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March 9th, 2010

Bitten By Books reviews of RealmShift & MageSign

I love it when my books get reviewed. I really love it when they get positive reviews. It makes me do little happy dances around my study when they land 5 star reviews. Or, in this case, 5 out of 5 headstones. For both of them! Bitten By Books is a site that provides book reviews for all types of paranormal fiction, urban fantasy and horror. They’ve recently posted reviews of both my novels.

For RealmShift, the reviewer said things like:

“The novel is an action-adventure, an exploration of spiritual constructs, and a rousingly satisfying tale.”

“The writing is taut and seamless, and the storylines flow into a climatic finish.”

and

RealmShift is a mesmerizing novel that will both entrap and entrance the reader. It is a book to be read slowly in order to discover and savor the subtle messages and twists in it.”

You can read the whole review here.

For MageSign, the reviewer said:

MageSign is a thriller, a mystery, a love story and a thought-provoking examination of the relationship between religion and humanity in all its glory and shame. Alan Baxter takes the reader right to the edge and then pushes us over. And I thank him for it.”

You can read that whole review here.

Sweet.

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March 8th, 2010

The Road by Cormac McCarthy – review

Fuck me.

I went down to the Continuum 6 convention in Melbourne recently and, bizarrely, didn’t buy any books while I was there. I had every intention of picking up a couple in the dealer’s room, but just didn’t get the chance. At the airport to head home again I needed something to read, especially as we had an hour delay due to bad weather in Sydney. In the newsagent I spotted The Road by Cormac McCarthy and grabbed that, based on the general hype about it. I really didn’t know much about it. I finished reading it last night.

Like I said at the beginning, fuck me.

The Road is an outstanding book. It’s powerful, brutal, bleak, confronting, brilliant. And I’m not sure I ever want to read it again. The premise is as simple and spare as everything else about the novel: a father and son, “each the other’s world entire”, are travelling along a road after a cataclysmic event has reduced the world to monochrome and ash. The man and his son, never given names, are heading south as they can’t survive another winter in their original location, wherever that might have been. We don’t know what horror destroyed the world, though the implication is a nuclear holocaust; “The clocks stopped at 1:17. A long shear of light and then a series of low concussions.”

The man and his son are struggling to survive, constantly starving, constantly freezing, constantly on the lookout for roving bands of “bad guys” that have been driven to madness and cannibalism. The man tells his son that they’re the “good guys”, they don’t eat people, they don’t steal or kill and they’re trying to find other good guys.

The RoadIn a few sparse flashbacks we learn a little of their history, the mother unable to cope with the broken world kills herself, the man and the boy head off with a pistol loaded with two bullets, for attackers or for them, depending on circumstance. The child knows nothing of the world before, born into this post-apocalyptic wasteland. The father entertains memories of the world before the catastrophe but quickly blots out his reminiscences as “each memory recalled must do some violence to its origins”.

They have with them a shopping cart containing all their possessions, which amount to little more than a few blankets and tins of food they scavenge along the way. They regularly search houses and stores they come across, desperate for food and water, constantly aware of the possibility of attack, always on the brink of death. Everywhere is burnt and ruined, the world around them metaphor for their future; “The soft black talc blew through the streets like squid ink uncoiling along a sea floor and the cold crept down and the dark came early and the scavengers passing down the steep canyons with their torches trod silky holes in the drifted ash that closed behind them silently as eyes.”

The simple truth is that the man and his son are surviving. Nothing more than that. The man coughs blood, knowing he won’t be there forever even while telling the boy that he’ll never leave him. He’s teaching the boy how to survive and telling him that they “carry the fire” and must continue to do so.

Their experiences along the road are brutal and McCarthy doesn’t shy away from the horror, but there are regular moments of light and hope in the grey and ashen world. The exploration of a father’s love for his son and the human spirit are sublime.

