderoga Publications)

Best Fan Writer

* Tsana Dolichva, for body of work, including reviews and interviews in Tsana’s Reads and Reviews
* Sean Wright, for body of work, including reviews in Adventures of a Bookonaut
* Grant Watson, for body of work, including reviews in The Angriest
* Foz Meadows, for body of work, including reviews in Shattersnipe: Malcontent & Rainbows
* Alexandra Pierce, for body of work, including reviews in Randomly Yours, Alex
* Tansy Rayner Roberts, for body of work, including essays and reviews at www.tansyrr.com

Best Fan Artist

* Nalini Haynes, for body of work, including “Defender of the Faith”, “The Suck Fairy”, “Doctor Who vampire” and “The Last Cyberman” in Dark Matter
* Kathleen Jennings, for body of work, including “Illustration Friday”
* Dick Jenssen, for body of work, including cover art for Interstellar Ramjet Scoop and SF Commentary

Best Fan Publication in Any Medium

* Dark Matter Zine, Nalini Haynes
* SF Commentary, Bruce Gillespie
* The Writer and the Critic, Kirstyn McDermott and Ian Mond
* Galactic Chat Podcast, Sean Wright, Alex Pierce, Helen Stubbs, David McDonald, and Mark Webb
* The Coode Street Podcast, Gary K. Wolfe and Jonathan Strahan
* Galactic Suburbia, Alisa Krasnostein, Alex Pierce, and Tansy Rayner Roberts

Best New Talent

* Michelle Goldsmith
* Zena Shapter
* Faith Mudge
* Jo Spurrier
* Stacey Larner

William Atheling Jr Award for Criticism or Review

* Reviews in Randomly Yours, Alex, Alexandra Pierce
* “Things Invisible: Human and Ab-Human in Two of Hodgson’s Carnacki stories”, Leigh Blackmore, in Sargasso: The Journal of William Hope Hodgson Studies #1 edited by Sam Gafford (Ulthar Press)
* Galactic Suburbia Episode 87: Saga Spoilerific Book Club, Alisa Krasnostein, Alex Pierce, and Tansy Rayner Roberts
* The Reviewing New Who series, David McDonald, Tansy Rayner Roberts, and Tehani Wessely
* “A Puppet’s Parody of Joy: Dolls, Puppets and Mannikins as Diabolical Other”, Leigh Blackmore, in Ramsey Campbell: Critical Essays on the Master of Modern Horror edited by Gary William Crawford (Scarecrow Press)
* “That was then, this is now: how my perceptions have changed”, George Ivanoff, in Doctor Who and Race edited by Lindy Orthia (Intellect Books)

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2014 Ditmar Award ballot released – featuring me!

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April 28, 2014

I got a wonderful surprise on Saturday when a few messages started coming in saying something along the lines of, “Congratulations on your Ditmar nomination!” I hadn’t realised the Award shortlist had been released, but it only took a moment to see social media alive with the news (at least, spec fic related social media in Australia.) It turns out that my story, Not the Worst of Sins, published in issue 133 of Beneath Ceaseless Skies magazine, has been noninated in the Best Short Story category. Thanks so much to everyone who voted for that, it’s a real honour. The Ditmars are an Australian national award decided by popular vote. Anyone active in the SF scene and fandom can nominate works, then anyone who was at the previous year’s NatCon (National SF Convention) or has a full or supporting membership for this year’s NatCon can vote for the winners.

This year, the NatCon is Continuum X in Melbourne in June. The awards ceremony will be held there. If you went to Conflux in Canberra last year, or you’re going to Continuum this year, you can vote in the Ditmars. I really recommend that you do vote, as the more people who get involved, the more the winners will reflect the opinion of the wider community. If you’re not going to the cons, but you want to vote, you can buy a supporting membership for Continuum X for just $35, which gives you several benefits including voting rights. And you can vote online in a matter of minutes. Couldn’t be easier! Voting is open now until one minute before midnight AEST (ie. 11.59pm, GMT+10), Wednesday, 28th of May, 2014.

I’ll post the full list of nominated works in all categories below, but here are a few relevant links:

You can vote for your choice of winners (as per conditions above) online here.

You can learn all about Continuum X and get your membership here.

You can read my nominated story free online here at BCS. (If you like it, I’d love to get your vote.)

