Awards

Bound and Clara nominated for Ditmar Awards

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0
February 16, 2015

I got a very nice surprise this weekend when the 2015 Ditmar Award ballot was released and I saw my name on there twice. I had to do two Snoopy dances! I’ll list the full ballot below, but a little about the awards first.

The Ditmar Award has been awarded annually since 1969 at the Australian National Science Fiction Convention (the “Natcon”) to recognise achievement in Australian science fiction (including fantasy and horror) and science fiction fandom. The award is similar to the Hugo Award but on a national rather than international scale. They are named for Martin James Ditmar “Dick” Jenssen, an Australian fan and artist, who financially supported the awards at their inception.

So you can imagine how happy I am to be shortlisted for two of them this year. I got nominations for BOUND: Alex Caine #1 in the Best Novel category and “The Darkness in Clara” (originally published in SQ Mag #14) in the Best Novelette or Novella category. You can read “The Darkness in Clara” for free online by clicking above, and Bound is still only around $2 in ebook and available in print in all bookstores. If you’re eligible to vote, and you’ve enjoyed either or both of those, I’d greatly appreciate your vote.

Anyone who is a member of Swancon 40 (including supporting members) and anyone was who a member of Continuum 10 last year (who was eligible to vote in the 2014 Award) can vote in this year’s award. I strongly recommend that anyone who is eligible to vote exercises that right, as the more people voting, the better the views of readers are represented in the winners. You don’t have to vote in every category. Voting has opened, and will remain open until one minute before midnight AWST (ie. 11.59pm GMT+8) on Sunday, 22nd of March, 2015.

If possible, please vote online at:

http://ditmars.sf.org.au/2015

The online voting system provides a passworded facility to adjust your vote at any time before the close of voting.

Alternatively, votes will be accepted via email to:

ditmars@sf.org.au

An official ballot paper, including postal address information, will be made available shortly, and may be downloaded as a PDF format file from:

http://ditmars.sf.org.au/2015/2015_Ditmar_ballot.pdf

The 2015 ballot is as follows:

Best Novel
———————————————————-
* The Lascar’s Dagger, Glenda Larke (Hachette)
* Bound (Alex Caine 1), Alan Baxter (Voyager)
* Clariel, Garth Nix (HarperCollins)
* Thief’s Magic (Millennium’s Rule 1), Trudi Canavan (Hachette Australia)
* The Godless (Children 1), Ben Peek (Tor UK)

Best Novella or Novelette
———————————————————-
* “The Ghost of Hephaestus”, Charlotte Nash, in Phantazein (FableCroft
Publishing)
* “The Legend Trap”, Sean Williams, in Kaleidoscope (Twelfth Planet Press)
* “The Darkness in Clara”, Alan Baxter, in SQ Mag 14 (IFWG Publishing Australia)
* “St Dymphna’s School for Poison Girls”, Angela Slatter, in Review of Australian Fiction, Volume 9, Issue 3 (Review of Australian Fiction)
* “The Female Factory”, Lisa L. Hannett and Angela Slatter, in The Female Factory (Twelfth Planet Press)
* “Escapement”, Stephanie Gunn, in Kisses by Clockwork (Ticonderoga Publications)

Best Short Story
———————————————————-
* “Bahamut”, Thoraiya Dyer, in Phantazein (FableCroft Publishing)
* “Vanilla”, Dirk Flinthart, in Kaleidoscope (Twelfth Planet Press)
* “Cookie Cutter Superhero”, Tansy Rayner Roberts, in Kaleidoscope (Twelfth Planet Press)
* “The Seventh Relic”, Cat Sparks, in Phantazein (FableCroft Publishing)
* “Signature”, Faith Mudge, in Kaleidoscope (Twelfth Planet Press)

Best Collected Work
———————————————————-
* Kaleidoscope, edited by Alisa Krasnostein and Julia Rios (Twelfth Planet Press)
* The Year’s Best Australian Fantasy and Horror 2013, edited by Liz Grzyb and Talie Helene (Ticonderoga Publications)
* Phantazein, edited by Tehani Wessely (FableCroft Publishing)

Best Artwork
———————————————————-
* Illustrations, Kathleen Jennings, in Black-Winged Angels (Ticonderoga Publications)
* Cover art, Kathleen Jennings, of Phantazein (FableCroft Publishing)
* Illustrations, Kathleen Jennings, in The Bitterwood Bible and Other Recountings (Tartarus Press)

Best Fan Writer
———————————————————-
* Tansy Rayner Roberts, for body of work
* Tsana Dolichva, for body of work
* Bruce Gillespie, for body of work
* Katharine Stubbs, for body of work
* Alexandra Pierce for body of work
* Grant Watson, for body of work
* Sean Wright, for body of work

Best Fan Artist
———————————————————-
* Nalini Haynes, for body of work, including “Interstellar Park Ranger Bond, Jaime Bond”, “Gabba and Slave Lay-off: Star Wars explains Australian politics”, “The Driver”, and “Unmasked” in Dark Matter Zine
* Kathleen Jennings, for body of work, including Fakecon art and Illustration Friday series
* Nick Stathopoulos, for movie poster of It Grows!

Best Fan Publication in Any Medium
———————————————————-
* Snapshot 2014, Tsana Dolichva, Nick Evans, Stephanie Gunn, Kathryn Linge, Elanor Matton-Johnson, David McDonald, Helen Merrick, Jason Nahrung, Ben Payne, Alex Pierce, Tansy Rayner Roberts, Helen Stubbs, Katharine Stubbs, Tehani Wessely, and Sean Wright
* It Grows!, Nick Stathopoulos
* Galactic Suburbia, Alisa Krasnostein, Alexandra Pierce, Tansy Rayner Roberts, and Andrew Finch
* The Writer and the Critic, Kirstyn McDermott and Ian Mond
* Galactic Chat, Sean Wright, Helen Stubbs, David McDonald, Alexandra Pierce, Sarah Parker, and Mark Webb

Best New Talent
———————————————————-
* Helen Stubbs
* Shauna O’Meara
* Michelle Goldsmith

William Atheling Jr Award for Criticism or Review
———————————————————-
* Reviews in The Angriest, Grant Watson
* The Eddings Reread series, Tehani Wessely, Jo Anderton, and Alexandra Pierce, in A Conversational Life
* Reviews in Adventures of a Bookonaut, Sean Wright
* “Does Sex Make Science Fiction Soft?”, in Uncanny Magazine 1, Tansy Rayner Roberts
* Reviews in FictionMachine, Grant Watson
* The Reviewing New Who series, David McDonald, Tansy Rayner Roberts, and Tehani Wessely

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On posting award eligibility lists, including mine

By
7
January 12, 2015

It’s that time of year again when all the various awards open for nominations. It’s also that time of year when a bunch of people start bitching and moaning about authors shilling their published work. But fuck those people. Awards are all about talking up the stuff you’ve enjoyed, and that includes your own work. As authors, especially these days, it’s our job to promote our work and try to get as many reading eyes on it as possible. There’s no shame in posting a list of your stuff and saying, “Hey, look what I did last year. I’m damned proud of myself.” And so you should be.