The writing is incredible, for the most part reading more like poetry than prose. No scene or section is more than a few paragraphs long. The description is spare to the point of clinical detachment in places, but the emotional content and evocation are remarkable. There’s virtually no punctuation, no quotes for dialogue. This works for the most part, but it became annoying when words like won’t and don’t were spelled wont and dont, while things like I’d and he’d retained their apostrophes. On occasion this was messed up in the book and it tripped up the story. The lack of dialogue tags also made some longer conversations a little hard to follow. But the device largely worked adding to the open bleakness of the novel as a whole. The conclusion of the book is a bit fast and bright to be truly convincing and I felt mildly let down by the last three or four pages, but that’s a small gripe.

This is an astounding achievement in writing and storytelling. An incredible book that I can’t recommend highly enough, though with the warning that it’s not for the faint hearted or easily upset reader. I’m aware that my own personal situation made the ending particularly poignant, but this is the only book I can remember that made me cry. It is brilliant.

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March 6th, 2010

Read An Ebook Week 2010

rebw10 bannerad 400x66 Read An Ebook Week 2010

From March 7th to 13th it’s Read An Ebook Week. The movement has a website here. Ebooks are becoming more mainstream by the month and the launch of the iPad has certainly helped that along. Even though the iPad is far from what it claims to be and little more than an iPhone that you can’t get in your pocket.

Regardless, the ebook is on the up and up. Let me state again, as I have here many times before, I’m a bibliophile. I love books. I love the papery weight of them, the feel of them, the smell of them. I love loafing back on the couch with an actual book. I especially love seeing my own work in books. But I’m also a huge fan of ebooks. The two are not mutually exclusive. Ebooks give you the chance to explore new work, new authors, books you may never have spent money on before, because you can fit loads of them on a small device and pay a lot less than you would for a regular book.

To celebrate Read An Ebook Week, my novels RealmShift and MageSign are available from Smashwords at half price. They were only US$2.89 anyway, but now you can get them both for US$1.45 each. That’s two for the price of one. To get the discount you need to use the coupon code RAE50 at the checkout. You can find the books here. Scroll down for various titles.

Read an ebook this week. It’s what all the cool kids are doing.

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March 3rd, 2010

My podcast interview at The Creative Penn

I was interviewed recently by Joanna Penn, of The Creative Penn website, for a podcast. Joanna blogs, podcasts and video blogs on all aspects writing, publishing and promotion. In this podcast she asks me about all kinds of things, from the nature of writing with religious mythology and the trouble it can cause, to the nature of blasphemy and offence, to writing fight scenes, indie authorship and more. It’s surprising how much stuff we cover in the podcast, which is only a bit over half an hour.

I love the fact that the post introducing the podcast carries a warning!

This fantastic podcast roams over some interesting topics so I hope you enjoy it!

Warning: There is some questionable language and talk of horror, violence and religion so please don’t listen if you might be offended.

Yeah, that’s my kinda podcast. Talk about author branding.

So, head over to this post and download the podcast if you’re interested to have a listen. Leave me a comment and let me know what you think.

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February 28th, 2010

New RealmShift review at Horror Bound

I was very pleased to read a new review of RealmShift over at Horror Bound today. Among other things, the reviewer said stuff like:

“You’ll be hooked. And then, you’re in for a fast-paced, white knuckle ride.”

“Alan Baxter excels at writing action.”

“All in all, Realm Shift is a worthwhile read. At the very least, you’ll have explained to you, in depth, an interesting theory for why the gods exist. At best, you open this book, and you’ve punched your one-way ticket aboard a runaway hell train on a raucous ride you’ll want never to end.”

Blimey. I’m happy with that. You can read the full review here.

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February 22nd, 2010

All 90 Australian SpecFic Snapshots 2010

You may remember this post about the Snapshot of me done as part of the 2010 Australian SpecFic Snapshots. It’s basically 5 questions answered by as many of us as the people behind it could find. Mad fools that they are, they managed to find 90 people to interview this year. A truly sterling effort.