So please do get involved. My own inclusion notwithstanding, I honestly think this is one of the strongest Ditmar Award ballots for years, in every category. You could do worse than getting hold of everything on this list (and anything on the Aurealis Awards list from last month) and you’d be set up with some fantastic reading of Aussie spec fic.The AAs and now the Ditmars are showing very clearly that Australian spec fic is stronger than ever.

So, get your membership and get voting (or if you went to Conflux last year, just get voting!) and if you’re going to NatCon this year in June, I’ll see you there!

Here’s the full list of nominations for the 2014 Ditmar Awards:

Best Novel

* Ink Black Magic, Tansy Rayner Roberts (FableCroft Publishing)
* Fragments of a Broken Land: Valarl Undead, Robert Hood (Wildside Press)
* The Beckoning, Paul Collins (Damnation Books)
* Trucksong, Andrew Macrae (Twelfth Planet Press)
* The Only Game in the Galaxy (The Maximus Black Files 3), Paul Collins (Ford Street Publishing)

Best Novella or Novelette

* “Prickle Moon”, Juliet Marillier, in Prickle Moon (Ticonderoga Publications)
* “The Year of Ancient Ghosts”, Kim Wilkins, in The Year of Ancient Ghosts (Ticonderoga Publications)
* “By Bone-Light”, Juliet Marillier, in Prickle Moon (Ticonderoga Publications)
* “The Home for Broken Dolls”, Kirstyn McDermott, in Caution: Contains Small Parts (Twelfth Planet Press)
* “What Amanda Wants”, Kirstyn McDermott, in Caution: Contains Small Parts (Twelfth Planet Press)

Best Short Story

* “Mah Song”, Joanne Anderton, in The Bone Chime Song and Other Stories (FableCroft Publishing)
* “Air, Water and the Grove”, Kaaron Warren, in The Lowest Heaven (Jurassic London)
* “Seven Days in Paris”, Thoraiya Dyer, in Asymmetry (Twelfth Planet Press)
* “Scarp”, Cat Sparks, in The Bride Price (Ticonderoga Publications)
* “Not the Worst of Sins”, Alan Baxter, in Beneath Ceaseless Skies 133 (Firkin Press)
* “Cold White Daughter”, Tansy Rayner Roberts, in One Small Step (FableCroft Publishing)

Best Collected Work

* The Back of the Back of Beyond, Edwina Harvey, edited by Simon Petrie (Peggy Bright Books)
* Asymmetry, Thoraiya Dyer, edited by Alisa Krasnostein (Twelfth Planet Press)
* Caution: Contains Small Parts, Kirstyn McDermott, edited by Alisa Krasnostein (Twelfth Planet Press)
* The Bone Chime Song and Other Stories, Joanne Anderton, edited by Tehani Wesseley (FableCroft Publishing)
* The Bride Price, Cat Sparks, edited by Russell B. Farr (Ticonderoga Publications)

Best Artwork

* Cover art, Eleanor Clarke, for The Back of the Back of Beyond by Edwina Harvey (Peggy Bright Books)
* Illustrations, Kathleen Jennings, for Eclipse Online (Nightshade Books)
* Cover art, Shauna O’Meara, for Next edited by Simon Petrie and Rob Porteous (CSFG Publishing)
* Cover art, Cat Sparks, for The Bride Price by Cat Sparks (Ticonderoga Publications)
* Rules of Summer, Shaun Tan (Hachette Australia)
* Cover art, Pia Ravenari, for Prickle Moon by Juliet Marillier (Ticonderoga Publications)

Best Fan Writer

* Tsana Dolichva, for body of work, including reviews and interviews in Tsana’s Reads and Reviews
* Sean Wright, for body of work, including reviews in Adventures of a Bookonaut
* Grant Watson, for body of work, including reviews in The Angriest
* Foz Meadows, for body of work, including reviews in Shattersnipe: Malcontent & Rainbows
* Alexandra Pierce, for body of work, including reviews in Randomly Yours, Alex
* Tansy Rayner Roberts, for body of work, including essays and reviews at www.tansyrr.com

Best Fan Artist

* Nalini Haynes, for body of work, including “Defender of the Faith”, “The Suck Fairy”, “Doctor Who vampire” and “The Last Cyberman” in Dark Matter
* Kathleen Jennings, for body of work, including “Illustration Friday”
* Dick Jenssen, for body of work, including cover art for Interstellar Ramjet Scoop and SF Commentary