Also, it’s hard to remember everything that was published and the stuff you’ve enjoyed. Sometimes a story or a book just sticks with you, but often it’s not until you see a mention of a story that you think, “Hell yeah, that was awesome!” I really appreciate seeing eligibility lists around this time of year, because I love to nominate stuff that I think is worthy, but I’m also fundamentally lazy. And forgetful. If you make my job easier, I’m happy about that. So if you’re not comfortable making posts like these, just don’t. If you’re okay with it, then great. It’s useful and there’s nothing wrong with it. If you spend the next three months all over social media saying, “Vote for me! Vote for this!” then you’re being a dick. But making a list available and making people aware of that list is fine and dandy. People need to vote for the things they’ve really enjoyed and try to signal boost the good stuff. That’s one of the main functions of awards, in my opinion.

(If you’re an Aussie fan, get started by nominating work for the Ditmar Awards, which are now open. Go here: http://ditmars.sf.org.au/2015/nominations.html (Nominations will be accepted from natural persons active in fandom, and from full or supporting members of the national convention of the year of the award. If you may not be known to the Ditmar subcommittee, please provide a brief explanation of why you are eligible (eg. “Full member of Swancon 40″), or the name of someone known to the subcommittee who can vouch for your eligibility to nominate.))

So, with that in mind, here’s my list. Often, when you’ve had several things published in a year, your votes can be split across several titles, so I’m also going to mention my favourites among my published stuff. Afterwards, I’m going to list some of my favourite books by other people from 2014 and where at least some of my votes will be going. It’s not all about me!

NOVELS

All three of my Alex Caine books were published this year, so they’re all eligible in the novel category of awards. If you’ve really preferred one over another, that’s great and you should vote that way. But if you’ve enjoyed the series in general, I’d really appreciate it if you could direct your vote to Bound, the first in the series.

NOVELLA/NOVELETTE

In the novella/novelette category, I only had one story published in 2014, but I also think it’s one of the best stories I’ve ever written. It’s called “The Darkness in Clara” and was published in SQ Mag #14. It’s free to read online, so head on over and have a look if you haven’t already. I’d love to see this story get some more attention.

SHORT FICTION

In the short fiction category, I had six stories published in 2014:

“Thirty Three Tears To A Teaspoon” – Postscripts 32/33: FAR VOYAGER (PS Publishing, November 2014)

“Autumn of the Greatest” – Superpow! anthology (Red Penny Papers, October 2014)

“Shadows of the Lonely Dead” – Suspended in Dusk anthology (Books of the Dead Press, September 2014)

Upon a Distant Shore” – Dimension6, issue 2 (4th July 2014)

“Mephisto”Daily Science Fiction (23rd June 2014)

“All the Wealth in the World”Lakeside Circus, issue 1 (January 2014)

The ones with links are available to read online. The one I’d really like to see get some more attention is “Shadows of the Lonely Dead” from the Suspended in Dusk anthology. This, I think, is possibly my best short story to date and it’s also an intensely personal story for me. I’m really pleased to see that it’s been getting a lot of positive mentions in reviews of what is a truly brilliant anthology. This story is also the first time I’ve had strangers email me to say how much they enjoyed it. That’s happened with my novels before, but never a short story.

(If you haven’t read it, I really suggest getting Suspended in Dusk. It’s cheap as chips at the moment too. Start looking here for your copy.)

Now, what about other people’s work? I’ve read and enjoyed a lot of great fiction throughout 2014. Some will be Australian and some international, so my nominations will depend on what awards the stuff is eligible for and where I’m allowed to nominate. So far I’ve only started thinking about novels, anthologies and collections. This is not a definitive list, as there will definitely be more added to it, and I haven’t even started looking at short stories yet. As for Aussie stuff, check out the Ditmar Eligibility List here, as that’s a great resource for everything Australian published in 2014. Meanwhile, some of my favourite books from last year include:

The Language of Dying by Sarah Pinborough (novel)

Fearful Symmetries anthology, ed. Ellen Datlow (anthology)

The Bitterwood Bible and Other Recountings by Angela Slatter (collection)

Broken Monsters by Lauren Beukes (novel)

Suspended in Dusk, ed. Simon Dewar (anthology)

Echopraxia by Peter Watts (novel)

Guardian (Veiled Worlds #3) by Jo Anderton (novel)

Last Year, When We Were Young by Andrew McKiernan (collection)

SNAFU: An Anthology of Military Horror, ed. Geoff Brown and AJ Spedding (anthology)

I’ll be adding to this list as I gather my thoughts and get to voting.

Lastly, please nominate and vote on any awards you’re eligible to be a part of. The more people there are involved, the more the awards will reflect the opinions of the reading public rather than the authors who shout loudest or who have the biggest social presence. Awards are very imperfect beasts in any case, but the more people are involved, the less imperfect they become. And if you do vote for me anywhere, thank you! I genuinely appreciate it.

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Ditmar Award voting is open now

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0
May 7, 2014

I blogged recently that this year’s Ditmar Award shortlists have been released, and about the wonderful surprise of seeing that my story, Not the Worst of Sins, published in issue 133 of Beneath Ceaseless Skies magazine, has been noninated in the Best Short Story category. Well, now the voting is open. If you were at last year’s NatCon (which was Conflux in Canberra) or you have a full or supporting membership for this year’s NatCon, which is Continuum X in Melbourne, can vote for the winners.

If you’re eligible to vote, please do. More votes means the winners will more accurately reflect the opinion of the wider community. A supporting membership for Continuum X is just $35, which gives you several benefits including voting rights, if you want to be involved but can’t make the con. And you can vote online in a matter of minutes. Couldn’t be easier! Voting is open now until one minute before midnight AEST (ie. 11.59pm, GMT+10), Wednesday, 28th of May, 2014. That’s only three weeks left to get your votes in.

I’ll repost the full list of nominated works in all categories below, but here are a few relevant links:

You can vote for your choice of winners (as per conditions above) online here.

You can learn all about Continuum X and get your membership here.

You can read my nominated story free online here at BCS. (If you like it, I’d love to get your vote.)