You can find all 90 Snapshots linked here, including many far more interesting people than I. Visit Tansy’s site for the links, but below is a list of who you’ll find there:

The Australian SpecFic Snapshot 2010: Marianne De Pierres, Richard Harland, Karen Miller, Margo Lanagan, Ben Peek, Narelle Harris, Paul Collins, Damien Broderick, Shane Jiraiya Cummings, Angela Slatter, Dion Hamill, Garth Nix, Tansy Rayner Roberts, Trudi Canavan, Thoraiya Dyer, Keith Stevenson, Juliet Marillier, Gillian Polack, Jason Fischer, Alisa Krasnostein, Tehani Wessely, Amanda Rainey, Justine Larbalestier, Rowena Cory Daniells, Glenda Larke, Adrian (K.A.) Bedford, Kaaron Warren, Nicole Murphy, D.M. Cornish, Deborah Kalin, Jonathan Strahan, Alan Baxter, Gary Kemble, Lezli Robyn, Kate Eltham, Robert Hoge, Will Elliott, Trent Jamieson, Felicity Dowker, Jack Dann, Lee Battersby, Peter M Ball, Nyssa Pascoe, Lucy Sussex, Andrew McKiernan, Amanda Pillar, Deborah Biancotti, Kim Falconer, Gabrielle Wang, Kim Wilkins, Paul Haines, Karen Healey, Stephanie Campisi, Stuart Mayne, Christopher Lynch, Simon Petrie, Alison Goodman, Russell Blackford, Rhonda Roberts, Ben Payne, Christopher Green, Kylie Chan, K.J. Taylor, Robbie Matthews, Kirstyn McDermott, Russell Farr, Simon Haynes, Kate Orman, Cat Sparks, Sean Williams, Penni Russon, Robert Hood, Tracey O’Hara, Cassandra Golds, Dirk Flinthart, Kathleen Jennings, Tessa Kum, Helen Merrick, Jenny Blackford, Martin Livings, Marty Young, Lisa (LL) Hannett, Nick Stathopoulos, Lorraine Cormack, Edwina Harvey, Ian McHugh, Matthew Chrulew, Shaun Tan.

I know!

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February 18th, 2010

RealmShift and MageSign acquired by Gryphonwood Press

I am extremely pleased to announce that my dark fantasy thriller novels, RealmShift and MageSign, have been acquired by Gryphonwood Press in the US. This marks a move from the books being indie published through my own press to being “traditionally” published by a small press in the US that is really going places. They have some great authors and books available, so check them out.

Apart from joining a great stable of authors, I’ll also be eligible to apply for membership of the International Thriller Writers group, as Gryphonwood Press is one of their recognised markets. Interesting turn of events for this little dark spec fic writer.

I’m currently working on re-editing both books for release on April 27th. The books will be taken off the Blade Red Press roster, but there are still some copies available from the short print run that was done here in Australia. Gryphonwood are happy for me to sell those on until the stock is sold out. I’ll be running a special offer on those to coincide with the April 27th Gryphonwood release.

So yeah, can I get a “Woo” with a big old “HOO”?

gryphonwood RealmShift and MageSign acquired by Gryphonwood Press

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February 15th, 2010

Interview with Kate Forsyth

The Puzzle RingKate Forsyth’s new young adult fantasy novel, The Puzzle Ring, is a story rich in faerie lore, set in the wilds of Scotland. You can read my review of the book here. As part of her blog tour, I talked to Kate about the book, the process of writing it and her hopes for it.

AB – Hi Kate. Thanks for dropping by to talk about The Puzzle Ring.

KF – Hi, Alan. Thank you so much for having me!

AB – Firstly, the descriptions of Scotland are very vivid. I’ve spent a lot of time there myself and was utterly convinced by your storytelling. What sort of connection to Scotland do you have, if any?

KF – My grandmother’s grandmother Ellen Mackenzie emigrated to Australia when she was only a young girl. It’s a really sad story. She and her sister lived in a grand house on the Black Isle in the Scottish Highlands with their parents, but her father was drowned in a dreadful storm and her mother died a few days later (we think whilst in child birth, her baby dying with her). Ellen and her sister Jane were sent to Australia by their uncle, who inherited the estate (we always thought he’d done it illegally, but sadly I think girls were not permitted to inherit under the law of the day). Ellen Mackenzie was a grand storyteller who used to tell her children lots of stories about Scotland, which in time came to be told to my sister and me. We knew more about Scotland than we did about Australia! It began a lifelong fascination with all things Scottish, which I was able to draw upon in writing this story. I went to Scotland with my husband and my three children and stayed there for a month, visiting all the places described in the book.