Best Fan Publication in Any Medium

* Dark Matter Zine, Nalini Haynes
* SF Commentary, Bruce Gillespie
* The Writer and the Critic, Kirstyn McDermott and Ian Mond
* Galactic Chat Podcast, Sean Wright, Alex Pierce, Helen Stubbs, David McDonald, and Mark Webb
* The Coode Street Podcast, Gary K. Wolfe and Jonathan Strahan
* Galactic Suburbia, Alisa Krasnostein, Alex Pierce, and Tansy Rayner Roberts

Best New Talent

* Michelle Goldsmith
* Zena Shapter
* Faith Mudge
* Jo Spurrier
* Stacey Larner

William Atheling Jr Award for Criticism or Review

* Reviews in Randomly Yours, Alex, Alexandra Pierce
* “Things Invisible: Human and Ab-Human in Two of Hodgson’s Carnacki stories”, Leigh Blackmore, in Sargasso: The Journal of William Hope Hodgson Studies #1 edited by Sam Gafford (Ulthar Press)
* Galactic Suburbia Episode 87: Saga Spoilerific Book Club, Alisa Krasnostein, Alex Pierce, and Tansy Rayner Roberts
* The Reviewing New Who series, David McDonald, Tansy Rayner Roberts, and Tehani Wessely
* “A Puppet’s Parody of Joy: Dolls, Puppets and Mannikins as Diabolical Other”, Leigh Blackmore, in Ramsey Campbell: Critical Essays on the Master of Modern Horror edited by Gary William Crawford (Scarecrow Press)
* “That was then, this is now: how my perceptions have changed”, George Ivanoff, in Doctor Who and Race edited by Lindy Orthia (Intellect Books)

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2013 Aurealis Award winners announced

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April 8, 2014

Saturday was a big day. I drove down to Canberra, took part in the Conflux Writer’s Day minicon, where I did a highspeed “Social Media for Authors” presentation, then went for a quick change of clothes in order to attend the Aurealis Awards ceremony. Nicole Murphy, who organised everything that day, did a truly amazing job. The writers day and awards ceremony were both superb. We caroused and drank and laughed, and fantastic Australian fiction scored very well-deserved awards.

Here are all the fantastic nominees and winners. If you want a sampler of excellent recent Aussie spec fic, here’s your huckleberry:

(The winners are separated at the top of each list of nominees.)

Best Science Fiction Novel

  • Lexicon, Max Barry (Hachette)


  • Trucksong, Andrew Macrae (Twelfth Planet)
  • A Wrong Turn at the Office of Unmade Lists, Jane Rawson (Transit Lounge)
  • True Path, Graham Storrs (Momentum)
  • Rupetta, Nike Sulway (Tartarus)

Best Science Fiction Short Story

  • “Air, Water and the Grove”, Kaaron Warren (The Lowest Heaven)


  • “The Last Tiger”, Joanne Anderton (Daily Science Fiction 5/17/13)
  • “Mah Song”, Joanne Anderton (The Bone Chime Song and Other Stories)
  • “Seven Days in Paris”, Thoraiya Dyer (Asymmetry)
  • “Version 4.3.0.1”, Lucy Stone (Andromeda Spaceways Inflight Magazine #57)

Best Fantasy Novel

  • A Crucible of Souls, Mitchell Hogan (self-published)


  • Lexicon, Max Barry (Hachette Australia)
  • These Broken Stars, Amie Kaufman & Meagan Spooner (Allen & Unwin)
  • Newt’s Emerald, Garth Nix (Jill Grinberg Literary Management)
  • Ink Black Magic, Tansy Rayner Roberts (FableCroft)

Best Fantasy Short Story

  • The Last Stormdancer, Jay Kristoff (Thomas Dunne)


  • “The Touch of the Taniwha”, Tracie McBride (Fish)
  • “Cold, Cold War”, Ian McHugh (Beneath Ceaseless Skies 6/13/13)
  • “Short Circuit”, Kirstie Olley (Oomph: A Little Super Goes a Long Way)
  • “The Year of Ancient Ghosts”, Kim Wilkins (The Year of Ancient Ghosts)

Best Horror Novel

  • Fairytales for Wilde Girls, Allyse Near (Random House Australia)


  • The Marching Dead, Lee Battersby (Angry Robot)
  • The First Bird, Greig Beck (Momentum)
  • Path of Night, Dirk Flinthart (FableCroft)