Here’s the full list of nominations for the 2014 Ditmar Awards:Best Novel

* Ink Black Magic, Tansy Rayner Roberts (FableCroft Publishing)
* Fragments of a Broken Land: Valarl Undead, Robert Hood (Wildside Press)
* The Beckoning, Paul Collins (Damnation Books)
* Trucksong, Andrew Macrae (Twelfth Planet Press)
* The Only Game in the Galaxy (The Maximus Black Files 3), Paul Collins (Ford Street Publishing)

Best Novella or Novelette

* “Prickle Moon”, Juliet Marillier, in Prickle Moon (Ticonderoga Publications)
* “The Year of Ancient Ghosts”, Kim Wilkins, in The Year of Ancient Ghosts (Ticonderoga Publications)
* “By Bone-Light”, Juliet Marillier, in Prickle Moon (Ticonderoga Publications)
* “The Home for Broken Dolls”, Kirstyn McDermott, in Caution: Contains Small Parts (Twelfth Planet Press)
* “What Amanda Wants”, Kirstyn McDermott, in Caution: Contains Small Parts (Twelfth Planet Press)

Best Short Story

* “Mah Song”, Joanne Anderton, in The Bone Chime Song and Other Stories (FableCroft Publishing)
* “Air, Water and the Grove”, Kaaron Warren, in The Lowest Heaven (Jurassic London)
* “Seven Days in Paris”, Thoraiya Dyer, in Asymmetry (Twelfth Planet Press)
* “Scarp”, Cat Sparks, in The Bride Price (Ticonderoga Publications)
* “Not the Worst of Sins”, Alan Baxter, in Beneath Ceaseless Skies 133 (Firkin Press)
* “Cold White Daughter”, Tansy Rayner Roberts, in One Small Step (FableCroft Publishing)

Best Collected Work

* The Back of the Back of Beyond, Edwina Harvey, edited by Simon Petrie (Peggy Bright Books)
* Asymmetry, Thoraiya Dyer, edited by Alisa Krasnostein (Twelfth Planet Press)
* Caution: Contains Small Parts, Kirstyn McDermott, edited by Alisa Krasnostein (Twelfth Planet Press)
* The Bone Chime Song and Other Stories, Joanne Anderton, edited by Tehani Wesseley (FableCroft Publishing)
* The Bride Price, Cat Sparks, edited by Russell B. Farr (Ticonderoga Publications)

Best Artwork

* Cover art, Eleanor Clarke, for The Back of the Back of Beyond by Edwina Harvey (Peggy Bright Books)
* Illustrations, Kathleen Jennings, for Eclipse Online (Nightshade Books)
* Cover art, Shauna O’Meara, for Next edited by Simon Petrie and Rob Porteous (CSFG Publishing)
* Cover art, Cat Sparks, for The Bride Price by Cat Sparks (Ticonderoga Publications)
* Rules of Summer, Shaun Tan (Hachette Australia)
* Cover art, Pia Ravenari, for Prickle Moon by Juliet Marillier (Ticonderoga Publications)

Best Fan Writer

* Tsana Dolichva, for body of work, including reviews and interviews in Tsana’s Reads and Reviews
* Sean Wright, for body of work, including reviews in Adventures of a Bookonaut
* Grant Watson, for body of work, including reviews in The Angriest
* Foz Meadows, for body of work, including reviews in Shattersnipe: Malcontent & Rainbows
* Alexandra Pierce, for body of work, including reviews in Randomly Yours, Alex
* Tansy Rayner Roberts, for body of work, including essays and reviews at www.tansyrr.com

Best Fan Artist

* Nalini Haynes, for body of work, including “Defender of the Faith”, “The Suck Fairy”, “Doctor Who vampire” and “The Last Cyberman” in Dark Matter
* Kathleen Jennings, for body of work, including “Illustration Friday”
* Dick Jenssen, for body of work, including cover art for Interstellar Ramjet Scoop and SF Commentary

Best Fan Publication in Any Medium

* Dark Matter Zine, Nalini Haynes
* SF Commentary, Bruce Gillespie
* The Writer and the Critic, Kirstyn McDermott and Ian Mond
* Galactic Chat Podcast, Sean Wright, Alex Pierce, Helen Stubbs, David McDonald, and Mark Webb
* The Coode Street Podcast, Gary K. Wolfe and Jonathan Strahan
* Galactic Suburbia, Alisa Krasnostein, Alex Pierce, and Tansy Rayner Roberts

Best New Talent

* Michelle Goldsmith
* Zena Shapter
* Faith Mudge
* Jo Spurrier
* Stacey Larner

William Atheling Jr Award for Criticism or Review

* Reviews in Randomly Yours, Alex, Alexandra Pierce
* “Things Invisible: Human and Ab-Human in Two of Hodgson’s Carnacki stories”, Leigh Blackmore, in Sargasso: The Journal of William Hope Hodgson Studies #1 edited by Sam Gafford (Ulthar Press)
* Galactic Suburbia Episode 87: Saga Spoilerific Book Club, Alisa Krasnostein, Alex Pierce, and Tansy Rayner Roberts
* The Reviewing New Who series, David McDonald, Tansy Rayner Roberts, and Tehani Wessely
* “A Puppet’s Parody of Joy: Dolls, Puppets and Mannikins as Diabolical Other”, Leigh Blackmore, in Ramsey Campbell: Critical Essays on the Master of Modern Horror edited by Gary William Crawford (Scarecrow Press)
* “That was then, this is now: how my perceptions have changed”, George Ivanoff, in Doctor Who and Race edited by Lindy Orthia (Intellect Books)

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2014 Ditmar Award ballot released – featuring me!

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0
April 28, 2014

I got a wonderful surprise on Saturday when a few messages started coming in saying something along the lines of, “Congratulations on your Ditmar nomination!” I hadn’t realised the Award shortlist had been released, but it only took a moment to see social media alive with the news (at least, spec fic related social media in Australia.) It turns out that my story, Not the Worst of Sins, published in issue 133 of Beneath Ceaseless Skies magazine, has been noninated in the Best Short Story category. Thanks so much to everyone who voted for that, it’s a real honour. The Ditmars are an Australian national award decided by popular vote. Anyone active in the SF scene and fandom can nominate works, then anyone who was at the previous year’s NatCon (National SF Convention) or has a full or supporting membership for this year’s NatCon can vote for the winners.

This year, the NatCon is Continuum X in Melbourne in June. The awards ceremony will be held there. If you went to Conflux in Canberra last year, or you’re going to Continuum this year, you can vote in the Ditmars. I really recommend that you do vote, as the more people who get involved, the more the winners will reflect the opinion of the wider community. If you’re not going to the cons, but you want to vote, you can buy a supporting membership for Continuum X for just $35, which gives you several benefits including voting rights. And you can vote online in a matter of minutes. Couldn’t be easier! Voting is open now until one minute before midnight AEST (ie. 11.59pm, GMT+10), Wednesday, 28th of May, 2014.

I’ll post the full list of nominated works in all categories below, but here are a few relevant links:

You can vote for your choice of winners (as per conditions above) online here.

You can learn all about Continuum X and get your membership here.

You can read my nominated story free online here at BCS. (If you like it, I’d love to get your vote.)

So please do get involved. My own inclusion notwithstanding, I honestly think this is one of the strongest Ditmar Award ballots for years, in every category. You could do worse than getting hold of everything on this list (and anything on the Aurealis Awards list from last month) and you’d be set up with some fantastic reading of Aussie spec fic.The AAs and now the Ditmars are showing very clearly that Australian spec fic is stronger than ever.

So, get your membership and get voting (or if you went to Conflux last year, just get voting!) and if you’re going to NatCon this year in June, I’ll see you there!