AB – You clearly did a lot of research into faerie mythology for this story. Was that difficult or a labour of love?

KF – Oh, absolutely a labour of love. I really do enjoy researching, I think it helps you make all sorts of serendipitous discoveries (like Mary, Queen of Scots giving her husband Lord Darnley a ring just hours before he was murdered).

AB – Is faerie mythology something you’ve been interested in since you were a girl? Was it exciting or disappointing to learn that faeries are not the nice little sparkly things at the bottom of the garden after all?

KF – I’ve always been interested in fairy lore, and of course it is woven into many of my books in one shape or another. I used to search for fairies in the bottom of my garden when I was a little girl – in fact I wrote them lots of letters begging them to show themselves to me. However, I also used to look for a doorway into Narnia in the back of wardrobes. What was disappointing was never finding that doorway, and never seeing a fairy for myself. I’m still looking.

AB – Yeah, me too! Don’t give up. You also use the actual history of Mary, Queen Of Scots, to great effect. Which came first, the desire to write a story around Mary, or the story of Hannah herself?

KF – The puzzle ring came first. I read about the history of puzzle rings in a jewellery catalogue and thought at once what a wonderful idea it would make for a quest story. I had it in the back of my mind for a long time, wondering to myself ‘but WHO would search for a puzzle ring and WHY?’ Then I discovered ‘The Book of Curses’ (that is its actual title!) in a second-hand book shop. I say down on a stool and opened it, and the pages fell open on a chapter on a famous Scottish curse, called the Seaforth Doom. I read that chapter, sitting there in the gloomy, cobwebby old shop, and at once thought, ‘Yes! A curse … I could write a book about a girl who must search for the lost puzzle ring because it’s the only way to break a curse!’ I at once began to develop the story in my mind. In the story of the Seaforth Doom, a warlock called Kenneth casts the curse on the Mackenzies of Seaforth (my own clan!) which takes another few hundred years to come to pass. He had a magical hag-stone which enables him to see things no-one else can see. That first made me think about setting the story in Scotland, though I did play with other ideas for a while. There are lots of ancient curses in Scotland, though, and the richest fairy lore in the world, and so I ended up deciding to set the story there. It took me a while longer to settle on Mary, Queen of Scots – I played around with the idea of having each loop of the puzzle ring in a different period of Scottish history for a while, but I prefer to write in long sustained narrative, rather than lots of short stories. Gradually I circled in on Queen Mary, and then on a period of six months in her tumultuous life. Once I had my story planned, the writing came very easily to me, it’s almost as if it wrote itself.

AB – This certainly seems like a book targeted at a young adult audience, particularly girls. Was that the intention? What are your thoughts generally on fiction for young folk?

KF – I always know exactly who I’m writing for when I’m writing a book. I tried to write the sort of book I would have loved to have read when I was 11 or 12. That is one of my favourite age groups to write for, because they are old enough to have a sophisticated story told in sophisticated language, but young enough still to willingly suspend disbelief. I remember vividly the books I read at this age, and I believe they helped shape me into the person I am now. I want to write the sort of books that children will carry with them forever after.

AB – I think you’ve certainly achieved that with The Puzzle Ring. Are we likely to see any other stories about Hannah and her friends?

KF – I have an idea for a sequel that I’d like to write one day. I’m working on another story now, though, so it might be awhile.

AB – So what’s next on the agenda from you?

KF – I’m just proofreading a YA fantasy that is due to be published in May. Called ‘The Wildkin’s Curse’ it is the sequel to my earlier YA fantasy, ‘The Starthorn Tree’. And I’m about one-third of the way through writing the third in the series, to be called ‘The Starkin Crown’.

AB – Great, I’m sure there’s a lot of folks out there looking forward to those. Thanks, Kate!