Best Horror Short Story

  • “The Year of Ancient Ghosts”, Kim Wilkins (The Year of Ancient Ghosts)


  • “Fencelines”, Joanne Anderton (The Bone Chime Song and Other Stories)
  • “The Sleepover”, Terry Dowling (Exotic Gothic 5)
  • “The Home for Broken Dolls”, Kirstyn McDermott (Caution: Contains Small Parts)
  • “The Human Moth”, Kaaron Warren (The Grimscribe’s Puppets)

Best Young Adult Novel (Tie)

  • These Broken Stars, Amie Kaufman & Meagan Spooner (Allen & Unwin)
  • Fairytales for Wilde Girls, Allyse Near (Random House Australia)


  • The Big Dry, Tony Davies (Harper Collins)
  • Hunting, Andrea Host (self-published)
  • The Sky So Heavy, Claire Zorn (University of Queensland Press)

Young Adult Short Story

  • “By Bone-Light”, Juliet Marillier (Prickle Moon)


  • “Mah Song”, Joanne Anderton (The Bone Chime Song and Other Stories)
  • “Morning Star”, D.K. Mok (One Small Step)
  • “The Year of Ancient Ghosts”, Kim Wilkins (The Year of Ancient Ghosts)

Best Collection

  • The Bone Chime Song and Other Stories, Joanne Anderton (FableCroft)


  • Asymmetry, Thoraiya Dyer (Twelfth Planet)
  • Caution: Contains Small Parts, Kirstyn McDermott (Twelfth Planet)
  • The Bride Price, Cat Sparks (Ticonderoga)
  • The Year of Ancient Ghosts, Kim Wilkins (Ticonderoga)

Best Anthology (Tie)

  • The Year’s Best Australian Fantasy and Horror 2012, Liz Grzyb & Talie Helene, eds. (Ticonderoga)
  • One Small Step: An Anthology of Discoveries, Tehani Wessely, ed. (FableCroft)


  • Dreaming of Djinn, Liz Grzyb, ed. (Ticonderoga)
  • The Best Science Fiction and Fantasy Of The Year: Volume Seven, Jonathan Strahan, ed. (Night Shade)
  • Focus 2012: Highlights of Australian Short Fiction, Tehani Wessely, ed. (FableCroft)

Best Children’s Fiction

  • The Four Seasons of Lucy McKenzie, Kirsty Murray (Allen & Unwin)


  • Kingdom of the Lost, Book 2: Cloud Road, Isobelle Carmody (Penguin Group Australia)
  • Refuge, Jackie French (Harper Collins)
  • Song for a Scarlet Runner, Julie Hunt (Allen & Unwin)
  • Rules of Summer, Shaun Tan (Hachette Australia)
  • Ice Breaker: The Hidden 1, Lian Tanner (Allen & Unwin)

Best Illustrated Book/Graphic Novel (Tie)

  • Burger Force, Jackie Ryan (self-published)
  • The Deep Vol. 2: The Vanishing Island, Tom Taylor & James Brouwer (Gestalt)


  • Savage Bitch, Steve Carter & Antoinette Rydyr (Scar Studios)
  • Mr Unpronounceable Adventures, Tim Molloy (Milk Shadow)
  • Peaceful Tomorrows Volume Two, Shane W Smith (Zetabella)

The annual Aurealis Awards ceremony took place at the Great Hall, University House, Australian National University, Canberra. All the details of the awards can be found at the Aurealis Awards website.

Congratulations to all the winners and nominees!

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Conflux Writer’s Day, featuring all sorts of writers including me

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January 28, 2014

I’m going to be one of many presenters at this awesome day for writers organised by the Conflux convention committee. Looks like it’s going to be well worth your time if you’re a writer and able to get to Canberra on the day. The best part? It’s the same day as the Aurealis Awards presentation gala night, so you can come to the writer’s day for professional development and general inspiration, and then glam up for the awards night.

The Writer’s Day presentations are from 9am-5pm on Saturday April 5 2014. Registrations are open now at http://conflux.org.au/conflux-writers-day-2/registration/. It will take place at University House, Australian National University, Canberra.

The theme of the day is ‘The Writers Journey’, which will be covered by four sub-themes – ‘Writing Skills’, ‘Writing Processes’, ‘Submission and Publication’ and ‘Building a Career’.

Four plenary speakers will be addressing these themes. These speakers are:

Joanne Anderton
Kaaron Warren
Ian McHugh
Keri Arthur

Clicking on those names will take you to the Conflux page describing their talk.