Here’s the full list of nominations for the 2014 Ditmar Awards:

Best Novel

* Ink Black Magic, Tansy Rayner Roberts (FableCroft Publishing)
* Fragments of a Broken Land: Valarl Undead, Robert Hood (Wildside Press)
* The Beckoning, Paul Collins (Damnation Books)
* Trucksong, Andrew Macrae (Twelfth Planet Press)
* The Only Game in the Galaxy (The Maximus Black Files 3), Paul Collins (Ford Street Publishing)

Best Novella or Novelette

* “Prickle Moon”, Juliet Marillier, in Prickle Moon (Ticonderoga Publications)
* “The Year of Ancient Ghosts”, Kim Wilkins, in The Year of Ancient Ghosts (Ticonderoga Publications)
* “By Bone-Light”, Juliet Marillier, in Prickle Moon (Ticonderoga Publications)
* “The Home for Broken Dolls”, Kirstyn McDermott, in Caution: Contains Small Parts (Twelfth Planet Press)
* “What Amanda Wants”, Kirstyn McDermott, in Caution: Contains Small Parts (Twelfth Planet Press)

Best Short Story

* “Mah Song”, Joanne Anderton, in The Bone Chime Song and Other Stories (FableCroft Publishing)
* “Air, Water and the Grove”, Kaaron Warren, in The Lowest Heaven (Jurassic London)
* “Seven Days in Paris”, Thoraiya Dyer, in Asymmetry (Twelfth Planet Press)
* “Scarp”, Cat Sparks, in The Bride Price (Ticonderoga Publications)
* “Not the Worst of Sins”, Alan Baxter, in Beneath Ceaseless Skies 133 (Firkin Press)
* “Cold White Daughter”, Tansy Rayner Roberts, in One Small Step (FableCroft Publishing)

Best Collected Work

* The Back of the Back of Beyond, Edwina Harvey, edited by Simon Petrie (Peggy Bright Books)
* Asymmetry, Thoraiya Dyer, edited by Alisa Krasnostein (Twelfth Planet Press)
* Caution: Contains Small Parts, Kirstyn McDermott, edited by Alisa Krasnostein (Twelfth Planet Press)
* The Bone Chime Song and Other Stories, Joanne Anderton, edited by Tehani Wesseley (FableCroft Publishing)
* The Bride Price, Cat Sparks, edited by Russell B. Farr (Ticonderoga Publications)

Best Artwork

* Cover art, Eleanor Clarke, for The Back of the Back of Beyond by Edwina Harvey (Peggy Bright Books)
* Illustrations, Kathleen Jennings, for Eclipse Online (Nightshade Books)
* Cover art, Shauna O’Meara, for Next edited by Simon Petrie and Rob Porteous (CSFG Publishing)
* Cover art, Cat Sparks, for The Bride Price by Cat Sparks (Ticonderoga Publications)
* Rules of Summer, Shaun Tan (Hachette Australia)
* Cover art, Pia Ravenari, for Prickle Moon by Juliet Marillier (Ticonderoga Publications)

Best Fan Writer

* Tsana Dolichva, for body of work, including reviews and interviews in Tsana’s Reads and Reviews
* Sean Wright, for body of work, including reviews in Adventures of a Bookonaut
* Grant Watson, for body of work, including reviews in The Angriest
* Foz Meadows, for body of work, including reviews in Shattersnipe: Malcontent & Rainbows
* Alexandra Pierce, for body of work, including reviews in Randomly Yours, Alex
* Tansy Rayner Roberts, for body of work, including essays and reviews at www.tansyrr.com

Best Fan Artist

* Nalini Haynes, for body of work, including “Defender of the Faith”, “The Suck Fairy”, “Doctor Who vampire” and “The Last Cyberman” in Dark Matter
* Kathleen Jennings, for body of work, including “Illustration Friday”
* Dick Jenssen, for body of work, including cover art for Interstellar Ramjet Scoop and SF Commentary

Best Fan Publication in Any Medium

* Dark Matter Zine, Nalini Haynes
* SF Commentary, Bruce Gillespie
* The Writer and the Critic, Kirstyn McDermott and Ian Mond
* Galactic Chat Podcast, Sean Wright, Alex Pierce, Helen Stubbs, David McDonald, and Mark Webb
* The Coode Street Podcast, Gary K. Wolfe and Jonathan Strahan
* Galactic Suburbia, Alisa Krasnostein, Alex Pierce, and Tansy Rayner Roberts

Best New Talent

* Michelle Goldsmith
* Zena Shapter
* Faith Mudge
* Jo Spurrier
* Stacey Larner

William Atheling Jr Award for Criticism or Review

* Reviews in Randomly Yours, Alex, Alexandra Pierce
* “Things Invisible: Human and Ab-Human in Two of Hodgson’s Carnacki stories”, Leigh Blackmore, in Sargasso: The Journal of William Hope Hodgson Studies #1 edited by Sam Gafford (Ulthar Press)
* Galactic Suburbia Episode 87: Saga Spoilerific Book Club, Alisa Krasnostein, Alex Pierce, and Tansy Rayner Roberts
* The Reviewing New Who series, David McDonald, Tansy Rayner Roberts, and Tehani Wessely
* “A Puppet’s Parody of Joy: Dolls, Puppets and Mannikins as Diabolical Other”, Leigh Blackmore, in Ramsey Campbell: Critical Essays on the Master of Modern Horror edited by Gary William Crawford (Scarecrow Press)
* “That was then, this is now: how my perceptions have changed”, George Ivanoff, in Doctor Who and Race edited by Lindy Orthia (Intellect Books)

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2013 Aurealis Award winners announced

By
0
April 8, 2014

Saturday was a big day. I drove down to Canberra, took part in the Conflux Writer’s Day minicon, where I did a highspeed “Social Media for Authors” presentation, then went for a quick change of clothes in order to attend the Aurealis Awards ceremony. Nicole Murphy, who organised everything that day, did a truly amazing job. The writers day and awards ceremony were both superb. We caroused and drank and laughed, and fantastic Australian fiction scored very well-deserved awards.

Here are all the fantastic nominees and winners. If you want a sampler of excellent recent Aussie spec fic, here’s your huckleberry:

(The winners are separated at the top of each list of nominees.)