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This interview and my review of The Puzzle Ring are part of Kate’s Blog Book Tour. You can see the previous stop on the tour at The Book Bug and the next stop will be at I Want To Read That tomorrow.

If you’d like to win a copy of The Puzzle Ring, leave a comment on this post with your thoughts about the book, the review, the interview or anything else. We’ll pick a random winner from all the people that comment.

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February 15th, 2010

The Puzzle Ring by Kate Forsyth – Review

The Puzzle RingThe Puzzle Ring is the new young adult fantasy novel from Australian author Kate Forsyth. Kate has a well established set of credentials, already very successful with things like the Witches Of Eileanan series and the Chain Of Charms series for young adults.

The Puzzle Ring tells the story of Hannah, a twelve year old girl whose father disappeared when she was a baby in Scotland and whose mother took her away to grow up in Australia. A mysterious letter arrives one day that takes Hannah and her mother back to Scotland and into an adventure rich in faerie lore and magic.

Forsyth has managed that rare success with this book in making it not only a great read for young adults, but a highly entertaining one for the grown ups too. I’m certainly not a teenage girl, and I loved this book. Being a fan of Otherworld myths and being ancestrally tied to Scotland myself, there was added poignancy here for me. But anyone would be hard pressed not to be transported by this story.

Kate cleverly weaves the adventures of her young heroine into the genuine history of Mary, Queen of Scots, and she doesn’t pull her punches with the fey nastiness of faeries. Her descriptions evoke a thoroughly convincing Scotland, both in the modern day and the 16th century, where a large part of the story is told. Her characters are clear and well developed and the quest is complex and completely engaging.

It’s an easy read, the language very accessible for young readers without talking down to them. But it’s also richly written, an essential thing to get young readers not only enjoying the story being told, but enjoying the process of reading too. The chapters are relatively short, making this excellent bedtime-story fare for younger kids, with a chapter a night giving them a few weeks of magic every bedtime.

Kate’s thorough research of the Scottish faerie mythology shines through in every aspect of this book. The magic and the Otherworld are convincing in every respect. If you love a good fantasy, this is a great read. If you’re a fan of faerie mythology, this is an essential read.

This review is posted as part of Kate’s Blog Book Tour. I’ve also had a chat with Kate about The Puzzle Ring, so click here to read the interview and find out how you can win a copy of the book.

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February 7th, 2010

Creative Penn book marketing and promotion

Joanna Penn runs a website called The Creative Penn, which is all about writing, publishing options, promotions and so on. I’ve mentioned her on this site before and you can find a blue print for her Author 2.0 Platform on the Links page.

She’s just released a new podcast talking all about marketing and promoting your book. Whether you’re a self-published newbie starting out or an established author, you will need to promote your book. The authors that can rely on their name for sales are few and far between. Just look at how busy Neil Gaiman is promoting himself and his work. He’s as successful as he is not only because he’s an awesome writer, but because he gets himself out there.

Jo’s latest podcast is an hour long and a really good short course on things to think about when it comes to promoting yourself and your books. In the podcast she answers all these questions pretty well:

* Where do I start in making myself known as an author?
* Is having a logo important for my brand?
* Is it necessary to have your own blog as an author? How do you create one and what should be the topic?
* How can we promote fiction books online? What are the best giveaways to help promote books?
* I have accounts on Twitter, Facebook and other sites, but how do you break through mid-level success?
* How do you promote with no money?
* How can an unpublished writer generate a following that would impress a publisher?
* How do you know if there is a market for your book?
* How do you market yourself without seeming arrogant?
* How do you put together a marketing and promotion plan for your book?
* What is the best way to draw traffic to my site?
* Is it a good idea to create a teaser ebook about my non fiction book?
* How do you manage your time so Twitter does not become a time suck?
* What programs do you recommend for submitting articles to multiple places?
* Is cold calling necessary or is email marketing enough?
* What are the best and cheapest ways to create a book trailer?
* How do I do a press release and what is the most effective way to use them?

You can find the podcast here. She even gives me a little shout-out at around the 38 minute mark. How kind.

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