There will also be a bunch of concurrent presentations bringing great thoughts and ideas to writers at all stages of their career. That’s where I come in. I’ll be talking about “Building an online presence: social media for authors”. Here’s the abstract, describing what I’ll be talking about:

A presentation on how authors can best build an online presence to promote themselves and their work, utilising the most powerful social media tools, with a central website hub to streamline their activity. Too often, an emphasis on social media distracts from writing time, or an author is overwhelmed by all the things they think they *should* be doing online, instead of writing. This presentation will break down the basics, identify the most powerful online tools and how to use them effectively with very little effort or time required on the part of the author. We will also debunk the myth of the “author platform”.

We will look at personal websites, integrated social media feeds and what an author really *needs* to do. There will be a decent amount of time at the end of the presentation for Q&A.

You can go here for a full breakdown of the day’s presentations. The concurrent presentations are factored in around the plenary speakers, so you can go to all four keynote speeches and then take your pick of all the other stuff. There are some great people with loads of knowledge presenting at this thing, so if you’re able, I highly recommend you try to get along. If you do, come and say hi. Hope to see you there.

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2013 British Fantasy Award and World Fantasy Award winners announced

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November 4, 2013

The British Fantasy Society announced the winners of the 2013 British Fantasy Awards at a ceremony during the World Fantasy Convention in Brighton, England on November 3, 2013. The full list of nominees is shown below, with the winner being the first entry in each category:

Best Novel (the August Derleth Fantasy Award)

  • Some Kind of Fairy Tale, Graham Joyce (Gollancz)

 

  • Red Country, Joe Abercrombie (Gollancz)
  • The Brides of Rollrock Island, Margo Lanagan (David Fickling)
  • Railsea, China Miéville (Macmillan)
  • Blood and Feathers, Lou Morgan (Solaris)

Best Horror Novel (the August Derleth Award)

  • Last Days, Adam Nevill (Macmillan)

 

  • The Kind Folk, Ramsey Campbell (PS)
  • Some Kind of Fairy Tale, Graham Joyce (Gollancz)
  • The Drowning Girl, Caitlín R. Kiernan (Roc)
  • Silent Voices, Gary McMahon (Solaris)

Best Novella

  • The Nine Deaths of Dr Valentine, John Llewellyn Probert (Spectral)

 

  • The Respectable Face of Tyranny, Gary Fry (Spectral)
  • “Curaré”, Michael Moorcock (Zenith Lives!)
  • Eyepennies, Mike O’Driscoll (TTA)

Best Short Story

  • “Shark! Shark!”, Ray Cluley (Black Static #29)

 

  • “Sunshine”, Nina Allan (Black Static #29)
  • “Our Island”, Ralph Robert Moore (Where Are We Going?)
  • “Wish for a Gun”, Sam Sykes (A Town Called Pandemonium)

Best Collection

  • Remember Why You Fear Me, Robert Shearman (ChiZine)

 

  • The Woman Who Married a Cloud, Jonathan Carroll (Subterannean)
  • Where Furnaces Burn, Joel Lane (PS)
  • From Hell to Eternity, Thana Niveau (Gray Friar)

Best Anthology:

  • Magic: An Anthology of the Esoteric and Arcane, Jonathan Oliver, ed. (Solaris)

 

  • Terror Tales of the Cotswolds, Paul Finch, ed. (Gray Friar)
  • The Mammoth Book of Ghost Stories by Women, Marie O’Regan, ed. (Robinson)
  • A Town Called Pandemonium, Anne C. Perry & Jared Shurin, eds. (Jurassic London)

Best Small Press (the PS Publishing Independent Press Award)

  • ChiZine Publications (Brett Alexander Savory & Sandra Kasturi)

 

  • Gray Friar Press (Gary Fry)
  • Spectral Press (Simon Marshall-Jones)
  • TTA Press (Andy Cox)

Best Non-Fiction

  • Pornokitsch, Anne C. Perry & Jared Shurin, eds.