Best Science Fiction Novel

  • Lexicon, Max Barry (Hachette)


  • Trucksong, Andrew Macrae (Twelfth Planet)
  • A Wrong Turn at the Office of Unmade Lists, Jane Rawson (Transit Lounge)
  • True Path, Graham Storrs (Momentum)
  • Rupetta, Nike Sulway (Tartarus)

Best Science Fiction Short Story

  • “Air, Water and the Grove”, Kaaron Warren (The Lowest Heaven)


  • “The Last Tiger”, Joanne Anderton (Daily Science Fiction 5/17/13)
  • “Mah Song”, Joanne Anderton (The Bone Chime Song and Other Stories)
  • “Seven Days in Paris”, Thoraiya Dyer (Asymmetry)
  • “Version 4.3.0.1”, Lucy Stone (Andromeda Spaceways Inflight Magazine #57)

Best Fantasy Novel

  • A Crucible of Souls, Mitchell Hogan (self-published)


  • Lexicon, Max Barry (Hachette Australia)
  • These Broken Stars, Amie Kaufman & Meagan Spooner (Allen & Unwin)
  • Newt’s Emerald, Garth Nix (Jill Grinberg Literary Management)
  • Ink Black Magic, Tansy Rayner Roberts (FableCroft)

Best Fantasy Short Story

  • The Last Stormdancer, Jay Kristoff (Thomas Dunne)


  • “The Touch of the Taniwha”, Tracie McBride (Fish)
  • “Cold, Cold War”, Ian McHugh (Beneath Ceaseless Skies 6/13/13)
  • “Short Circuit”, Kirstie Olley (Oomph: A Little Super Goes a Long Way)
  • “The Year of Ancient Ghosts”, Kim Wilkins (The Year of Ancient Ghosts)

Best Horror Novel

  • Fairytales for Wilde Girls, Allyse Near (Random House Australia)


  • The Marching Dead, Lee Battersby (Angry Robot)
  • The First Bird, Greig Beck (Momentum)
  • Path of Night, Dirk Flinthart (FableCroft)

Best Horror Short Story

  • “The Year of Ancient Ghosts”, Kim Wilkins (The Year of Ancient Ghosts)


  • “Fencelines”, Joanne Anderton (The Bone Chime Song and Other Stories)
  • “The Sleepover”, Terry Dowling (Exotic Gothic 5)
  • “The Home for Broken Dolls”, Kirstyn McDermott (Caution: Contains Small Parts)
  • “The Human Moth”, Kaaron Warren (The Grimscribe’s Puppets)

Best Young Adult Novel (Tie)

  • These Broken Stars, Amie Kaufman & Meagan Spooner (Allen & Unwin)
  • Fairytales for Wilde Girls, Allyse Near (Random House Australia)


  • The Big Dry, Tony Davies (Harper Collins)
  • Hunting, Andrea Host (self-published)
  • The Sky So Heavy, Claire Zorn (University of Queensland Press)

Young Adult Short Story

  • “By Bone-Light”, Juliet Marillier (Prickle Moon)


  • “Mah Song”, Joanne Anderton (The Bone Chime Song and Other Stories)
  • “Morning Star”, D.K. Mok (One Small Step)
  • “The Year of Ancient Ghosts”, Kim Wilkins (The Year of Ancient Ghosts)

Best Collection

  • The Bone Chime Song and Other Stories, Joanne Anderton (FableCroft)


  • Asymmetry, Thoraiya Dyer (Twelfth Planet)
  • Caution: Contains Small Parts, Kirstyn McDermott (Twelfth Planet)
  • The Bride Price, Cat Sparks (Ticonderoga)
  • The Year of Ancient Ghosts, Kim Wilkins (Ticonderoga)

Best Anthology (Tie)

  • The Year’s Best Australian Fantasy and Horror 2012, Liz Grzyb & Talie Helene, eds. (Ticonderoga)
  • One Small Step: An Anthology of Discoveries, Tehani Wessely, ed. (FableCroft)


  • Dreaming of Djinn, Liz Grzyb, ed. (Ticonderoga)
  • The Best Science Fiction and Fantasy Of The Year: Volume Seven, Jonathan Strahan, ed. (Night Shade)
  • Focus 2012: Highlights of Australian Short Fiction, Tehani Wessely, ed. (FableCroft)

Best Children’s Fiction

  • The Four Seasons of Lucy McKenzie, Kirsty Murray (Allen & Unwin)


  • Kingdom of the Lost, Book 2: Cloud Road, Isobelle Carmody (Penguin Group Australia)
  • Refuge, Jackie French (Harper Collins)
  • Song for a Scarlet Runner, Julie Hunt (Allen & Unwin)
  • Rules of Summer, Shaun Tan (Hachette Australia)
  • Ice Breaker: The Hidden 1, Lian Tanner (Allen & Unwin)

Best Illustrated Book/Graphic Novel (Tie)

  • Burger Force, Jackie Ryan (self-published)
  • The Deep Vol. 2: The Vanishing Island, Tom Taylor & James Brouwer (Gestalt)


  • Savage Bitch, Steve Carter & Antoinette Rydyr (Scar Studios)
  • Mr Unpronounceable Adventures, Tim Molloy (Milk Shadow)
  • Peaceful Tomorrows Volume Two, Shane W Smith (Zetabella)

The annual Aurealis Awards ceremony took place at the Great Hall, University House, Australian National University, Canberra. All the details of the awards can be found at the Aurealis Awards website.

Congratulations to all the winners and nominees!

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2013 Aurealis Awards finalists announced

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February 16, 2014

AA logo 2013 Aurealis Awards finalists announcedAfter a record number of entries, the finalists for the 2013 Aurealis Awards have been announced.

The Aurealis Awards are Australia’s premier speculative fiction awards. The ceremony will take place April 5, 2014 in Canberra. The venue is the Great Hall, University House, Australian National University.

Doors open 7pm for drinks, ceremony begins at 8pm. Details here: http://www.aurealisawards.com/

Congratulations to all the very worthy nominees!

The 2013 Aurealis Awards Finalists are:

BEST ILLUSTRATED BOOK OR GRAPHIC NOVEL

Savage Bitch by Steve Carter and Antoinette Rydyr (Scar Studios)

Mr Unpronounceable Adventures by Tim Molloy (Milk Shadow Books)

Burger Force by Jackie Ryan (self-­‐published)

Peaceful Tomorrows Volume Two by Shane W Smith (Zetabella Publishing)

The Deep Vol. 2: The Vanishing Island by Tom Taylor and James Brouwer (Gestalt Publishing)

BEST CHILDREN’S BOOK

Kingdom of the Lost, book 2: Cloud Road by Isobelle Carmody (Penguin Group Australia)

Refuge by Jackie French (Harper Collins)

Song for a scarlet runner by Julie Hunt (Allen & Unwin)

The four seasons of Lucy McKenzie by Kirsty Murray (Allen & Unwin)

Rules of Summer by Shaun Tan (Hachette Australia)

Ice Breaker: The Hidden 1 by Lian Tanner (Allen & Unwin)

BEST YOUNG ADULT SHORTFICTION

“Mah Song” by Joanne Anderton (The Bone Chime Song and Other Stories, FableCroft Publishing)

“By Bone-­‐light” by Juliet Marillier (Prickle Moon, Ticonderoga Publications)

“Morning Star” by D.K. Mok (One  Small Step, an anthology of discoveries, FableCroft Publishing)

“The Year of Ancient Ghosts”  by Kim Wilkins (The Year of Ancient  Ghosts, Ticonderoga Publications)

BEST YOUNG ADULT NOVEL

The Big Dry by Tony Davies (Harper Collins)

Hunting by Andrea Host (self-­‐published)

These Broken Stars by Amie Kaufman and Meagan  Spooner (Allen & Unwin)

Fairytales for Wilde Girls by Allyse  Near (Random House  Australia)

The Sky So Heavy  by Claire Zorn (University of Queensland Press)