 

  • Ansible, David Langford
  • The Cambridge Companion to Fantasy Literature, Edward James & Farah Mendlesohn, eds. (Cambridge University Press)
  • Coffinmaker’s Blues (column), Stephen Volk (Black Static)
  • Fantasy Faction, Marc Aplin, ed.
  • Reflections: On the Magic of Writing, Diana Wynne Jones (David Fickling)

Best Magazine/Periodical

  • Interzone, Andy Cox, ed. (TTA)

 

  • Black Static, Andy Cox, ed. (TTA)
  • SFX, David Bradley, ed. (Future)
  • Shadows and Tall Trees, Michael Kelly, ed. (Undertow)

Best Artist

  • Sean Phillips

 

  • Ben Baldwin
  • Vincent Chong
  • Les Edwards
  • David Rix

Best Comic/Graphic Novel

  • Saga, Brian K. Vaughan & Fiona Staples (Image)

 

  • The Unwritten, Mike Carey, Peter Gross, Gary Erskine, Gabriel Hernández Walta, M.K. Perker, Vince Locke, and Rufus Dayglo (Vertigo)
  • The Walking Dead, Robert Kirkman and Charlie Adlard (Skybound/Image)
  • Dial H, China Miéville, Mateus Santolouco, David Lapham, and Riccardo Burchielli (DC)

Best Screenplay

  • The Cabin in the Woods, Joss Whedon &Drew Goddard

 

  • Sightseers, Alice Lowe, Steve Oram, & Amy Jump
  • The Hobbit: An Unexpected Journey, Fran Walsh, Philippa Boyens, Peter Jackson, & Guillermo del Toro
  • Avengers Assemble, Joss Whedon

Best Newcomer (the Sydney J. Bounds Award)

  • Helen Marshall, for Hair Side, Flesh Side (ChiZine)

 

  • Saladin Ahmed, for Throne of the Crescent Moon (Gollancz)
  • Stephen Bacon, for Peel Back the Sky (Gray Friar)
  • Stephen Blackmoore, for City of the Lost (DAW)
  • Kim Curran, for Shift (Strange Chemistry)
  • Anne Lyle, for The Alchemist of Souls (Angry Robot)
  • Alison Moore, for The Lighthouse (Salt Publishing)
  • Lou Morgan, for Blood and Feathers (Solaris)
  • E.C. Myers, for Fair Coin (Pyr)
  • Molly Tanzer, for A Pretty Mouth (Lazy Fascist)

 

Also at the World Fantasy Convention, the World Fantasy Awards winners for works published in 2012 were announced on the same day.

Again, the full list of nominees is shown below, the World Fantasy Award winners being the first listed in each category:

Life Achievement:

  • Susan Cooper
  • Tanith Lee

Novel:

  • Alif the UnseenG. Willow Wilson (Grove; Corvus)

 

  • The Killing Moon, N.K. Jemisin (Orbit US; Orbit UK)
  • Some Kind of Fairy Tale, Graham Joyce (Gollancz; Doubleday)
  • The Drowning Girl, Caitlín R. Kiernan (Roc)
  • Crandolin, Anna Tambour (Chômu)

Novella:

  • “Let Maps to Others”, K.J. Parker (Subterranean Summer ’12)

 

  • “Hand of Glory”, Laird Barron (The Book of Cthulhu II)
  •  The Emperor’s Soul, Brandon Sanderson (Tachyon)
  • “The Skull”, Lucius Shepard (The Dragon Griaule)
  • “Sky”, Kaaron Warren (Through Splintered Walls)

Short Story:

  • “The Telling”, Gregory Norman Bossert (Beneath Ceaseless Skies 11/29/12)

 

  • “A Natural History of Autumn”, Jeffrey Ford (F&SF 7-8/12)
  • “The Castle That Jack Built”, Emily Gilman (Beneath Ceaseless Skies 1/26/12)
  • “Breaking the Frame”, Kat Howard (Lightspeed 8/12)
  • “Swift, Brutal Retaliation”, Meghan McCarron (Tor.com 1/4/12)

Anthology:

  • Postscripts #28/#29: Exotic Gothic 4, Danel Olson, ed. (PS Publishing)

 

  • Epic: Legends of Fantasy, John Joseph Adams, ed. (Tachyon)
  • Three Messages and a Warning: Contemporary Mexican Short Stories of the Fantastic, Eduardo Jiménez Mayo & Chris N. Brown, eds. (Small Beer)
  • Magic: An Anthology of the Esoteric and Arcane, Jonathan Oliver, ed. (Solaris)
  • Under My Hat: Tales from the Cauldron, Jonathan Strahan, ed. (Random House)

Collection:

  • Where Furnaces Burn, Joel Lane (PS Publishing)