BEST HORROR SHORT FICTION

“Fencelines” by Joanne Anderton (The Bone Chime Song and Other Stories, FableCroft Publishing)

“The Sleepover” by Terry Dowling (Exotic  Gothic 5, PS Publishing)

“The Home for Broken Dolls” by Kirstyn McDermott (Caution: Contains Small Parts, Twelfth Planet Press)

“The Human  Moth” by Kaaron Warren (The Grimscribe’s Puppets, Miskatonic Press)

“The Year of Ancient Ghosts” by Kim Wilkins (The Year of Ancient Ghosts, Ticonderoga Publications)

BEST HORROR  NOVEL

The Marching Dead by  Lee Battersby (Angry Robot Books)

The First Bird by  Greig Beck (Momentum)

Path of Night by Dirk Flinthart (FableCroft Publishing)

Fairytales for  Wilde Girls by Allyse Near (Random House Australia)

BEST FANTASY SHORT FICTION

“The Last Stormdancer” by  Jay Kristoff (Thomas Dunne Books)

“The  Touch of the  Taniwha” by Tracie McBride (Fish, Dagan  Books)

“Cold, Cold War” by Ian McHugh  (Beneath Ceaseless Skies,  Scott H  Andrews)

“ShortCircuit” by Kirstie Olley (Oomph: a little  super goes a long  way, Crossed Genres)

“The Year of Ancient Ghosts” by Kim Wilkins (The Year of Ancient Ghosts,  Ticonderoga Publications)

BEST FANTASY NOVEL

Lexicon by Max Barry  (Hachette Australia)

A Crucible of Souls by Mitchell Hogan (self-­‐published)

These Broken Stars by Amie Kaufman and Meagan  Spooner (Allen & Unwin)

Newt’s Emerald by Garth Nix (Jill Grinberg Literary Management)

Ink Black Magic by Tansy Rayner  Roberts (FableCroft Publishing)

BEST SCIENCE FICTION SHORT FICTION

“The Last Tiger” by Joanne Anderton (Daily Science Fiction)

“Mah Song” by Joanne Anderton (The Bone Chime Song and  Other Stories, FableCroft Publishing)

“Seven Days in Paris” by  Thoraiya Dyer (Asymmetry, Twelfth Planet Press)

“Version 4.3.0.1” by Lucy Stone (Andromeda Spaceways Inflight Magazine #57)

“Air, Water and  the Grove” by Kaaron Warren  (The Lowest Heaven, Pandemonium Press)

BEST SCIENCE FICTION NOVEL

Lexicon by Max Barry (Hachette)

Trucksong  by Andrew Macrae (Twelfth Planet Press)

A Wrong  Turn At The Office  Of Unmade Lists by Jane Rawson (Transit Lounge)

True Path by Graham Storrs (Momentum)

Rupetta by Nike Sulway (Tartarus Press)

BEST ANTHOLOGY

The Year’s Best Australian Fantasy and Horror 2012  by Liz Grzyb and Talie Helene (Eds), (Ticonderoga Publications)

One  Small Step, An Anthology  Of Discoveries by Tehani Wessely (Ed) (FableCroft Publishing)

Dreaming Of Djinn by Liz Grzyb (Ed) (Ticonderoga Publications)

The Best Science Fiction  And Fantasy Of The  Year: Volume Seven by Jonathan Strahan (Ed) (NightShade Books)

Focus 2012: Highlights Of Australian Short Fiction by Tehani Wessely (Ed) (FableCroft Publishing)

BEST COLLECTION

The Bone Chime Song and  Other Stories by Joanne Anderton (FableCroft Publishing)

Asymmetry by Thoraiya Dyer (Twelfth Planet Press)

Caution: Contains Small Parts by Kirstyn McDermott (Twelfth Planet Press)

The Bride Price by Cat Sparks (Ticonderoga Publications)

The Year  of Ancient Ghosts by Kim  Wilkins (Ticonderoga Publications)

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Conflux Writer’s Day, featuring all sorts of writers including me

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January 28, 2014

I’m going to be one of many presenters at this awesome day for writers organised by the Conflux convention committee. Looks like it’s going to be well worth your time if you’re a writer and able to get to Canberra on the day. The best part? It’s the same day as the Aurealis Awards presentation gala night, so you can come to the writer’s day for professional development and general inspiration, and then glam up for the awards night.

The Writer’s Day presentations are from 9am-5pm on Saturday April 5 2014. Registrations are open now at http://conflux.org.au/conflux-writers-day-2/registration/. It will take place at University House, Australian National University, Canberra.

The theme of the day is ‘The Writers Journey’, which will be covered by four sub-themes – ‘Writing Skills’, ‘Writing Processes’, ‘Submission and Publication’ and ‘Building a Career’.

Four plenary speakers will be addressing these themes. These speakers are:

Joanne Anderton
Kaaron Warren
Ian McHugh
Keri Arthur

Clicking on those names will take you to the Conflux page describing their talk.

There will also be a bunch of concurrent presentations bringing great thoughts and ideas to writers at all stages of their career. That’s where I come in. I’ll be talking about “Building an online presence: social media for authors”. Here’s the abstract, describing what I’ll be talking about:

A presentation on how authors can best build an online presence to promote themselves and their work, utilising the most powerful social media tools, with a central website hub to streamline their activity. Too often, an emphasis on social media distracts from writing time, or an author is overwhelmed by all the things they think they *should* be doing online, instead of writing. This presentation will break down the basics, identify the most powerful online tools and how to use them effectively with very little effort or time required on the part of the author. We will also debunk the myth of the “author platform”.

We will look at personal websites, integrated social media feeds and what an author really *needs* to do. There will be a decent amount of time at the end of the presentation for Q&A.

You can go here for a full breakdown of the day’s presentations. The concurrent presentations are factored in around the plenary speakers, so you can go to all four keynote speeches and then take your pick of all the other stuff. There are some great people with loads of knowledge presenting at this thing, so if you’re able, I highly recommend you try to get along. If you do, come and say hi. Hope to see you there.

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Obligatory eligibility post for award season

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January 17, 2014

It’s award season in the SFF world and I’ve seen several people post things on Twitter and Facebook and the like that basically say, “Yes, I want a reminder of what you’ve had published in 2013 so I can make informed votes, but no, I don’t want to be spammed upside the head with it constantly.” Which is really fair enough. I’ve been enjoying several of these posts and remembering books and stories I enjoyed last year. So, I’ll just leave this post here for people to do with as they please.

In short fiction, I’ve had the following publications in 2013 (if there’s a link, you can read it online):

Not the Worst of Sins” – Beneath Ceaseless Skies #133 (October 31st, 2013)

“Roll the Bones” – Crowded Magazine issue #2 (August 2013)

“The Beat Of A Pale Wing” – A Killer Among Demons anthology (Dark Prints Press, June 2013)

“The Fathomed Wreck To See” – Midnight Echo Magazine, issue 9 (May 2013)

“On A Crooked Leg Lightly” – Dreaming Of Djinn anthology (Ticonderoga Publications, May 2013)

“Quantum Echoes” – Next anthology (CFSG Publishing, April 2013)

“A Time For Redemption” – Urban Occult anthology (Anachron Press, March 2013)

“It’s Always the Children Who Suffer” – Midnight Echo Magazine, issue 10, Winner of the 2013 AHWA Short Story Competition (due end of December, 2013)

“Exposure Compensation” – Midnight Echo Magazine, issue 10 (due end of December, 2013)

Also published in 2013 was “Dark Rite”, the short horror novel I co-wrote with David Wood. That’s some good, pulpy, Hammer-esque horror fun if you’re into that sort of thing, and barely more than a novella, so a quick, easy read.

All the anthologies, magazines, novels and so on I’ve talked about above, and all the others I’m involved with, can be tracked down via this page: http://www.alanbaxteronline.com/books/.

So if you enjoyed any of the above last year and you fancy voting for it anywhere, I would be most grateful. And remember to check in with the blogs of your favourite writers for a reminder of their eligible stuff. The more people who vote in popular awards, the better the awards reflect the will of the reading public. Have at it.

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My year in review

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December 20, 2013

I guess this post is more for my own benefit than the interest of readers, but what the fuck? They say blogging is dead anyway. Actually, it’s not, by a long way, it’s just changed. But still. I’d like to think this post might also serve as some kind of inspiration. After all, it’s been a hell of a good year for me, writing-wise, and I’ve been working my arse off for a long time to get to this point. Maybe others can draw strength from that. I started to take being a professional writer seriously in 1997, after all. That’s 16 years ago now. Shit, eh? Where does the time go? We’re all getting older, life’s a bitch and all that. But 2013 was a fucking good year for me, so maybe it can inspire others who are trudging this long road to keep going. One more step. Then another. Art hard and don’t give up, motherhumpers.

After all, a successful person is a simply a failure who refused to godsdamn quit.

And you know, the longer I work at this gig, the more true that becomes. I’ve talked before about how success is basically hard work, luck and determination. It’s really the determination that’s the key. If you’re determined to keep going and keep working hard, you’ll get better. If you get better and stay determined, you’ll get more luck. More opportunities will come along if you’re busy working hard. You just have to notice and take them.

So, professionally, what’s happened this year for me? In short fiction, I’ve had the following publications:

“Not the Worst of Sins” – Beneath Ceaseless Skies #133 (October 31st, 2013)

“Roll the Bones” – Crowded Magazine issue #2 (August 2013)

“The Beat Of A Pale Wing” – A Killer Among Demons anthology (Dark Prints Press, June 2013)

“The Fathomed Wreck To See” – Midnight Echo Magazine, issue 9 (May 2013)

“On A Crooked Leg Lightly” – Dreaming Of Djinn anthology (Ticonderoga Publications, May 2013)

“Quantum Echoes” – Next anthology (CFSG Publishing, April 2013)

“A Time For Redemption” – Urban Occult anthology (Anachron Press, March 2013)

“Tiny Lives” – originally published in Daily Science Fiction (25th December 2012) this was reprinted in the Year’s Best Australian Fantasy & Horror 2012 (Ticonderoga Publications, August 2013)

That’s seven original stories and a reprint published already, including two pro sales (5c/word or more). I’ve still got three more publications due out this year, all in December:

“All the Wealth in the World” – Lakeside Circus 1, due any day now.

“It’s Always the Children Who Suffer” – Midnight Echo Magazine, issue 10, Winner of the 2013 AHWA Short Story Competition (due end of December, 2013)

“Exposure Compensation” – Midnight Echo Magazine, issue 10 (due end of December, 2013)

So that’s 10 original stories published and one Year’s Best reprint. Which is pretty awesome. And you’ll notice one of those originals is the winner of the 2013 AHWA Short Story Competition, another great high point for the year. I’ve also sold a couple of stories already that will be out next year, so it’s good to get a start on that.

Also published this year was Dark Rite, the short horror novel I co-wrote with David Wood. That’s some good, pulpy, Hammer-esque horror fun if you’re into that sort of thing, and barely more than a novella, so a quick, easy read.

All the anthologies, magazines, novels and so on I’ve talked about here, and all the others I’m involved with, can be tracked down via this page: http://www.alanbaxteronline.com/books/

I’d be very happy with all that as a year’s work on its own, but of course, I’m saving the best for last. A couple of months ago I signed a three book deal with HarperVoyager Australia, and they’re publishing my trilogy The Alex Caine Series between July and December next year. That’s not only the high point of the year, it’s the high point of my career to date. I couldn’t be more excited about it.

And on top of all that, my son was born at the end of October.

Oh yes, 2013 is going down as one HELL of a year. It’s hard work all the way, but it’s paying off. I’m getting better all the time, I’m staying determined, I’m working hard and I’m starting to see real results.

You can too. Go for it!

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2013 British Fantasy Award and World Fantasy Award winners announced

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November 4, 2013

The British Fantasy Society announced the winners of the 2013 British Fantasy Awards at a ceremony during the World Fantasy Convention in Brighton, England on November 3, 2013. The full list of nominees is shown below, with the winner being the first entry in each category:

Best Novel (the August Derleth Fantasy Award)

  • Some Kind of Fairy Tale, Graham Joyce (Gollancz)

 

  • Red Country, Joe Abercrombie (Gollancz)
  • The Brides of Rollrock Island, Margo Lanagan (David Fickling)
  • Railsea, China Miéville (Macmillan)
  • Blood and Feathers, Lou Morgan (Solaris)

Best Horror Novel (the August Derleth Award)

  • Last Days, Adam Nevill (Macmillan)

 

  • The Kind Folk, Ramsey Campbell (PS)
  • Some Kind of Fairy Tale, Graham Joyce (Gollancz)
  • The Drowning Girl, Caitlín R. Kiernan (Roc)
  • Silent Voices, Gary McMahon (Solaris)

Best Novella

  • The Nine Deaths of Dr Valentine, John Llewellyn Probert (Spectral)

 

  • The Respectable Face of Tyranny, Gary Fry (Spectral)
  • “Curaré”, Michael Moorcock (Zenith Lives!)
  • Eyepennies, Mike O’Driscoll (TTA)

Best Short Story

  • “Shark! Shark!”, Ray Cluley (Black Static #29)

 

  • “Sunshine”, Nina Allan (Black Static #29)
  • “Our Island”, Ralph Robert Moore (Where Are We Going?)
  • “Wish for a Gun”, Sam Sykes (A Town Called Pandemonium)

Best Collection

  • Remember Why You Fear Me, Robert Shearman (ChiZine)

 

  • The Woman Who Married a Cloud, Jonathan Carroll (Subterannean)
  • Where Furnaces Burn, Joel Lane (PS)
  • From Hell to Eternity, Thana Niveau (Gray Friar)

Best Anthology:

  • Magic: An Anthology of the Esoteric and Arcane, Jonathan Oliver, ed. (Solaris)

 

  • Terror Tales of the Cotswolds, Paul Finch, ed. (Gray Friar)
  • The Mammoth Book of Ghost Stories by Women, Marie O’Regan, ed. (Robinson)
  • A Town Called Pandemonium, Anne C. Perry & Jared Shurin, eds. (Jurassic London)

Best Small Press (the PS Publishing Independent Press Award)

  • ChiZine Publications (Brett Alexander Savory & Sandra Kasturi)

 

  • Gray Friar Press (Gary Fry)
  • Spectral Press (Simon Marshall-Jones)
  • TTA Press (Andy Cox)

Best Non-Fiction

  • Pornokitsch, Anne C. Perry & Jared Shurin, eds.