 

  • At the Mouth of the River of Bees, Kij Johnson (Small Beer)
  • The Unreal and the Real: Selected Stories Volume One: Where on Earth and Volume Two: Outer Space, Inner Lands, Ursula K. Le Guin (Small Beer)
  • Remember Why You Fear Me, Robert Shearman (ChiZine)
  • Jagannath, Karin Tidbeck (Cheeky Frawg)

Artist:

  • Vincent Chong

 

  • Didier Graffet & Dave Senior
  • Kathleen Jennings
  • J.K. Potter
  • Chris Robert

Special Award Professional:

  • Lucia Graves for the translation of The Prisoner of Heaven (Weidenfeld & Nicholson; Harper) by Carlos Ruiz Zafón

 

  • Peter Crowther & Nicky Crowther for PS Publishing
  • Adam Mills, Ann VanderMeer, & Jeff VanderMeer for Weird Fiction Review
  • Brett Alexander Savory & Sandra Kasturi for ChiZine Publications
  • William K. Schafer for Subterranean Press

Special Award Non-Professional:

  • S.T. Joshi for Unutterable Horror: A History of Supernatural Fiction, Volumes 1 & 2 (PS Publishing)

 

  • Scott H. Andrews for Beneath Ceaseless Skies
  • L. Timmel Duchamp for Aqueduct Press
  • Charles A. Tan for Bibliophile Stalker blog
  • Jerad Walters for Centipede Press
  • Joseph Wrzos for Hannes Bok: A Life in Illustration (Centipede Press)

Congratulations to all the winners and nominees in both Awards.

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Great Inspiration – guest post from Martin Livings

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September 25, 2013

Last week I posted about the time, back in 1989, when I met Neil Gaiman and got a signed copy of Sandman #1, with no idea at the time of the significance of the event. You can see that post here. At the end of the post I said I would put the call out to my writerly friends and see if any of them had similar inspirations in their lives they might like to share. The wonderful Thoraiya Dyer got back to me with this excellent post, and today I have a post from Martin Livings:

The Year 1990

1990 was the year that made me. Or ruined me, depending on your point of view. I’d already been writing and submitting stories to the only local SF magazine I knew of, a trashy little beast called “Far Out”. They were amazing tales I sent them, like the one about the advanced civilisation being wiped out by a natural disaster, only to be revealed that it was actually an ants’ nest being stepped on by a small child. Or the one about the two armies fighting to the death that turned out to be a game of chess. Wow, incredible stuff. I wonder why they never accepted them?

Then in 1990 I attended Curtin University for less than a semester, my second unsuccessful foray into academic life. But during that semester, I joined the Curtin Imagination Association (CIA), as a high school friend of mine was already a member, and through them found out about the existence of Swancon, the annual Perth science fiction convention. So I thought, what the hell, sounds like it could be fun, and went along.

And that, as they say, was that.

The guest of honour was the brilliant Terry Dowling. I’d never heard of Terry before that, but hearing him talk, hearing him read, I was gone. Here was an Australian spec fic writer, doing things I’d never seen done in spec fic before. Rynosseros blew my tiny mind; I still have the copy I bought at the con, signed by Terry. I also met Nick Stathopolous for the first time there, artist extraordinaire. And it wasn’t just meeting them, either, but all of the people there, people like me, yet all different too. I wasn’t alone any more. It was energising and liberating to discover this.

These were huge inspirations, but the biggest inspiration that came out of Swancon 1990 was meeting the incredible team that were putting together what was at the time (and in my humble opinion still is) the finest Australian spec fic journal ever, Eidolon. Meeting the editors, Jeremy G. Byrne, Richard Scriven and Jonathan Strahan, plus of course the others involved in getting the magazine up and running, Keira McKenzie, Robin Pen and Chris Stronach, was like a lightbulb going off in my brain. Or maybe a nuclear explosion. These guys were locals, they were here in Perth, and they were doing incredible things with the genre.

I wanted in. I wanted in bad.

bjaheiff Great Inspiration   guest post from Martin Livings

(Martin in home-made Freddy Krueger makeup, Swancon 1990)

It took me two years to get a story accepted by them. That sounds like a long time, but considering the legendary slowness of the Eidolon reading process, it was actually pretty quick. At around the same time, I also had a story accepted by Aurealis, the other local powerhouse on the scene, which I’m so glad is still alive and well today. I ended up working for Eidolon in the end, first writing book reviews, then editing the book review column, and finally as an associate editor. I made so many great friends through this; Sean Williams and Kirstyn McDermott were two of my favourite go-to book reviewers, and of course the amazing (and Oscar-winning!) Shaun Tan was the art editor, to name only three of many. But more than that, I learned. I learned about the craft and the art. I learned what was good, what was bad, and, worse, what was ordinary and dull. I learned more than I ever could have in any university.

1990, Swancon and Eidolon teamed up and created the beginning of my writing career. And even though Eidolon may no longer be with us, it sits on my bookshelf and continues to inspire me, to make me want to do better, write better, be better. Hopefully it always will.

Perth-based writer Martin Livings has had nearly eighty short stories published in a variety of magazines and anthologies. His first novel, Carnies, was published by Hachette Livre in 2006, and his first short story collection, Living With the Dead, was published in 2012 by Dark Prints Press. http://www.martinlivings.com

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Conflux 9, the aftermath

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May 2, 2013

I said I would get around to a quick wrap up post for Conflux 9, the 52nd NatCon, that happened last week. It’s fast becoming history and life is barrelling on (seriously, May, calm the fuck down) and so I thought I’d better get around to it now or I never would. First and foremost, congratulations to co-chairs Donna Hanson and Nicole Murphy and the whole Conflux team. They did an amazing job and it really was a great con. Conflux is always my favourite of the year – open, friendly, inspiring – and this year it had all that in spades.

Much time was spent in the bar with friends old and new, drinking too much and talking shit. Which is, after all, one of the main purposes of a con. I have a few highlights persisting through the alcoholic haze. If this con had a theme beyond the official one, it was book launches. So many amazing books were thrust out into the world at Conflux 9.

Cat Sparks’ new collection, The Bride Price, was launched and sold out. Highlights there included Cat drinking champagne from a mug (classy lady, is Cat Sparks) and telling people during her little speech to “Now go and buy my fucking book!” This was particularly entertaining as she was standing three feet from Thoraiya Dyer’s four year old daughter at the time. I don’t know why, I just find that stuff hilarious. Especially when Thoraiya stepped up to buy a book and said to Cat, “Thanks for swearing in front of my kid.” Ah, I laughed.

Rob Hood also launched his amazing novel, Fragments of a Broken Land, which also sold out. And seriously, go and buy that book, folks, because it’s brilliant. Something actually different and dark and bloody good. And Jo Anderton sold out at the launch of her new collection, The Bone Chime Song & Other Stories, which is also dark and different and also fucking brilliant. Such talented writers making work in Australia.

I enjoyed the panels I was on too. Talking horror with Kaaron Warren, Kirstyn McDermott, Jason Nahrung and Terry Dowling was probably my favourite panel of the con. I also really enjoyed talking about authors and social media with Alex Adsett, Abigail Nathan, Zena Shapter and Russell B Farr. The best bit about that panel was that we got the panel trending on Twitter while it happened. Fuck yeah, social media masters at work!

Another highlight, as it always is at the NatCon, was the Ditmar Award ceremony. Loads of lovely people being justly rewarded for their fantastic work. Deb Biancotti did a great job of hosting and the thing even ran to time. There was a live Twitter screen by the stage, too. Look at Conflux all up in the future. And a particular highlight there was Russell B Farr getting the A Bertram Chandler Award for his services to SF. Russ has been an amazing advocate of Australian specfic since around 1996 and his press, Ticonderoga Publications, puts out seriously brilliant books. He really deserved that award and I’m glad he got it. I’m also glad because it made him generous with the whisky in the bar afterwards. Russell, and his partner in crime, life and publishing, Liz Grzyb, have been kind enough to publish several of my stories over the years and I hope they continue to do so. I’m very proud to be a small part of the Ticonderoga legacy.

I also sold all bar one copy of Dark Rite that I took to the con with me, so that’s another highlight. I must thank profusely the CSFG for letting me have my books for sale on their table in the dealer room.

I’m sure there was a lot more I should be talking about, and I apologise for anything I’ve missed that really needs a mention, but it’s all blended into that delicious post-con haze of friendship and inspiration. So I’m off to write now, and see if I can’t try to be even a fraction as talented as some of my wonderful friends. If you’d like a pictorial idea of what happened, check out Cat Sparks’ Flickr stream here, with loads of pics from throughout the con.

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Alan Baxter, Author

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