 

  • Ansible, David Langford
  • The Cambridge Companion to Fantasy Literature, Edward James & Farah Mendlesohn, eds. (Cambridge University Press)
  • Coffinmaker’s Blues (column), Stephen Volk (Black Static)
  • Fantasy Faction, Marc Aplin, ed.
  • Reflections: On the Magic of Writing, Diana Wynne Jones (David Fickling)

Best Magazine/Periodical

  • Interzone, Andy Cox, ed. (TTA)

 

  • Black Static, Andy Cox, ed. (TTA)
  • SFX, David Bradley, ed. (Future)
  • Shadows and Tall Trees, Michael Kelly, ed. (Undertow)

Best Artist

  • Sean Phillips

 

  • Ben Baldwin
  • Vincent Chong
  • Les Edwards
  • David Rix

Best Comic/Graphic Novel

  • Saga, Brian K. Vaughan & Fiona Staples (Image)

 

  • The Unwritten, Mike Carey, Peter Gross, Gary Erskine, Gabriel Hernández Walta, M.K. Perker, Vince Locke, and Rufus Dayglo (Vertigo)
  • The Walking Dead, Robert Kirkman and Charlie Adlard (Skybound/Image)
  • Dial H, China Miéville, Mateus Santolouco, David Lapham, and Riccardo Burchielli (DC)

Best Screenplay

  • The Cabin in the Woods, Joss Whedon &Drew Goddard

 

  • Sightseers, Alice Lowe, Steve Oram, & Amy Jump
  • The Hobbit: An Unexpected Journey, Fran Walsh, Philippa Boyens, Peter Jackson, & Guillermo del Toro
  • Avengers Assemble, Joss Whedon

Best Newcomer (the Sydney J. Bounds Award)

  • Helen Marshall, for Hair Side, Flesh Side (ChiZine)

 

  • Saladin Ahmed, for Throne of the Crescent Moon (Gollancz)
  • Stephen Bacon, for Peel Back the Sky (Gray Friar)
  • Stephen Blackmoore, for City of the Lost (DAW)
  • Kim Curran, for Shift (Strange Chemistry)
  • Anne Lyle, for The Alchemist of Souls (Angry Robot)
  • Alison Moore, for The Lighthouse (Salt Publishing)
  • Lou Morgan, for Blood and Feathers (Solaris)
  • E.C. Myers, for Fair Coin (Pyr)
  • Molly Tanzer, for A Pretty Mouth (Lazy Fascist)

 

Also at the World Fantasy Convention, the World Fantasy Awards winners for works published in 2012 were announced on the same day.

Again, the full list of nominees is shown below, the World Fantasy Award winners being the first listed in each category:

Life Achievement:

  • Susan Cooper
  • Tanith Lee

Novel:

  • Alif the UnseenG. Willow Wilson (Grove; Corvus)

 

  • The Killing Moon, N.K. Jemisin (Orbit US; Orbit UK)
  • Some Kind of Fairy Tale, Graham Joyce (Gollancz; Doubleday)
  • The Drowning Girl, Caitlín R. Kiernan (Roc)
  • Crandolin, Anna Tambour (Chômu)

Novella:

  • “Let Maps to Others”, K.J. Parker (Subterranean Summer ’12)

 

  • “Hand of Glory”, Laird Barron (The Book of Cthulhu II)
  •  The Emperor’s Soul, Brandon Sanderson (Tachyon)
  • “The Skull”, Lucius Shepard (The Dragon Griaule)
  • “Sky”, Kaaron Warren (Through Splintered Walls)

Short Story:

  • “The Telling”, Gregory Norman Bossert (Beneath Ceaseless Skies 11/29/12)

 

  • “A Natural History of Autumn”, Jeffrey Ford (F&SF 7-8/12)
  • “The Castle That Jack Built”, Emily Gilman (Beneath Ceaseless Skies 1/26/12)
  • “Breaking the Frame”, Kat Howard (Lightspeed 8/12)
  • “Swift, Brutal Retaliation”, Meghan McCarron (Tor.com 1/4/12)

Anthology:

  • Postscripts #28/#29: Exotic Gothic 4, Danel Olson, ed. (PS Publishing)

 

  • Epic: Legends of Fantasy, John Joseph Adams, ed. (Tachyon)
  • Three Messages and a Warning: Contemporary Mexican Short Stories of the Fantastic, Eduardo Jiménez Mayo & Chris N. Brown, eds. (Small Beer)
  • Magic: An Anthology of the Esoteric and Arcane, Jonathan Oliver, ed. (Solaris)
  • Under My Hat: Tales from the Cauldron, Jonathan Strahan, ed. (Random House)

Collection:

  • Where Furnaces Burn, Joel Lane (PS Publishing)

 

  • At the Mouth of the River of Bees, Kij Johnson (Small Beer)
  • The Unreal and the Real: Selected Stories Volume One: Where on Earth and Volume Two: Outer Space, Inner Lands, Ursula K. Le Guin (Small Beer)
  • Remember Why You Fear Me, Robert Shearman (ChiZine)
  • Jagannath, Karin Tidbeck (Cheeky Frawg)

Artist:

  • Vincent Chong

 

  • Didier Graffet & Dave Senior
  • Kathleen Jennings
  • J.K. Potter
  • Chris Robert

Special Award Professional:

  • Lucia Graves for the translation of The Prisoner of Heaven (Weidenfeld & Nicholson; Harper) by Carlos Ruiz Zafón

 

  • Peter Crowther & Nicky Crowther for PS Publishing
  • Adam Mills, Ann VanderMeer, & Jeff VanderMeer for Weird Fiction Review
  • Brett Alexander Savory & Sandra Kasturi for ChiZine Publications
  • William K. Schafer for Subterranean Press

Special Award Non-Professional:

  • S.T. Joshi for Unutterable Horror: A History of Supernatural Fiction, Volumes 1 & 2 (PS Publishing)

 

  • Scott H. Andrews for Beneath Ceaseless Skies
  • L. Timmel Duchamp for Aqueduct Press
  • Charles A. Tan for Bibliophile Stalker blog
  • Jerad Walters for Centipede Press
  • Joseph Wrzos for Hannes Bok: A Life in Illustration (Centipede Press)

Congratulations to all the winners and nominees in both Awards.

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Welcome

The website of author Alan Baxter

Alan Baxter, Author

Author of horror, dark fantasy & sci-fi. Kung Fu instructor. Personal Trainer. Motorcyclist. Dog lover. Gamer. Heavy metal fan. Britstralian. Zetetic.

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